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Author: Magdalena Abakanowicz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 250
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Book Description
"Magdalena Abakanowicz was born to aristocratic parents in 1930 and raised on their country estate. She came of age against the tumultuous background of World War II and its aftermath. Today she is revered for her uncompromising, individualistic vision developed in her native Poland under the hostile eyes of the repressive Communist regime that was in power for most of her adult life. She has personally witnessed the worst of humanity's instinct for destructive behavior and has made art that unflinchingly presents the human condition. She had, by the 1960s, gained the beginning of an international reputation as a sculptor in soft materials with the creation of monumental environments called Abakans." "She changed sculpture from "object to look at" into "space to experience". Monumental, powerful compositions in bronze or stone, iron or concrete have been created for specific locations and are permanently installed as environments accessible to people." "Magdalena Abakanowicz also draws and paints, has choreographed dances performed by Japanese and Polish youngsters, and has designed Arboreal Architecture - buildings as "vertical gardens" - to be used as part of an extension to the principal axis in the city of Paris." "She has been determined from the very beginning to build her own vision of reality. She has never followed trends, all her creations being dictated by her imagination."--BOOK JACKET.
Author: Magdalena Abakanowicz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 250
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Book Description
"Magdalena Abakanowicz was born to aristocratic parents in 1930 and raised on their country estate. She came of age against the tumultuous background of World War II and its aftermath. Today she is revered for her uncompromising, individualistic vision developed in her native Poland under the hostile eyes of the repressive Communist regime that was in power for most of her adult life. She has personally witnessed the worst of humanity's instinct for destructive behavior and has made art that unflinchingly presents the human condition. She had, by the 1960s, gained the beginning of an international reputation as a sculptor in soft materials with the creation of monumental environments called Abakans." "She changed sculpture from "object to look at" into "space to experience". Monumental, powerful compositions in bronze or stone, iron or concrete have been created for specific locations and are permanently installed as environments accessible to people." "Magdalena Abakanowicz also draws and paints, has choreographed dances performed by Japanese and Polish youngsters, and has designed Arboreal Architecture - buildings as "vertical gardens" - to be used as part of an extension to the principal axis in the city of Paris." "She has been determined from the very beginning to build her own vision of reality. She has never followed trends, all her creations being dictated by her imagination."--BOOK JACKET.
Author: Joanna Inglot
Publisher: Univ of California Press
ISBN: 0520231252
Category : Art
Languages : en
Pages : 184
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Book Description
Publisher Description
Author: MICHAEL. MOSKALEWICZ BRENSON (MAGDALENA.)
Publisher:
ISBN: 9788857247731
Category :
Languages : en
Pages : 304
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Book Description
The exhibition "La Corte del Rey Arturo" (The Court of King Arthur) presented in the Crystal Palace was a project that reflects Abakanowicz's childhood experience in the Polish forests and lakes where, according to her own words, there were strange powers with magical force of the local popular religious festivals. The exhibition catalog combines, in a retrospective way, a review of Abakanowicz' s previous work with the series that she completed for this occasion. This publication includes three essays of the specialists in her work: Mariusz Hermansdorfer, Karoline Hubner and Mary Jane Jacob.
Author: Ann Coxon
Publisher: Tate Publishing
ISBN: 9781849766739
Category : Fiberwork
Languages : en
Pages : 0
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Book Description
Magdalena Abakanowicz (1930-2017) was a Polish artist who revolutionised the use of woven forms in art. This book reveals her impact on environmental sculpture, as well as her deeply personal interests in natural phenomena and global cultures
Author: Magdalena Abakanowicz
Publisher: Oriel Mostyn & Yorkshire Sculpture Park
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
Author: Mark Scala
Publisher: In Collaboration with Frist Ar
ISBN: 9780826520890
Category : Art
Languages : en
Pages : 0
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Book Description
The third in a series of exhibition catalogs on the human body in contemporary art
Author: Emily Rothrum
Publisher: Skira Editore
ISBN: 9788857230658
Category : Sculpture, Abstract
Languages : en
Pages : 256
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Book Description
Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist's hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, François Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse.
Author: Mary Jane Jacob
Publisher: Univ of California Press
ISBN: 0520260767
Category : Art
Languages : en
Pages : 296
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Book Description
"Learning Mind: Experience Into Art is astonishing in its range of authors, depths of perception, and subjects, gliding elegantly among three thematic clusters, from 'Being of Being an Artist' to 'Making Art and Pedagogy' and, finally, to 'Experiencing Art.' The editors have brilliantly and imaginatively realized the promise of their anthology's tantalizing, terse title."--Moira Roth, author of Traveling Companions/Fractured Worlds "Jacob and Baas have gathered together an exceptional group of some of the most articulate writers about art of this generation, as well as some of the most intelligent, thoughtful, esteemed and socially engaged artists. The Learning Mind invites them to speak from their own experiences with art; what emerges are important biographical moments of insight about the way art is a device for transforming consciousness."--Jennifer Gonzalez, University of California, Santa Cruz
Author: Jenelle Porter
Publisher: Prestel Pub
ISBN: 9783791353821
Category : Art
Languages : en
Pages : 256
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Book Description
This lavish book documents the developments in the field of fiber-related art over the past half century. The 1960s saw a revolution in fiber art. Where once the focus was on knotting, twining, and coiling thread into works that were immediately recognizable, and therefore connected to utilitarian crafts, fiber artists of the later 20th-century began to experiment with abstract forms that were closer to sculpture than craft. Influenced by postmodernist ideas, these works are the product of experimentation with materials and technique while at the same time confronting important cultural issues. This book traces that development from the mid-twentieth century to the present. In the words of Bauhaus weaver Anni Albers, the expressive quality of fiber is essentially a "language of thread." That language is beautifully displayed in full-color spreads and individual illustrations in this book. Scholarly essays address the feminist movement of the 1970s; the expanded use of materials in the '80s and '90s; and the more recent employment of fiber as one more material in the creation of freestanding works. In addition to a section of full color illustrations, this book also includes profiles of all of the genre's most influential artists.
Author: Des Moines Art Center
Publisher: Hudson Hills
ISBN: 9781879003200
Category : Architecture
Languages : en
Pages : 364
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Book Description
This magnificent volume marks the fiftieth anniversary of this museum and art school housed in buildings designed by world-renowned architects Eliel Saarinen, I.M. Pei, and Richard Meier. Illustrated essays cover the history of the Center and its distinguished architecture. Colorplates and commentary present more than 100 masterpieces of 20th-century art and tribal arts.
