Macready's Reminiscences and Selections from his Diaries and Letters PDF Download
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Author: Frederick Pollock
Publisher: BoD – Books on Demand
ISBN: 338523929X
Category : Fiction
Languages : en
Pages : 774
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Book Description
Reprint of the original, first published in 1875.
Author: William Charles Macready
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 762
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Book Description
Author: Frederick Pollock
Publisher: BoD – Books on Demand
ISBN: 338523929X
Category : Fiction
Languages : en
Pages : 774
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Book Description
Reprint of the original, first published in 1875.
Author: William Charles Macready
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 796
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Book Description
Author: William Charles MACREADY
Publisher:
ISBN:
Category :
Languages : en
Pages : 786
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Book Description
Author: J. Richards
Publisher: Springer
ISBN: 0230250890
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
The first study of the depictions of the Ancient World on the Victorian and Edwardian stage, this book analyzes plays set in and dramatising the histories of Greece, Rome, Egypt, Babylon and the Holy Land. In doing so, it seeks to locate theatre within the wider culture, tracing its links and interaction with other cultural forms.
Author: William Charles Macready
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 532
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Book Description
Author: John Ripley
Publisher: Cambridge University Press
ISBN: 052122781X
Category : Drama
Languages : en
Pages : 390
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Book Description
Professor Ripley, in this 1980 study of Julius Caesar, offers one of the most detailed stage histories ever attempted, focusing upon aspects both of English and American staging from 1599 to 1973. His primary sources include promptbooks and groundplans, letters, diaries and reviews. He approaches the play from four different angles: he examines the texts used in all major productions, and makes valuable deductions about the taste and sensibility of an age from cuts, alterations, additions and redistribution of parts. He explains in detail the staging of the play at various points in time, and demonstrates how sets and costumes, bits of business, handling of crowd scenes and lighting affected its business. He reconstructs performances of the four main roles by the greater and lesser lights of each period. Finally, he comments on the way in which the theories of critics and, in modern times, directors' ideas have influenced understanding of the play.
Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040128793
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Author: Charlotte A. Lerg
Publisher: BRILL
ISBN: 9004351566
Category : History
Languages : en
Pages : 289
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Book Description
Transatlantic Revolutionary Cultures, 1789-1861 argues that the revolutionary era constituted a coherent chapter in transatlantic history and that individual revolutions were connected to a broader, transatlantic and transnational frame. As a composite, the essays place instances of political upheaval during the long nineteenth century in Europe and the Americas in a common narrative and offer a new interpretation on their seeming asynchrony. In the age of revolutions the formation of political communities and cultural interactions were closely connected over time and space. Reciprocal connections arose from discussions on the nature of history, deliberations about constitutional models, as well as the reception of revolutions in popular culture. These various levels of cultural and intellectual interchange we term “transatlantic revolutionary cultures.” Contributors are: Ulrike Bock, Anne Bruch, Peter Fischer, Mischa Honeck, Raphael Hörmann, Charlotte A. Lerg, Marc H. Lerner, Michael L. Miller, Timothy Mason Roberts, and Heléna Tóth.
Author: Matteo Pangallo
Publisher: Routledge
ISBN: 1000352579
Category : Literary Collections
Languages : en
Pages : 341
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Book Description
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.
