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Author: John K. Samson
Publisher: Arp Books
ISBN: 9781894037587
Category : Poetry
Languages : en
Pages : 0
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Book Description
Often cited as one of the finest contemporary lyricists, singer, songwriter and poet John K. Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked. This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.
Author: John K. Samson
Publisher: Arp Books
ISBN: 9781894037587
Category : Poetry
Languages : en
Pages : 0
Get Book Here
Book Description
Often cited as one of the finest contemporary lyricists, singer, songwriter and poet John K. Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked. This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.
Author: Mutlu Blasing
Publisher: Princeton University Press
ISBN: 1400827418
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
Author: Francesco Petrarca
Publisher: Harvard University Press
ISBN: 9780674663480
Category : Education
Languages : en
Pages : 682
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Book Description
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
Author: Neil Tennant
Publisher: Faber & Faber
ISBN: 0571348912
Category : Music
Languages : en
Pages : 253
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Book Description
Everything I've ever doneEverything I ever doEvery place I've ever beenEverywhere I'm going toOver a career that spans four decades and thirteen studio albums with Pet Shop Boys, Neil Tennant has consistently proved himself to be one of the most elegant and stylish of contemporary lyricists. Arranged alphabetically, One Hundred Lyrics and a Poem presents an overview of Neil Tennant's considerable achievement as a chronicler of modern life: the romance, the break-ups, the aspirations, the changing attitudes, the history, the politics, the pain. The landscape of Tennant's lyrics is recognisably British in character - restrained and preoccupied with the mundane, occasionally satirical, yet also yearning for escape and theatrical release. Often surprisingly revealing, this volume is contextualised by a personal commentary on each lyric and a fascinating introduction by the author which gives an insight into the process and genesis of writing. Flamboyant, understated, celebratory and elegiac, Neil Tennant's lyrics are a document of our times.
Author: Joni Mitchell
Publisher: Three Rivers Press (CA)
ISBN: 9780609802182
Category : English poetry
Languages : en
Pages : 0
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Book Description
In the generation of singer-songwriters who came to fame in the '60s, none has created a more evocative, bittersweet, literate, and reflective body of work than Joni Mitchell. Today's music owes much to her innovation and inspiration.After displaying a haunting and sophisticated quality in such early albums as Joni Mitchell (1968) and Ladies of the Canyon (1970), Mitchell reached her poetic apotheosis in the surreal and mythical Hejira (1976) and Don Juan's Reckless Daughter (1977). In more recent works like Night Ride Home (1991) and Turbulent Indigo (1994) her poetic vision continued to sharpen and grow more penetrating.Joni Mitchell: The Complete Poems and Lyrics -- including lyrics from Joni's newest album, Taming the Tiger, newly added to this paperback edition -- gives us the first opportunity to reconsider Mitchell's written work in the broad sweep of its power, honesty, and reflective beauty.
Author: Katie Ford
Publisher: Graywolf Press
ISBN: 1555973493
Category : Poetry
Languages : en
Pages : 77
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Book Description
"Katie Ford's is a finely-wrought lyrical beauty, a poetry of detail and care, but she has set it within an epic arc." —Poetry I lie still, play dead, am delivered decree: our daughter weighs seven hundred dimes, paperclips, teaspoons of sugar, this child of grams for which the good nurse laid out her studies as a coin purse into which our tiny wealth clinked, our daughter spilling almost to the floor. —from "Of a Child Early Born" In Katie Ford's third collection, she sets her music into lyrics wrung from the world's dangers. Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."
Author: Florence Welch
Publisher: Crown Archetype
ISBN: 0525577165
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Lyrics and never-before-seen poetry and sketches from the iconic musician of Florence and the Machine Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.
Author: Harry Chapin
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 120
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Book Description
Author: Christopher J. McDonough
Publisher: Harvard University Press
ISBN: 0674055578
Category : History
Languages : en
Pages : 337
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Book Description
This volume presents two complementary medieval anthologies containing lyrics by two outstanding Latin poets of the second half of the twelfth century. The collection is further augmented by verse as varied as Christmas poems and satires on the venality of the Roman Curia and immoral bishops.
Author: Marisa Galvez
Publisher: University of Chicago Press
ISBN: 0226280527
Category : Language Arts & Disciplines
Languages : en
Pages : 298
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Book Description
How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
