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Category :
Languages : en
Pages : 1150
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Author:
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ISBN:
Category :
Languages : en
Pages : 1150
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Author: Natalie Pollard
Publisher: Oxford University Press
ISBN: 0191631140
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Speaking to You examines our pleasures in, accounts of, and uses for British poetry today. It explores the work of four important poets writing post-1960—Don Paterson, Geoffrey Hill, W.S. Graham, and C.H. Sisson—in order to show how contemporary British poetry's creative handling of addresses to 'you' are key in its interactions with readers, critics, lovers, editors, fellow poets, and deceased forebears. The book lays out clearly, in four sections that focus on individual writers, how saying 'you' operates in contemporary poetry. It shows how lyric address is bound up with poetry's ability to delight, move and tease its public. It puts address into dialogue with a range of familiar literary figures across the ages - namely specific Modernist, Romantic, early Modern, and Classical poets - that will be familiar to scholars and ordinary readers alike. From John Donne to Carol Ann Duffy, T.S. Eliot to Philip Larkin, Keats to Tony Harrison, address has been key in constructing political and personal identities. This book argues that, for contemporary poets - like that of these canonical writers - address is persuasive public interlocution; demanding 'you' rethink regional and historical allegiances.
Author: Rikky Rooksby
Publisher: Backbeat Books
ISBN: 1476853444
Category : Music
Languages : en
Pages : 345
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Book Description
(Book). Lyrics sheds light on all aspects of lyric writing for music and will make songwriters feel more confident and creative when they tackle lyrics. It's perfect for all songwriters: those who don't like their own lyrics and find them difficult to write, experienced writers looking for a creative edge, and those offering lyrics to set to music in a partnership. Topics include channeling personal experiences into lyrics, overcoming writer's block, the right lyrics for a bridge, the separation between lyrics and poetry, exploring imagery and metaphor, avoiding cliches, and more. The book also offers tips on the various styles of lyrics, from protests, spirituals, and confessionals to narratives and comic songs.
Author:
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ISBN:
Category : Theater
Languages : en
Pages : 636
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Book Description
Author: Marion Thain
Publisher: Edinburgh University Press
ISBN: 1474415687
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).
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Category : Bibliography
Languages : en
Pages : 1826
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Book Description
Official organ of the book trade of the United Kingdom.
Author: Anne F. Janowitz
Publisher: Cambridge University Press
ISBN: 9780521572590
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.
Author:
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ISBN:
Category :
Languages : en
Pages : 1274
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Book Description
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 632
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Book Description
Author: Kim F. Hall
Publisher: Cornell University Press
ISBN: 1501725459
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The "Ethiope," the "tawny Tartar," the "woman blackamoore," and "knotty Africanisms"—allusions to blackness abound in Renaissance texts. Kim F. Hall's eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England's expansion into realms of difference and otherness—through exploration and colonialism-and the highly charged ideas of race and gender which emerged. How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on the literary portrayal of blackness? And how did the interrelationship of tropes of race and gender contribute to a modern conception of individual identity? Hall mines a wealth of sources for answers to these questions: travel literature from Sir John Mandeville's Travels to Leo Africanus's History and Description of Africa; lyric poetry and plays, from Shakespeare's Antony and Cleopatra and The Tempest to Ben Jonson's Masque of Blackness; works by Emilia Lanyer, Philip Sidney, John Webster, and Lady Mary Wroth; and the visual and decorative arts. Concentrating on the sixteenth and seventeenth centuries, Hall shows how race, sexuality, economics, and nationalism contributed to the formation of a modern ( white, male) identity in English culture. The volume includes a useful appendix of not readily accessible Renaissance poems on blackness.
