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Author: Cynthia Skove Nevels
Publisher: Texas A&M University Press
ISBN: 1603444580
Category : History
Languages : en
Pages : 205
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Book Description
Nevels argues that five racially motivated murders of black men in Brazos County, Texas, point to an emerging social phenomenon of the time: the desire of newly arrived European immigrants to assert their place in society and the use of racial violence to achieve that end.
Author: Cynthia Skove Nevels
Publisher: Texas A&M University Press
ISBN: 1603444580
Category : History
Languages : en
Pages : 205
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Book Description
Nevels argues that five racially motivated murders of black men in Brazos County, Texas, point to an emerging social phenomenon of the time: the desire of newly arrived European immigrants to assert their place in society and the use of racial violence to achieve that end.
Author: Cynthia Skove Nevels
Publisher: Texas A&M University Press
ISBN: 9781585445899
Category : History
Languages : en
Pages : 222
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Book Description
Thousands of black men died violently at the hands of mobs in the post–Civil War South. But in Brazos County, Texas, argues Cynthia Nevels, five such deaths in particular point to an emerging social phenomenon of the time: the desire of newly arrived European immigrants to assert their place in society, and the use of racially motivated violence to achieve that end. Driven by economics and the forces of history, the Italian, Irish, and Czech immigrants to this rich agricultural region were faced with the necessity of figuring out where they fit in a culture that had essentially two categories: white and black. In many ways, the newcomers realized, they belonged in neither position. In the end, they found ways to resolve the ambiguity by taking advantage of and sometimes participating directly in the South’s most brutal form of racial domination. For each of the immigrant groups caught up in the violence, the deaths of black men helped to establish racial identity and to bestow the all-important privileges of whiteness. This compelling and superbly written study will appeal to students and scholars of social and racial history, both regional and national.
Author: Philip Dray
Publisher: Modern Library
ISBN: 0307430669
Category : History
Languages : en
Pages : 554
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Book Description
WINNER OF THE SOUTHERN BOOK CRITICS CIRCLE AWARD FOR NONFICTION • “A landmark work of unflinching scholarship.”—The New York Times This extraordinary account of lynching in America, by acclaimed civil rights historian Philip Dray, shines a clear, bright light on American history’s darkest stain—illuminating its causes, perpetrators, apologists, and victims. Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all. Praise for At the Hands of Persons Unknown “In this history of lynching in the post-Reconstruction South—the most comprehensive of its kind—the author has written what amounts to a Black Book of American race relations.”—The New Yorker “A powerfully written, admirably perceptive synthesis of the vast literature on lynching. It is the most comprehensive social history of this shameful subject in almost seventy years and should be recognized as a major addition to the bibliography of American race relations.”—David Levering Lewis “An important and courageous book, well written, meticulously researched, and carefully argued.”—The Boston Globe “You don’t really know what lynching was until you read Dray’s ghastly accounts of public butchery and official complicity.”—Time
Author: Ida B. Wells-Barnett
Publisher: BoD – Books on Demand
ISBN: 3732648435
Category : Fiction
Languages : en
Pages : 98
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Book Description
Reproduction of the original: The Red Record by Ida B. Wells-Barnett
Author: James R. McGovern
Publisher: LSU Press
ISBN: 0807154261
Category : History
Languages : en
Pages : 203
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Book Description
"A sensitive and forthright analysis of one of the most gruesome episodes in Florida history... McGovern has produced a richly detailed case study that should enhance our general understanding of mob violence and vigilantism." -- Florida Historical Quarterly "[McGovern] has succeeded in writing more than a narrative account of this bloodcurdling story; he has explored its causes and ramifications." -- American Historical Review "A finely crafted historical case study of one lynching, its antecedents, and its aftermath." -- Contemporary Sociology First published in 1982, James R. McGovern's Anatomy of a Lynching unflinchingly reconstructs the grim events surrounding the death of Claude Neal, one of the estimated three thousand blacks who died at the hands of southern lynch mobs in the six decades between the 1880s and the outbreak of World War II. Neal was accused of the brutal rape and murder of Lola Cannidy, a young white woman he had known since childhood. On October 26, 1934, a well-organized mob took Neal from his jail cell. The following night, the mob tortured Neal and hanged him to the point of strangulation, repeating the process until the victim died. A large crowd of men, women, and children who gathered to witness, celebrate, and assist in the lynching further mutilated Neal's body. Finally, the battered corpse was put on display, suspended as a warning from a tree in front of the Jackson County, Florida, courthouse. Based on extensive research as well as on interviews with both blacks and whites who remember Neal's death, Anatomy of a Lynching sketches the social background of Jackson County, Florida -- deeply religious, crushed by the Depression, accustomed to violence, and proud of its role in the Civil War -- and examines which elements in the county's makeup contributed to the mob violence. McGovern offers a powerful dissection of an extraordinarily violent incident.
Author: James H. Cone
Publisher: Orbis Books
ISBN: 160833001X
Category : Religion
Languages : en
Pages : 225
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Book Description
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
Author: Terry Anne Scott
Publisher: University of Arkansas Press
ISBN: 1610757610
Category : Social Science
Languages : en
Pages : 404
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Book Description
Winner, 2022 Ottis Lock Endowment “Best Book” Award from the East Texas Historical Association In Lynching and Leisure, Terry Anne Scott examines how white Texans transformed lynching from a largely clandestine strategy of extralegal punishment into a form of racialized recreation in which crowd involvement was integral to the mode and methods of the violence. Scott powerfully documents how lynchings came to function not only as tools for debasing the status of Black people but also as highly anticipated occasions for entertainment, making memories with friends and neighbors, and reifying whiteness. In focusing on the sense of pleasure and normality that prevailed among the white spectatorship, this comprehensive study of Texas lynchings sheds new light on the practice understood as one of the chief strategies of racial domination in the nineteenth- and twentieth-century South.
Author: Koritha Mitchell
Publisher: University of Illinois Press
ISBN: 0252093526
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
Author: Donald G. Mathews
Publisher: Cambridge University Press
ISBN: 1316872785
Category : History
Languages : en
Pages : 359
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Book Description
The story of a black day-laborer called Sam Hose killing his white employer in a workplace dispute ended in a lynching of enormous religious significance. For many deeply-religious communities in the Jim Crow South, killing those like Sam Hose restored balance to a moral cosmos upended by a heinous crime. A religious intensity in the mood and morality of segregation surpassed law, and in times of social crisis could justify illegal white violence - even to the extreme act of lynching. In At the Altar of Lynching, distinguished historian Donald G. Mathews offers a new interpretation of the murder of Sam Hose, which places the religious culture of the evangelical South at its center. He carefully considers how mainline Protestants, including women, not only in many instances came to support or accept lynching, but gave the act religious meaning and justification.
Author: Dora Apel
Publisher: Rutgers University Press
ISBN: 9780813534596
Category : Art
Languages : en
Pages : 284
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Book Description
Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity. In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance. Through a careful and compelling analysis of over one hundred representations of lynching, she shows how the visual documentation of such crimes can be a central vehicle for both constructing and challenging racial hierarchies. She examines how lynching was often orchestrated explicitly for the camera and how these images circulated on postcards, but also how they eventually were appropriated by antilynching forces and artists from the 1930s to the present. She further investigates how photographs were used to construct ideologies of "whiteness" and "blackness," the role that gender played in these visual representations, and how interracial desire became part of the imagery. Offering the fullest and most systematic discussion of the depiction of lynching in diverse visual forms, this book addresses questions about race, class, gender, and dissent in the shaping of American society. Although we may want to avert our gaze, Apel holds it with her sophisticated interpretations of traumatic images and the uses to which they have been put.
