Author: Ryan Claycomb
Publisher: University of Michigan Press
ISBN: 0472903330
Category : Performing Arts
Languages : en
Pages : 173
Book Description
Some of theater’s most powerful works in the past thirty years fall into the category of "verbatim theater," socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the “rightward lurch” of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested history—Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy?
In the Lurch
Author: Ryan Claycomb
Publisher: University of Michigan Press
ISBN: 0472903330
Category : Performing Arts
Languages : en
Pages : 173
Book Description
Some of theater’s most powerful works in the past thirty years fall into the category of "verbatim theater," socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the “rightward lurch” of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested history—Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy?
Publisher: University of Michigan Press
ISBN: 0472903330
Category : Performing Arts
Languages : en
Pages : 173
Book Description
Some of theater’s most powerful works in the past thirty years fall into the category of "verbatim theater," socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the “rightward lurch” of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested history—Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy?
A Concise Etymological Dictionary of the English Language
Author: Walter William Skeat
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 680
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 680
Book Description
A Concise Etymological Dictionary of the English Language
Author: Skeat
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
Slang and Its Analogues Past and Present
Author: John Stephen Farmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
An Etymological Dictionary of the English Language
Author: Walter William Skeat
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 838
Book Description
A New English Dictionary on Historical Principles
Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 556
Book Description
Slang and Its Analogues Past and Present
Author: William Ernest Henley
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 414
Book Description
Lurch
Author: Don McKay
Publisher: McClelland & Stewart
ISBN: 0771057857
Category : Poetry
Languages : en
Pages : 97
Book Description
"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book Review E.J. Pratt Family Poetry Award, Winner An extraordinary collection of poems from Griffin Poetry Prize winner Don McKay. Old joke: “What’s the difference between a lurch and a dance step?” “I don’t know.” “I didn’t think so. Let’s sit down.” These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand—a pipit or a storm petrel—conveys the exquisite frailty of existence. And there’s the complex of lurches as we contemplate our complicity in the sixth mass extinction. Throughout Lurch, language dances its ardent incompetence as a translator of “the profane wonders of the wilderness,” whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background. What is the difference between a love song and an elegy? We live between eroding raindrops and accelerating clocks. The piano lifts its lid to show its wire-and-hammer heart.
Publisher: McClelland & Stewart
ISBN: 0771057857
Category : Poetry
Languages : en
Pages : 97
Book Description
"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book Review E.J. Pratt Family Poetry Award, Winner An extraordinary collection of poems from Griffin Poetry Prize winner Don McKay. Old joke: “What’s the difference between a lurch and a dance step?” “I don’t know.” “I didn’t think so. Let’s sit down.” These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand—a pipit or a storm petrel—conveys the exquisite frailty of existence. And there’s the complex of lurches as we contemplate our complicity in the sixth mass extinction. Throughout Lurch, language dances its ardent incompetence as a translator of “the profane wonders of the wilderness,” whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background. What is the difference between a love song and an elegy? We live between eroding raindrops and accelerating clocks. The piano lifts its lid to show its wire-and-hammer heart.
Etymological Dictionary of the English Language
Author: Skeat
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
An Etymological Dictionary of Modern English
Author: Ernest Weekley
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 862
Book Description