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Author: Philip Stephan
Publisher: Manchester University Press
ISBN: 9780719005626
Category : Poetry
Languages : en
Pages : 232
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Book Description
Author: Philip Stephan
Publisher: Manchester University Press
ISBN: 9780719005626
Category : Poetry
Languages : en
Pages : 232
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Book Description
Author: Leon Chai
Publisher: Columbia University Press
ISBN: 9780231072243
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Author: Emily Kilpatrick
Publisher: Boydell & Brewer
ISBN: 1648250548
Category : Songs
Languages : en
Pages : 468
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Book Description
A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
Author: Gurminder Kaur Bhogal
Publisher: Oxford University Press
ISBN: 0190696095
Category : Music
Languages : en
Pages : 169
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Book Description
Debussy himself had little regard for Clair de Lune, and scholars have thus far followed suit--until now. Claude Debussy's Clair de Lune is the first book wholly dedicated to an historical, cultural, and analytical investigation of the French composer's famous composition for piano. Author Gurminder Kaur Bhogal explores why, over any other piece in Debussy's repertoire for piano, Clair de Lune achieved stardom in the decades following the composer's death, and how, as the third movement of the Suite Bergamasque, it managed to almost fully eclipse the other movements. Drawing on a broad range of excerpts from classical and popular music, commercials, film, and video games, Bhogal examines the various ways in which listeners have engaged with the piece. She also places it in its proper artistic context, through analysis alongside the poetry of Paul Verlaine and the paintings of Jean-Antoine Watteau. A wide range of aural, visual, and video examples energize the narrative, and demonstrate how Clair de Lune has come to achieve an iconic status within and beyond Debussy's oeuvre.
Author:
Publisher: Springer Science & Business Media
ISBN: 9401198225
Category : Language Arts & Disciplines
Languages : en
Pages : 258
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Book Description
This book is presented to scholars with a broad interest in modern languages and literatures. It contains articles written in English, French, German, Italian, and Spanish. The topics rangein time from the Middle Ages to our day; geographically, from Europe and Africa to Latin America; in substance, from literary analysis to the study of manuscripts, stylistics, and the use of acronyms. The authors were given complete freedom to write papers on subjects of their choice, in their respective fields of specialization. The indis treatment, and a pensable ingredients were originality of material or genuine contribution to knowledge in the general area of modern languages and literatures. While responsibility for content rests with individual authors, we deeply appreciate the counsels of wisdom and experience given by Pro fessor Nicolae Iliescu of Harvard University; Professor Rene J asinski, emeritus, of Harvard; Professor Luis A. Murillo, of the University of California at Berkeley; Professor Erich Von Richthofen, of the Uni versity of Toronto. These distinguished scholars, with their usual kindness, interrupted their own work to read portians of the manuscript of particular interest to them. To the Administration of Boston College, we acknowledge a debt of gratitude for the generaus subsidy which encouraged this labor of love among colleagues and helped to bring the project to a successful, printed completion.
Author: Laurence Porter
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
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Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Author: Arthur Wenk
Publisher: Univ of California Press
ISBN: 9780520028272
Category : Music
Languages : en
Pages : 358
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Book Description
Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.
Author: Deborah Mawer
Publisher: Routledge
ISBN: 1317121805
Category : Music
Languages : en
Pages : 439
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Book Description
This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860–1960, and its own historical ‘others’, referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers’ celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.
Author: Marika Takanishi Knowles
Publisher: Manchester University Press
ISBN: 1526174073
Category : History
Languages : en
Pages : 289
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Book Description
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 110856805X
Category : Music
Languages : en
Pages : 622
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Book Description
Exploring the many dimensions of Debussy's historical significance, this volume provides new perspectives on the life and work of a much-loved composer and considers how social and political contexts shape the way we approach and perform his works today. In short, focused chapters building on recent research, contributors chart the influences, relationships and performances that shaped Debussy's creativity, and the ways he negotiated the complex social and professional networks of music, literature, art, and performance (on and off the stage) in Belle Époque Paris. It probes Debussy's relationship with some of the most influential '-isms' of his time, including his fascination with early music and with the 'exotic', and assesses his status as a pioneer of musical modernism and his continuing popularity with performers and listeners alike.
