Louis Van Beethoven's Studies in Thorough-bass, Counterpoint and the Art of Scientific Composition PDF Download
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Author: Ludwig van Beethoven
Publisher: Leipzic ; New York : Schuberth and comp.
ISBN:
Category : Composition (Music)
Languages : en
Pages : 468
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Book Description
Author: Ludwig van Beethoven
Publisher: Leipzic ; New York : Schuberth and comp.
ISBN:
Category : Composition (Music)
Languages : en
Pages : 468
Get Book Here
Book Description
Author: Ludwig van Beethoven
Publisher: Leipzic ; New York : Schuberth and comp.
ISBN:
Category : Composition (Music)
Languages : en
Pages : 470
Get Book Here
Book Description
Author: Ludwig van Beethoven
Publisher: Leipzic ; New York : Schuberth and comp.
ISBN:
Category : Composition (Music)
Languages : en
Pages : 470
Get Book Here
Book Description
![Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint, and the Art of Scientific Composition ... First Published, Together with Biographical Notices by Ignatius Von Seyfried; Translated and Edited by Henry Hugh Pierson. [With Plates, Including a Portrait.] PDF](https://books.google.com/books/content/images/frontcover/DBdYex8nArsC?fife=w80-h100)
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Weldon Whipple
Publisher: Lulu.com
ISBN: 1329801296
Category :
Languages : en
Pages : 146
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Book Description
A study of Beethoven's organ and composition studies as a youth in Bonn. It includes the three works contained in his collected works, as well as works for mechanical or "barrel" organs. Next the true origins of the organ trios are presented, followed by miscellaneous works of questionable authenticity.
Author: Elliot Forbes
Publisher: Princeton University Press
ISBN: 1400843391
Category : Music
Languages : en
Pages : 632
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Book Description
The book description for the previously published "Thayer's Life of Beethoven" is not yet available.
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
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Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author: Scott Burnham
Publisher: Princeton University Press
ISBN: 0691218323
Category : Music
Languages : en
Pages : 398
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Book Description
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Author: Alexander Wheelock Thayer
Publisher: Princeton University Press
ISBN: 9780691027173
Category : Biography & Autobiography
Languages : en
Pages : 636
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Book Description
Although some portions of Thayer's original text have been deleted because recent Beethoven research has proved them inaccurate, "the majority of the text used consists of the coordinated treatment of Thayer's notes and manuscript by these three editors [H. Deiters, H. Riemann, and H. Krehbiel]" with additions and corrections by the present editor.
Author: Babette Babich
Publisher: Routledge
ISBN: 1317029569
Category : Music
Languages : en
Pages : 324
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Book Description
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.
