Author: Dassia N. Posner
Publisher: Northwestern University Press
ISBN: 0810133571
Category : Performing Arts
Languages : en
Pages : 405
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Book Description
Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.
Author: Andrew McInnes
Publisher: Taylor & Francis
ISBN: 1040098886
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
Author:
Publisher: University of Chicago Press
ISBN: 022617753X
Category : Fiction
Languages : en
Pages : 207
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Book Description
First published in German in 1804, under the nom de plume “Bonaventura,” TheNightwatches of Bonaventura is a dark, twisted, and comic novel, one part Poe and one part Beckett. The narrator and antihero is not Bonaventura but a night watchman named Kreuzgang, a failed poet, actor, and puppeteer who claims to be the spawn of the devil himself. As a night watchman, Kreuzgang takes voyeuristic pleasure in spying on the follies of his fellow citizens, and every night he makes his rounds and stops to peer into a window or door, where he observes framed scenes of murder, despair, theft, romance, and other private activities. In his reactions, Kreuzgang is cynical and pessimistic, yet not without humor. For him, life is a grotesque, macabre, and base joke played by a mechanical and heartless force. Since its publication, fans have speculated on the novel’s authorship, and it is now believed to be by theater director August Klingemann, who first staged Goethe’s Faust. Organized into sixteen separate nightwatches, the sordid scenes glimpsed through parted curtains, framed by door chinks, and lit by candles and shadows anticipate the cinematic. A cross between the gothic and the romantic, The Nightwatches of Bonaventura is brilliant in its perverse intensity, presenting an inventory of human despair and disgust through the eyes of a bitter, sardonic watcher who draws laughter from tragedy. Translated by Gerald Gillespie, who supplies a fresh introduction, The Nightwatches of Bonaventura will be welcomed by a new generation of English-language fans eager to sample the night’s dark offerings.
Author: Birgit Däwes
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
ISBN:
Category : Drama
Languages : en
Pages : 272
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Book Description
This volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance. It focuses on the ways in which Indigenous playwrights from North America and Oceania depict the human link with Nature in today's global age.
Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
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Book Description
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455791
Category : History
Languages : en
Pages : 1303
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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Book Description
Author: Michael Anderson
Publisher: New York : Crowell
ISBN:
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
Presents biographical sketches of prominent playwrights throughout the world, critical evaluations of major dramatic works, and essays on significant movements within the theater world.
Author: Ludwig Tieck
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
ISBN: 9782875740267
Category : Theater of the absurd
Languages : en
Pages : 0
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Book Description
This book focuses on the precursor role of Ludwig Tieck in the Romantic revolution in drama which is seen in his fantastic comedy Puss-in-Boots (1797), a precocious benign forerunner of theatre of the absurd. Tieck's contribution is examined in the light of key dramatists of several strands of modernism.
Author: Ludwig Tieck
Publisher: Gottfried & Fritz
ISBN:
Category :
Languages : en
Pages : 175
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Book Description
Puss in Boots is a children’s fairy-tale that is as old as time. It was first written by the French fabulist, Charles Perrault; it is the story about the third and youngest son of a miller who receives two boots as his inheritance—and that son is, strangely, a cat. Determined to make his master a fortune, the cat bags a rabbit and gives it to the king as a gift from his master. The cat continues to make games and present the king with gifts throughout the whole story. This version was written by German playwright Ludwig Tieck in 1797. Some scholars say that this German adaptation was a precursor of the Theatre of the Absurd. It contains some annotations.
