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Author: Sergio de la Mora
Publisher: University of Texas Press
ISBN: 0292782314
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
Author: Sergio de la Mora
Publisher: University of Texas Press
ISBN: 0292782314
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
Author: Denise Chávez
Publisher: Vintage
ISBN: 0307428885
Category : Fiction
Languages : en
Pages : 238
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Book Description
Rocío Esquibel is a girl growing up in a Southern New Mexico town with her mother and sister. She defines her neighborhood by its trees—the willow, the apricot and the one they call the marking-off tree. Rocio knows she was born in the closet where she and her sister now take turns looking at the picture of Jesus whose eyes light up in the dark. But at night she enters a magical realm, and in her imaginary Blue Room, she can fly. At first she is a mesmerized observer of the lives of older girls and their boyfriends, but as she finds a job at the local hospital, and discovers a passion for drama and stories, Rocio begins to make her own choices in love and work. Alive with the taste of tamales and the lyrical tang of the Esquibels’ talk, The Last of the Menu Girls becomes a rich celebration of Chicano culture, and a universal story of finding one’s way in the world.
Author: Denise Chávez
Publisher: Rio Nuevo Pub
ISBN: 9781887896948
Category : Social Science
Languages : en
Pages : 207
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Book Description
A collection of regional southwestern recipes by the American Book Award-winning author of Face of an Angel includes her family's Tacos a la Delfina and Granma Lupe's Pasta, in a celebration of taco history and culture that provides additional shopping, cooking, and serving tips. Original.
Author: Denise Chávez
Publisher: Farrar Straus Giroux
ISBN: 9780374152048
Category : Fiction
Languages : en
Pages : 482
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Book Description
Looking back on her career, Soveida comes to understand the meaning of service in her own life and the role of women in a machismo culture and in the interconnected lives of work and family.
Author: Ana Castillo
Publisher: WW Norton
ISBN: 0393326934
Category : Fiction
Languages : en
Pages : 257
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Book Description
"A delightful novel...impossible to resist." —Barbara Kingsolver, Los Angeles Times Book Review Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside.
Author: Denise Chávez
Publisher: University of Oklahoma Press
ISBN: 0806147164
Category : Fiction
Languages : en
Pages : 319
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Book Description
Comezón: It’s more than an itch. It’s a long-standing desire that will never be fulfilled. And, in this novel by award-winning author Denise Chávez, it is also a border town in New Mexico whose denizens’ longings are as powerful as they are, all too often, impossible. But in the feverish dance of life that seizes Comezón during its two annual fiestas, all things seem possible. As the townspeople revel in the freedom of the fiestas, their stories unfold in all manner of mystery, drama, and comic charm. In the middle of it all is Arnulfo P. Olivárez, master of ceremonies and befuddled patriarch of a less-than-tractable family. At the moment, he is calculating his chances of becoming mayor, as well as pondering the fate of his beautiful disabled daughter, Juliana. Arnulfo’s daughters (“the half and the whole,” he deems them) are the Fiesta Queen, Lucinda, a lovely, lost and wild girl, and Juliana, her half sister, wheelchair-bound but with soaring dreams of love for the local priest, El Padre Manolito. Their mother, the saintly Doña Emilia, attends to all her children, including Arnulfo, with grace. Lucinda’s unsuitable suitor, Ruley Terrazas, a tall, bumpy-skinned boy, is not to be trusted, nor is his father, Cuco “Matamosca” Terrazas, the local chief of police. And Rey Suárez, owner of the Mil Recuerdos Lounge, is haunted by his former incarnation as an immigration officer, an expert in spotting fake IDs. Between New Mexico and México, between Cinco de Mayo and the 16th of September, between the dreams and the realities of Comezón’s characters, something has to give. Each character is attempting to find love in this feverish fiesta called Life. And in the deft hands of Denise Chávez this tragicomic novel gives unerringly: pleasure, surprise, and the satisfaction of a tale well told.
Author: Kirstin Valdez Quade
Publisher: W. W. Norton & Company
ISBN: 0393242846
Category : Fiction
Languages : en
Pages : 324
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Book Description
Winner of the 2021 Center for Fiction First Novel Prize Winner of the 2022 Rosenthal Family Foundation Award Finalist for the 2022 Andrew Carnegie Medal for Excellence in Fiction • Finalist for the 2022 PEN/Hemingway Award for Debut Novel • Finalist for the 2022 Aspen Words Literary Prize • Finalist for the 2022 Lambda Literary Award for Lesbian Fiction • Finalist for the 2022 Mark Twain American Voice in Literature Award One of NPR's Best Books of the Year • A Publishers Weekly and Library Journal Best Book of the Year in Fiction • A Kirkus Reviews Best Fictional Family of the Year • A Booklist Top Ten Book-Group Book of the Year and Top Twenty-First Century First Novels, So Far • A Goodreads Choice Awards Best Debut Novel Nominee From an award-winning storyteller comes a stunning debut novel about a New Mexican family’s extraordinary year of love and sacrifice. "Masterly…Quade has created a world bristling with compassion and humanity. The characters and the challenges they face are wholly realized and moving; their journeys span a wide spectrum of emotion and it is impossible not to root for [them]." —Alexandra Chang, New York Times Book Review It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path. Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to. The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.
Author: Wendy Louise Call
Publisher: U of Nebraska Press
ISBN: 0803235100
Category : History
Languages : en
Pages : 349
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Book Description
Wendy Call visited the Isthmus of Tehuantepec?the lush sliver of land connecting the Yucatan Peninsula to the rest of Mexico?for the first time in 1997. She found herself in the midst of a storied land, a place Mexicans call their country'sø?little waist,? a place long known for its strong women, spirited marketplaces, and deep sense of independence. She also landed in the middle of a ferocious battle over plans to industrialize the region, where most people still fish, farm, and work in the forests. In the decade that followed her first visit, Call witnessed farmland being paved for new highways, oil spilling into rivers, and forests burning down. Through it all, local people fought to protect their lands and their livelihoods?and their very lives.ø ø Call?s story, No Word for Welcome, invites readers into the homes, classrooms, storefronts, and fishing boats of the isthmus, as well as the mahogany-paneled high-rise offices of those striving to control the region. With timely and invaluable insights into the development battle, Call shows that the people who have suffered most from economic globalization have some of the clearest ideas about how we can all survive it.
Author: Achy Obejas
Publisher: Ballantine Books
ISBN: 0307414949
Category : Fiction
Languages : en
Pages : 402
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Book Description
On New Year's Day 1959, as Fidel Castro seized power in Cuba, Alejandra San José was born in Havana, entering the world through the heart of revolution. Fearing the conflict and strife that bubbled up in the streets all around the new family, her parents took Ale and fled to the free shores of America. Ale grew up in Chicago amid a close community of refugees who lived with the hope that one day Castro would fall and they could return to their Cuban homes. Though Ale was intrigued by the specter of Havana that colored her life as a child, her fascination eventually faded in her teens until all that remained was her profound respect for the intricacies of the Spanish language and the beautiful work her father did as a linguist and translator. When her own job as an interpreter takes her back to Cuba, Ale is initially unmoved at the import of her return-- until she stumbles upon a surprising truth: the San Josés, ostensibly Catholics, are actually Jews. They are conversos who converted to Christianity during the Spanish Inquisition. Enlightened by a whole new vision of her past and her culture, Ale makes her way back through San José history, uncovering new fragments of truth about the relatives who struggled with their own identities so long ago. Ale is finally lured back to Cuba to make amends with the ancestral demons still lurking there--to translate her father's troubling youthful experiences into the healing language of her Cuban American heart. In beautiful, knowing prose, Achy Obejas opens up a fascinating world of exotic wordplay, rich history, and vibrant emotions. As Alejandra struggles to confront what it is to be Cuban and American, Catholic and Jewish, Obejas illuminates her journey and the tempestuous history of Cuba with intelligence and affection. Days of Awe is a lyrical and lovely novel from an author destined for literary renown.
Author: Alisa Valdes-Rodriguez
Publisher: St. Martin's Press
ISBN: 1429909757
Category : Fiction
Languages : en
Pages : 372
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Book Description
Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love. Las sucias are: --Lauren, the resident "caliente" columnist for the local paper, which advertises her work with the line "her casa is su casa, Boston," but whose own home life has recently involved hiding in her boyfriend's closet to catch him in the act --Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price --Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label's interest in her rock 'n' roll --Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out --Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can't explain why she didn't understand the man she married and now doesn't even share a room with; and --Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap. There's a lot of catching up to do.
