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Author: Lesel Dawson
Publisher: Oxford University Press, USA
ISBN: 0199266123
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Lesel Dawson examines figures afflicted with erotic melancholy in early modern literature and provides a historical context for their malady. She discusses how the literary representation of lovesickness relates to wider issues of gender and identity, making an important contribution to the to the fields of literature, gender, and medical history.
Author: Lesel Dawson
Publisher: Oxford University Press, USA
ISBN: 0199266123
Category : Literary Criticism
Languages : en
Pages : 255
Get Book Here
Book Description
Lesel Dawson examines figures afflicted with erotic melancholy in early modern literature and provides a historical context for their malady. She discusses how the literary representation of lovesickness relates to wider issues of gender and identity, making an important contribution to the to the fields of literature, gender, and medical history.
Author: Lesel Dawson
Publisher: OUP Oxford
ISBN: 0191556092
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
In early modern medical texts, intense unfulfilled erotic desire is held to be a real and virulent disease: it is classified as a species of melancholy, with physical etiologies and cures. Lesel Dawson analyzes literary representations of lovesickness in relation to medical ideas about desire and wider questions about gender and identity, exploring the different ways that desire is believed to take root in the body, how gender roles are encoded and contested in courtship, and the psychic pains and pleasures of frustrated passion. She explores the relationship between women's lovesickness and other female maladies (such as hysteria and greensickness), and asks whether women can suffer from intellectual forms of melancholy generally thought to be exclusively male. Finally, she examines the ways in which Neoplatonism offers an alternative construction of love to that found in natural philosophy and considers how anxieties concerning love's ability to emasculate the male lover emerge indirectly in remedies for lovesickness. With reference to the works of Shakespeare, Beaumont and Fletcher, Middleton, Ford, and Davenant, Lovesickness and Gender in Early Modern English Literature investigates how early modern representations of lovesickness expose contemporary cultural constructions of love, revealing the relation of sexuality to spirituality and the creation and shattering of the impassioned subject. It offers an important contribution to the history of romantic love and will be of interest to students and scholars of literature, gender, and medical history.
Author: Lisa Starks
Publisher: Edinburgh University Press
ISBN: 1474430082
Category : Drama
Languages : en
Pages : 296
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Book Description
Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.
Author: Simon May
Publisher: Yale University Press
ISBN: 0300118309
Category : Philosophy
Languages : en
Pages : 314
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Book Description
Traces the history of love and how it developed from its Hebraic and Greek origins to an ideal that obsesses the modern Western world, and highlights philosophers that have challenged conventional thoughts on love and happiness.
Author: Andrew Hadfield
Publisher: Routledge
ISBN: 1317042069
Category : History
Languages : en
Pages : 586
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Book Description
The Ashgate Research Companion to Popular Culture in Early Modern England is a comprehensive, interdisciplinary examination of current research on popular culture in the early modern era. For the first time a detailed yet wide-ranging consideration of the breadth and scope of early modern popular culture in England is collected in one volume, highlighting the interplay of 'low' and 'high' modes of cultural production (while also questioning the validity of such terminology). The authors examine how popular culture impacted upon people's everyday lives during the period, helping to define how individuals and groups experienced the world. Issues as disparate as popular reading cultures, games, food and drink, time, textiles, religious belief and superstition, and the function of festivals and rituals are discussed. This research companion will be an essential resource for scholars and students of early modern history and culture.
Author: Mary Floyd-Wilson
Publisher: Cambridge University Press
ISBN: 1107036321
Category : Drama
Languages : en
Pages : 249
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Book Description
Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Author: Elizabeth Hodgson
Publisher: Cambridge University Press
ISBN: 1107079985
Category : History
Languages : en
Pages : 207
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Book Description
This book examines the way in which early modern women writers conceived of grief and the relationship between the dead and the living.
Author: Caroline Bicks
Publisher: Cambridge University Press
ISBN: 1108844219
Category : Drama
Languages : en
Pages : 307
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Book Description
Cutting-edge theories of cognition inform readings of Shakespearean girls to show the dynamism of adolescent female brainwork.
Author: Carol Thomas Neely
Publisher: Cornell University Press
ISBN: 9780801489242
Category : Drama
Languages : en
Pages : 268
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Book Description
'Distracted Subjects' offers a feminist analysis of early modern madness. Carol Neely reveals the mobility & heterogeneity of discourses of 'distraction', the most common term for the condition in late 16th & early 17th century England.
Author: Kate Aughterson
Publisher: Bloomsbury Publishing
ISBN: 1474289991
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Shakespeare and Gender guides students, educators, practitioners and researchers through the complexities of the representation of gender and sexuality in Shakespeare's work. Informed by contemporary and early modern debates and insights into gender and sexuality, including intersectionality, feminist geography, queer and performance studies and fourth-wave feminism, this book provides a lucid and lively discussion of how gender and sexual identity are debated, contested and displayed in Shakespeare's plays and sonnets. Using close textual analysis hand-in- hand with diverse contextual materials, the book offers an accessible and intelligent introduction to how gender debates are integral to the plays and poems, and why we continue to read and perform them with this in mind. Topics and themes discussed include gendering madness, paternity and the patriarchy, sexuality, anxious masculinity, maternal bodies, gender transgression, and kingship and the male body politic.
