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Author: Nina Baym
Publisher: Cornell University Press
ISBN: 1501735683
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
This gracefully written book considers all of Nathaniel Hawthorne’s works, from Fanshawe through the unfinished romances of his last years, and establishes the pattern of his literary development. Ms. Baym brings the crucial facts of Hawthorne’s career into clear focus, and places the individual works within the total picture. Disputing some enduring critical pieties, she finds in Hawthorne a writer who experimented with a series of literary poses through which he tried both to discover himself and to please his audience. He realized late, she says, the paradox that the more he departed from conventional modes, the more "popular" his writing became. By looking discerningly at all of Hawthorne’s work as it unfolded, Ms. Baym produces compelling new insights into a major American writer and adds appreciably to our understanding of him.
Author: Nina Baym
Publisher: Cornell University Press
ISBN: 1501735683
Category : Literary Criticism
Languages : en
Pages : 293
Get Book Here
Book Description
This gracefully written book considers all of Nathaniel Hawthorne’s works, from Fanshawe through the unfinished romances of his last years, and establishes the pattern of his literary development. Ms. Baym brings the crucial facts of Hawthorne’s career into clear focus, and places the individual works within the total picture. Disputing some enduring critical pieties, she finds in Hawthorne a writer who experimented with a series of literary poses through which he tried both to discover himself and to please his audience. He realized late, she says, the paradox that the more he departed from conventional modes, the more "popular" his writing became. By looking discerningly at all of Hawthorne’s work as it unfolded, Ms. Baym produces compelling new insights into a major American writer and adds appreciably to our understanding of him.
Author: Randall A. Clack
Publisher: Bloomsbury Publishing USA
ISBN: 0313001561
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
From the Middle Ages to the close of the 17th century, alchemy was fundamental to Western culture, as scores of experimenters sought to change lead into gold. Though its significance declined with the rise of chemistry, alchemy continued to captivate the imagination of writers and its images still appear in modern creative works. This book examines the literary representation of alchemical theory and the metaphor of alchemical regeneration in the works of Edward Taylor, Edgar Allan Poe, Nathaniel Hawthorne, and Margaret Fuller. While Taylor used alchemical metaphors to illustrate the redeeming grace of God upon the soul, these same metaphors were used by Poe, Hawthorne, and Fuller to depict a broader concept of redemption. These later writers used alchemical imagery to describe both the regeneration of the individual and the possible transformation of society. For Poe, alchemy became a metaphor for the transforming power of imagination; for Hawthorne, it became a means of representing the redeeming power of love; for Fuller, it figured the reconciliation of gender opposites. Thus these four American writers incorporated the idea of regeneration in their works, and the tropes and metaphors of the medieval alchemists provided a fascinating way of imagining the transformative process.
Author: Raymona Hull
Publisher: University of Pittsburgh Pre
ISBN: 0822976277
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In 1853, when he was forty-nine and at the height of his literary career, Nathaniel Hawthorne accepted the post of U.S. consul at Liverpool, England, as a reward for writing the campaign biography of his college friend President Franklin Pierce. Hawthorne's departure for Europe marked a turning point in his life. While Our Old Home, shrewd essays on his observations in England, The Marble Faun, a romance set in Italy, and the English Notebooks and French and Italian Notebooks were all results of his European residence, he returned to Concord in 1860 frustrated, depressed, and sick. He died in 1864.
Author: University of Texas. Library. John Henry Wrenn Library
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 316
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 866
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Book Description
Author: Michael J. Colacurcio
Publisher: Duke University Press
ISBN: 9780822315728
Category : Literary Criticism
Languages : en
Pages : 692
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Book Description
In this celebrated analysis of Nathaniel Hawthorne, Michael J. Colacurcio presents a view of the author as America's first significant intellectual historian. Colacurcio shows that Hawthorne's fiction responds to a wide range of sermons, pamphlets, and religious tracts and debates--a variety of moral discourses at large in the world of provincial New England. Informed by comprehensive historical research, the author shows that Hawthorne was steeped in New England historiography, particularly the sermon literature of the seventeenth century. But, as Colacurcio shows, Hawthorne did not merely borrow from the historical texts he deliberately studied; rather, he is best understood as having written history. In The Province of Piety, originally published in 1984 (Harvard University Press), Hawthorne is seen as a moral historian working with fictional narratives--a writer brilliantly involved in examining the moral and political effects of Puritanism in America and recreating the emotional and cultural contexts in which earlier Americans had lived.
Author: Frank Maier
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 376
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Book Description
Author: Gillian Silverman
Publisher: University of Pennsylvania Press
ISBN: 0812206185
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
In nineteenth-century America, Gillian Silverman contends, reading—and particularly book reading—precipitated intense fantasies of communion. In handling a book, the reader imagined touching and being touched by the people affiliated with that book's narrative world—an author, a character, a fellow reader. This experience often led to a sense of consubstantiality, a fantasy that the reader, the material book, and the imagined other were momentarily merged. Such a fantasy challenges psychological conceptions of discrete subjectivity along with the very notion of corporeal integrity—the idea that we are detached, skin-bound, and autonomously functioning entities. It forces us to envision readers not as liberal subjects, pursuing reading as a means toward privacy, interiority, and individuation, but rather as communal beings inseparable from objects in our psychic and phenomenal world. While theorists have long emphasized the way reading can promote a sense of abstract belonging, Bodies and Books emphasizes the intense somatic bonds that nineteenth-century subjects experienced while reading. Silverman bridges the gap between the cognitive and material effects of reading, arguing that the two worked in tandem, enabling readers to feel deep communion with objects (both human and nonhuman) in the external world. Drawing on the letters and diaries of nineteenth-century readers along with literary works by Herman Melville, Frederick Douglass, Susan Warner, and others, Silverman explores the book as a technology of intimacy and ponders what nineteenth-century readers might be able to teach us two centuries later.
Author: Frank Maier
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 334
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Book Description
Author: Michael Ragussis
Publisher: Oxford University Press
ISBN: 0195364872
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Michael Ragussis re-reads the novelistic tradition by arguing the acts of naming--bestowing, revealing, or earning a name; taking away, hiding, or prohibiting a name; slandering, or protecting and serving it--lie at the center of fictional plots from the 18th century to the present. Against the background of philosophic approaches to naming, Acts of Naming reveals the ways in which systems of naming are used to appropriate characters in novels as diverse as Clarissa, Fanny Hill, Oliver Twist, Pierre, Tess of the d'Urbervilles, Remembrance of Things Past, and Lolita, and identifies unnaming and renaming as the locus of power in the family's plot to control the child, and more particularly, to rape the daughter. His analysis also treats additional works by Cooper, Brontë, Hawthorne, Eliot, Twain, Conrad, and Faulkner, extending the concept of the naming plot to reimagine the traditions of the novel, comparing American and British plots, female and male plots, inheritance and seduction plots, and so on. Acts of Naming ends with a theoretical exploration of the "magical" power of naming in different eras and in different, even competing, forms of discourse.
