Author: Korbinian Stöckl
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110714701
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the appeal of love as a topic and driving force in dramatic works with in-depth analyses of eight pivotal plays from the past three decades. Following an interdisciplinary and historical approach, the study collects and condenses theories of love from philosophy and sociology to derive persisting discourses and to examine their reoccurrence and transformation in contemporary plays. Special emphasis is put on narratives of love’s compensatory function and precariousness and on how modifications of these narratives epitomise the peculiarities of emotional life in the social and cultural context of the present. Based on the assumption that drama is especially inclined to draw on shared narratives for representations of love, the book demonstrates that love is both a window to remnants of the past in the present and a proper subject matter for drama in times in which the suitability of the dramatic form has been questioned.
Author: Hersh Zeifman
Publisher: Springer
ISBN: 1349108197
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Author: Graham Saunders
Publisher: Springer
ISBN: 1137444533
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.
Author: Mireia Aragay
Publisher: Springer Nature
ISBN: 3030584860
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Author: V. Angelaki
Publisher: Springer
ISBN: 1137010134
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.
Author: Elizabeth Hale Winkler
Publisher: University of Delaware Press
ISBN: 9780874133585
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
Author: Catherine Rees
Publisher: Bloomsbury Publishing
ISBN: 1137610298
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
This guide offers a comprehensive account of British theatre from the 1960s to the present day. Placing critical commentary at the heart of its analysis, it explores how theatre critics and scholars have sought to understand and write about modern theatre, from the earliest reviews to revivals appearing decades later. With studies of contemporary reviews and archival material, Contemporary British Drama offers readers the opportunity to learn about British theatre in its original context and to chart shifting critical perceptions over the decades. It provides a crucial juxtaposition between the development of British theatre and its contemporaneous critical response, supplying an invaluable insight into the critical climate of recent decades. From feminist playwrighting to In-Yer-Face theatre, this is the ideal companion for undergraduate students of literature and theatre in need of an introduction to the debates surrounding contemporary British drama.
Author: Martin Middeke
Publisher: A&C Black
ISBN: 1408159678
Category : Literary Criticism
Languages : en
Pages : 546
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Book Description
The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material
Author: Sanja Bahun-Radunović
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400011
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
How women artists and activists across the globe employ myth to communicate personal and historical experiences of violence is the central concern of this innovative collection. Rather than compartmentalizing women's artistic production within generic or geographical boundaries, the volume encompasses literary criticism, discussion of film and art, artwork, autobiographical accounts and pieces of original creative writing, thereby promulgating an inclusive way to approach literature and the arts.
Author: Yalçın Erden
Publisher: EĞİTİM YAYINEVİ
ISBN: 6057786823
Category : Education
Languages : en
Pages : 122
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Book Description
Women are forced to survive under patriarchal boundaries even within the present-day world. Even though women of the century have faced certain economic, social, and political improvements, the male-supremacy has not weakened significantly: Capitalist system employs patriarchal tools and exploits women much more severely compared to men; women, restricted by patriarchal boundaries, are more frequently stigmatized as envious; language that shapes the masses’ perceptions still devalues women; rape and pornography degrade women and control their lifestyles; a great number of women are confined within the private sphere; and women still suffer from identity crises in the patriarchal system, as the contemporary British plays brought together in Midsummer Mischief: Four Radical Plays (2014) demonstrate. This book focuses on specific marginalized female characters depicted in Timberlake Wertenbaker’s The Ant and the Cicada, Alice Birch’s Revolt. She said. Revolt again., E.V. Crowe’s I Can Hear You, and Abi Zakarian’s This is Not an Exit and discusses women’s marginalization in the patriarchal order in light of feminist theories. It questions how the playwrights mentioned above prompt the audience to become conscious of this unjust order and challenge it through their mischievous female characters. In other words, it seeks to analyze both the factors that marginalize women and the playwrights’ revolts against the patriarchal order.
