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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 680
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Book Description
Each number is devoted to one artist and includes bibliography of the artist.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 680
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Book Description
Each number is devoted to one artist and includes bibliography of the artist.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
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Book Description
Author: Edward Cave
Publisher:
ISBN:
Category : Books and bookselling
Languages : en
Pages : 720
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Book Description
Author: Helen Osterman Borowitz
Publisher: University of Delaware Press
ISBN: 9780874132496
Category : Art
Languages : en
Pages : 260
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Book Description
This book traces a direct line of tradition that unites the French precieux novel, Romantic and Symbolist literature, and Proust's novel cycle.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 672
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Book Description
Author:
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ISBN:
Category :
Languages : en
Pages : 1036
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Book Description
Author: Michael Trapp
Publisher: Routledge
ISBN: 1351899112
Category : History
Languages : en
Pages : 482
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Book Description
Socrates, son of Sophroniscus, of Alopece is arguably the most richly and diversely commemorated - and appropriated - of all ancient thinkers. Already in Antiquity, vigorous controversy over his significance and value ensured a wide range of conflicting representations. He then became available to the medieval, renaissance and modern worlds in a provocative variety of roles: as paradigmatic philosopher and representative (for good or ill) of ancient philosophical culture in general; as practitioner of a distinctive philosophical method, and a distinctive philosophical lifestyle; as the ostensible originator of startling doctrines about politics and sex; as martyr (the victim of the most extreme of all miscarriages of justice); as possessor of an extraordinary, and extraordinarily significant physical appearance; and as the archetype of the hen-pecked intellectual. To this day, he continues to be the most readily recognized of ancient philosophers, as much in popular as in academic culture. This volume, along with its companion, Socrates in the Nineteenth and Twentieth Centuries, aims to do full justice to the source material (philosophical, literary, artistic, political), and to the range of interpretative issues it raises. It opens with an Introduction surveying ancient accounts of Socrates, and discussing the origins and current state of the 'Socratic question'. This is followed by three sections, covering the Socrates of Antiquity, with perspectives forward to later developments (especially in drama and the visual arts); Socrates from Late Antiquity to medieval times; and Socrates in the Renaissance and Enlightenment. Among topics singled out for special attention are medieval Arabic and Jewish interest in Socrates, and his role in the European Enlightenment as an emblem of moral courage and as the clinching proof of the follies of democracy.
Author: Jacques Louis David
Publisher: University of Delaware Press
ISBN: 9780874139303
Category : Art
Languages : en
Pages : 186
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Book Description
"Well-known specialists in art history, gender studies, French literature, and aesthetics address a wide range of issues and problems pertaining to the intersection of art and culture that have profound implications for artistic and historical developments in late-eighteenth and early-nineteenth century France and Europe. The essays present new historical, archival, and interpretative material from diverse methodological vantage points in clear and lucid prose that makes the volume particularly accessible to a broader public interested in learning more about the artist and his time. The text is complemented by seventeen black-and-white plates and fifty-five figures."--Jacket.
Author: Sylvanus Urban (pseud. van Edward Cave.)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 708
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Book Description
Author: Luiz Renato Martins
Publisher: BRILL
ISBN: 9004346082
Category : Political Science
Languages : en
Pages : 316
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Book Description
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
