Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482119
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Introduction: The long-running Restoration -- Corpsing Lothario -- Debating Dorimant -- Stuarts without end -- Libertines and liberalism.
Lothario's Corpse
Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482119
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Introduction: The long-running Restoration -- Corpsing Lothario -- Debating Dorimant -- Stuarts without end -- Libertines and liberalism.
Publisher: Rutgers University Press
ISBN: 1684482119
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Introduction: The long-running Restoration -- Corpsing Lothario -- Debating Dorimant -- Stuarts without end -- Libertines and liberalism.
A Book of the Play
Author: Dutton Cook
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 414
Book Description
Every Saturday
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
The Lavender Lane Lothario
Author: David Handler
Publisher: Macmillan
ISBN: 1250076110
Category : Fiction
Languages : en
Pages : 254
Book Description
Every year, the Gant family performs an annual ritual desecrating the tomb of Aurora Bing. The Gants have held a grudge against the legendary silent film star for almost eighty years, but for Sherm Gant and his son, things have become personal. Aurora's only grandchild, Hubie Swope, has shut down Sherm's notoriously rowdy beachfront bar, and refuses to allow The Pit to reopen until Shem undertakes expensive upgrades. This means war. And when The Pit catches fire and Hubie Swope's charred remains are found in the rubble, it also means murder. Who killed Hubie Swope? Crime-fighting duo Mitch and Des have no idea. Not only are Sherm and his son prime suspects, but so are the women in Hubie's life. To their surprise, Mitch and Des discover that Dorset's building inspector, a quiet widower who repaired cuckoo clocks in his little house on Lavender Lane, was secretly juggling four girlfriends at once. And then there's Gaylord Holland, a builder who had a beef of his own with Hubie. Dorset is in turmoil, and only New York City film critic Mitch Berger and Connecticut State Police Resident Trooper Des Mitry can put it back together. The Lavender Lane Lothario is the eleventh in David Handler's original, hilarious and charming series featuring the engaging biracial couple that fans love.
Publisher: Macmillan
ISBN: 1250076110
Category : Fiction
Languages : en
Pages : 254
Book Description
Every year, the Gant family performs an annual ritual desecrating the tomb of Aurora Bing. The Gants have held a grudge against the legendary silent film star for almost eighty years, but for Sherm Gant and his son, things have become personal. Aurora's only grandchild, Hubie Swope, has shut down Sherm's notoriously rowdy beachfront bar, and refuses to allow The Pit to reopen until Shem undertakes expensive upgrades. This means war. And when The Pit catches fire and Hubie Swope's charred remains are found in the rubble, it also means murder. Who killed Hubie Swope? Crime-fighting duo Mitch and Des have no idea. Not only are Sherm and his son prime suspects, but so are the women in Hubie's life. To their surprise, Mitch and Des discover that Dorset's building inspector, a quiet widower who repaired cuckoo clocks in his little house on Lavender Lane, was secretly juggling four girlfriends at once. And then there's Gaylord Holland, a builder who had a beef of his own with Hubie. Dorset is in turmoil, and only New York City film critic Mitch Berger and Connecticut State Police Resident Trooper Des Mitry can put it back together. The Lavender Lane Lothario is the eleventh in David Handler's original, hilarious and charming series featuring the engaging biracial couple that fans love.
All the Year Round
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
The New Monthly Magazine
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
New Monthly Magazine, and Universal Register
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 732
Book Description
Goethe's Faust
Author: Jane K. Brown
Publisher: Cornell University Press
ISBN: 9780801493904
Category : Drama
Languages : en
Pages : 274
Book Description
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.
Publisher: Cornell University Press
ISBN: 9780801493904
Category : Drama
Languages : en
Pages : 274
Book Description
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.
A Performance History of The Fair Penitent
Author: Elaine McGirr
Publisher:
ISBN: 1009351834
Category : Literary Criticism
Languages : en
Pages : 84
Book Description
Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple.
Publisher:
ISBN: 1009351834
Category : Literary Criticism
Languages : en
Pages : 84
Book Description
Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple.
Stock Pieces: British Repertory Theatre, 1760–1830
Author: Susan Valladares
Publisher: Liverpool University Press
ISBN: 1835537871
Category : Drama
Languages : en
Pages : 296
Book Description
What do we gain from watching a familiar play for the nth time? This was a crucial question for Romantic-period theatre managers, who, to deliver varied programmes, relied on a repertoire of ‘stock’ entertainments performed in alternation with the latest plays. Repertory theatre was not new to the Romantic period, but it took on additional purchase at a time when the playhouse was not simply a site for entertainment but a government-controlled cultural institution and business, subject to sometimes extreme financial, political, and ideological pressures. Through an innovative selection of case studies drawn from deep archival research, Stock Pieces juxtaposes canonical with otherwise forgotten entertainments; unites the period’s professional and amateur dramatic cultures; and spans British metropolitan, provincial, and imperial geographies. The picture that emerges is fresh and compelling. Stock Pieces sheds light on the mechanics of stock piece status, the Romantic afterlives of Shakespeare’s near contemporaries (whose popular appeal declined as his increased), and the work of various agents (from pantomime arrangers to enslaved performers in Jamaica) who contested the repertoire’s received aesthetic and cultural values. It also explores the extent to which investments in the abolitionist cause were remediated by stock pieces that revived and reenacted the spectral violence of slavery and the slave trade – for various purposes. Stock Pieces showcases how the Romantic-period dramatic repertoire could be mobilised to signify social and political practices that operated outside the theatrical institution, crossed national borders, and dared to effect real change.
Publisher: Liverpool University Press
ISBN: 1835537871
Category : Drama
Languages : en
Pages : 296
Book Description
What do we gain from watching a familiar play for the nth time? This was a crucial question for Romantic-period theatre managers, who, to deliver varied programmes, relied on a repertoire of ‘stock’ entertainments performed in alternation with the latest plays. Repertory theatre was not new to the Romantic period, but it took on additional purchase at a time when the playhouse was not simply a site for entertainment but a government-controlled cultural institution and business, subject to sometimes extreme financial, political, and ideological pressures. Through an innovative selection of case studies drawn from deep archival research, Stock Pieces juxtaposes canonical with otherwise forgotten entertainments; unites the period’s professional and amateur dramatic cultures; and spans British metropolitan, provincial, and imperial geographies. The picture that emerges is fresh and compelling. Stock Pieces sheds light on the mechanics of stock piece status, the Romantic afterlives of Shakespeare’s near contemporaries (whose popular appeal declined as his increased), and the work of various agents (from pantomime arrangers to enslaved performers in Jamaica) who contested the repertoire’s received aesthetic and cultural values. It also explores the extent to which investments in the abolitionist cause were remediated by stock pieces that revived and reenacted the spectral violence of slavery and the slave trade – for various purposes. Stock Pieces showcases how the Romantic-period dramatic repertoire could be mobilised to signify social and political practices that operated outside the theatrical institution, crossed national borders, and dared to effect real change.