Author: Linda Dunning
Publisher: Cedar Fort
ISBN: 9781599550589
Category : Body, Mind & Spirit
Languages : en
Pages : 271
Book Description
Utah is a land of untamed beauty. from the snowy peaks of the Wasatch Mountains to the brilliant red rocks of Southern Utah, the state boasts views and vistas found nowhere else in the nation. Travelers can glean a great amount of history from the scenes they see and the places they visit, yet there are other stories and legends that belong to Utah and her native land - tales that are not often told. Saltair was once the premier resort on the shores of the Great Salt Lake. Now it lies abandoned and in disrepair, almost mythical in appearance. Mount Timpanogos's unique shape subtly speaks the story of Utahna and the Indian brave who loved her. and not so long ago, the Anasazi Indians were a thriving people, destined for greatness - until they disappeared into the canyons from which they'd carved their civilization, leaving no clues as to their whereabouts. for young and old alike, Lost Landscapes will pique interest and raise questions to the mysteries lurking within Utah's borders. Whether it be the unsolved riddles of places, people, puzzling objects, or legends that have been passed down through the generations, everyone will find something that will have them eagerly turning to the next page.
Lost Landscapes
Author: Linda Dunning
Publisher: Cedar Fort
ISBN: 9781599550589
Category : Body, Mind & Spirit
Languages : en
Pages : 271
Book Description
Utah is a land of untamed beauty. from the snowy peaks of the Wasatch Mountains to the brilliant red rocks of Southern Utah, the state boasts views and vistas found nowhere else in the nation. Travelers can glean a great amount of history from the scenes they see and the places they visit, yet there are other stories and legends that belong to Utah and her native land - tales that are not often told. Saltair was once the premier resort on the shores of the Great Salt Lake. Now it lies abandoned and in disrepair, almost mythical in appearance. Mount Timpanogos's unique shape subtly speaks the story of Utahna and the Indian brave who loved her. and not so long ago, the Anasazi Indians were a thriving people, destined for greatness - until they disappeared into the canyons from which they'd carved their civilization, leaving no clues as to their whereabouts. for young and old alike, Lost Landscapes will pique interest and raise questions to the mysteries lurking within Utah's borders. Whether it be the unsolved riddles of places, people, puzzling objects, or legends that have been passed down through the generations, everyone will find something that will have them eagerly turning to the next page.
Publisher: Cedar Fort
ISBN: 9781599550589
Category : Body, Mind & Spirit
Languages : en
Pages : 271
Book Description
Utah is a land of untamed beauty. from the snowy peaks of the Wasatch Mountains to the brilliant red rocks of Southern Utah, the state boasts views and vistas found nowhere else in the nation. Travelers can glean a great amount of history from the scenes they see and the places they visit, yet there are other stories and legends that belong to Utah and her native land - tales that are not often told. Saltair was once the premier resort on the shores of the Great Salt Lake. Now it lies abandoned and in disrepair, almost mythical in appearance. Mount Timpanogos's unique shape subtly speaks the story of Utahna and the Indian brave who loved her. and not so long ago, the Anasazi Indians were a thriving people, destined for greatness - until they disappeared into the canyons from which they'd carved their civilization, leaving no clues as to their whereabouts. for young and old alike, Lost Landscapes will pique interest and raise questions to the mysteries lurking within Utah's borders. Whether it be the unsolved riddles of places, people, puzzling objects, or legends that have been passed down through the generations, everyone will find something that will have them eagerly turning to the next page.
Lost Landscapes and Failed Economies
Author: Thomas Michael Power
Publisher:
ISBN: 9781559633697
Category : Environmental protection
Languages : en
Pages : 0
Book Description
In Lost Landscapes and Failed Economies, economist Thomas Michael Power argues that the quality of the natural landscape is an essential part of a community's permanent economic base and should not be sacrificed in short-term efforts to maintain employment levels in industries that are ultimately not sustainable. He provides numerous case studies of the ranching, mining, and timber industries in a critical analysis of the role played by extractive industry in our communities. He also looks at areas where environmental protection measures have been enacted and examines the impact of protected landscapes on local economies. Power exposes the fundamental flaws in the widely accepted view of the local economy built around the extractive model, a model that overemphasizes the importance of extractive industries and assumes that people don't care where they live and that businesses don't care about the available labor supply. By revealing the inadequacies of the extractive model, he lays to rest the fear that environmental protection will cause an imminent collapse of the community, and puts economic tools in the hands of those working to protect their communities.
Publisher:
ISBN: 9781559633697
Category : Environmental protection
Languages : en
Pages : 0
Book Description
In Lost Landscapes and Failed Economies, economist Thomas Michael Power argues that the quality of the natural landscape is an essential part of a community's permanent economic base and should not be sacrificed in short-term efforts to maintain employment levels in industries that are ultimately not sustainable. He provides numerous case studies of the ranching, mining, and timber industries in a critical analysis of the role played by extractive industry in our communities. He also looks at areas where environmental protection measures have been enacted and examines the impact of protected landscapes on local economies. Power exposes the fundamental flaws in the widely accepted view of the local economy built around the extractive model, a model that overemphasizes the importance of extractive industries and assumes that people don't care where they live and that businesses don't care about the available labor supply. By revealing the inadequacies of the extractive model, he lays to rest the fear that environmental protection will cause an imminent collapse of the community, and puts economic tools in the hands of those working to protect their communities.
Rediscovering Lost Landscapes
Author: Pietro Piana
Publisher: Boydell & Brewer
ISBN: 1783276312
Category : Architecture
Languages : en
Pages : 338
Book Description
Analysis of hundreds of art works from the period provides insights into forgotten landscapes and hidden geographies.After the Napoleonic wars many wealthy British women and men settled along the coast in Liguria and travelled in Piedmont and Valle d'Aosta in search of warmth and health. They established English-speaking colonies of retired clerics, colonial officials, aristocrats and industrialists at places such as Alassio, Bordighera, Sanremo and Portofino. Many were keen artists.This book assesses hundreds of topographical drawings, paintings and photographs of north-west Italy produced by these British visitors and residents in the nineteenth and early twentieth century. Through the identification and analysis of these works, scattered today in private and public collections in Italy and Britain, it provides insights into the way Italian landscapes were understood and appreciated. Considered in conjunction with historical photography, maps, archives and fieldwork, they deepen our knowledge of past land management traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.
Publisher: Boydell & Brewer
ISBN: 1783276312
Category : Architecture
Languages : en
Pages : 338
Book Description
Analysis of hundreds of art works from the period provides insights into forgotten landscapes and hidden geographies.After the Napoleonic wars many wealthy British women and men settled along the coast in Liguria and travelled in Piedmont and Valle d'Aosta in search of warmth and health. They established English-speaking colonies of retired clerics, colonial officials, aristocrats and industrialists at places such as Alassio, Bordighera, Sanremo and Portofino. Many were keen artists.This book assesses hundreds of topographical drawings, paintings and photographs of north-west Italy produced by these British visitors and residents in the nineteenth and early twentieth century. Through the identification and analysis of these works, scattered today in private and public collections in Italy and Britain, it provides insights into the way Italian landscapes were understood and appreciated. Considered in conjunction with historical photography, maps, archives and fieldwork, they deepen our knowledge of past land management traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.anagement traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.
The Lost Landscape
Author: Joyce Carol Oates
Publisher: HarperCollins
ISBN: 0062408690
Category : Biography & Autobiography
Languages : en
Pages : 254
Book Description
Written with the raw honesty and poignant insight that were the hallmarks of her acclaimed bestseller A Widow’s Story, an affecting and observant memoir of growing up from one of our finest and most beloved literary masters. The Lost Landscape is Joyce Carol Oates’ vivid chronicle of her hardscrabble childhood in rural western New York State. From memories of her relatives, to those of a charming bond with a special red hen on her family farm; from her first friendships to her earliest experiences with death, The Lost Landscape is a powerful evocation of the romance of childhood, and its indelible influence on the woman and the writer she would become. In this exceptionally candid, moving, and richly reflective account, Oates explores the world through the eyes of her younger self, an imaginative girl eager to tell stories about the world and the people she meets. While reading Alice in Wonderland changed a young Joyce forever and inspired her to view life as a series of endless adventures, growing up on a farm taught her harsh lessons about sacrifice, hard work, and loss. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision, transporting us to a forgotten place and time—the lost landscape of her youth, reminding us of the forgotten landscapes of our own earliest lives.
Publisher: HarperCollins
ISBN: 0062408690
Category : Biography & Autobiography
Languages : en
Pages : 254
Book Description
Written with the raw honesty and poignant insight that were the hallmarks of her acclaimed bestseller A Widow’s Story, an affecting and observant memoir of growing up from one of our finest and most beloved literary masters. The Lost Landscape is Joyce Carol Oates’ vivid chronicle of her hardscrabble childhood in rural western New York State. From memories of her relatives, to those of a charming bond with a special red hen on her family farm; from her first friendships to her earliest experiences with death, The Lost Landscape is a powerful evocation of the romance of childhood, and its indelible influence on the woman and the writer she would become. In this exceptionally candid, moving, and richly reflective account, Oates explores the world through the eyes of her younger self, an imaginative girl eager to tell stories about the world and the people she meets. While reading Alice in Wonderland changed a young Joyce forever and inspired her to view life as a series of endless adventures, growing up on a farm taught her harsh lessons about sacrifice, hard work, and loss. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision, transporting us to a forgotten place and time—the lost landscape of her youth, reminding us of the forgotten landscapes of our own earliest lives.
Lost Landscapes
Author: Agata Tuszyńska
Publisher:
ISBN:
Category : History
Languages : en
Pages : 202
Book Description
But her real journey took her deep into the memories of Singer's colleagues and co-workers, of Holocaust survivors and those who were merely witnesses.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 202
Book Description
But her real journey took her deep into the memories of Singer's colleagues and co-workers, of Holocaust survivors and those who were merely witnesses.
A Field Guide to Getting Lost
Author: Rebecca Solnit
Publisher: Penguin
ISBN: 1101118717
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” —Los Angeles Times From the award-winning author of Orwell's Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.
Publisher: Penguin
ISBN: 1101118717
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” —Los Angeles Times From the award-winning author of Orwell's Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.
Ghosts
Author: Randy McNutt
Publisher:
ISBN: 9781882203147
Category : Ghost towns
Languages : en
Pages : 0
Book Description
Twons come and towns go. Travelers sometimes have to move in the fourth dimension. Randy McNutt takes us on an eccentriv travel trip to dozens of Ohio ghost twons, uncovering tattooed chickens, legendary daredevils, swamopghosts, milkmen who delivered milk and whiskey, and a della who bit off his mother-in-law's ear. Handsome pen and ink illustrations.
Publisher:
ISBN: 9781882203147
Category : Ghost towns
Languages : en
Pages : 0
Book Description
Twons come and towns go. Travelers sometimes have to move in the fourth dimension. Randy McNutt takes us on an eccentriv travel trip to dozens of Ohio ghost twons, uncovering tattooed chickens, legendary daredevils, swamopghosts, milkmen who delivered milk and whiskey, and a della who bit off his mother-in-law's ear. Handsome pen and ink illustrations.
Drawing and Painting Fantasy Landscapes and Cityscapes
Author: Rob Alexander
Publisher:
ISBN: 9782940361960
Category : Drawing
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9782940361960
Category : Drawing
Languages : en
Pages : 0
Book Description
Overgrown
Author: Julian Raxworthy
Publisher: MIT Press
ISBN: 0262547120
Category : Architecture
Languages : en
Pages : 393
Book Description
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
Publisher: MIT Press
ISBN: 0262547120
Category : Architecture
Languages : en
Pages : 393
Book Description
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
Landscapes of Injustice
Author: Jordan Stanger-Ross
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228003075
Category : History
Languages : en
Pages : 517
Book Description
In 1942, the Canadian government forced more than 21,000 Japanese Canadians from their homes in British Columbia. They were told to bring only one suitcase each and officials vowed to protect the rest. Instead, Japanese Canadians were dispossessed, all their belongings either stolen or sold. The definitive statement of a major national research partnership, Landscapes of Injustice reinterprets the internment of Japanese Canadians by focusing on the deliberate and permanent destruction of home through the act of dispossession. All forms of property were taken. Families lost heirlooms and everyday possessions. They lost decades of investment and labour. They lost opportunities, neighbourhoods, and communities; they lost retirements, livelihoods, and educations. When Japanese Canadians were finally released from internment in 1949, they had no homes to return to. Asking why and how these events came to pass and charting Japanese Canadians' diverse responses, this book details the implications and legacies of injustice perpetrated under the cover of national security. In Landscapes of Injustice the diverse descendants of dispossession work together to understand what happened. They find that dispossession is not a chapter that closes or a period that neatly ends. It leaves enduring legacies of benefit and harm, shame and silence, and resilience and activism.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228003075
Category : History
Languages : en
Pages : 517
Book Description
In 1942, the Canadian government forced more than 21,000 Japanese Canadians from their homes in British Columbia. They were told to bring only one suitcase each and officials vowed to protect the rest. Instead, Japanese Canadians were dispossessed, all their belongings either stolen or sold. The definitive statement of a major national research partnership, Landscapes of Injustice reinterprets the internment of Japanese Canadians by focusing on the deliberate and permanent destruction of home through the act of dispossession. All forms of property were taken. Families lost heirlooms and everyday possessions. They lost decades of investment and labour. They lost opportunities, neighbourhoods, and communities; they lost retirements, livelihoods, and educations. When Japanese Canadians were finally released from internment in 1949, they had no homes to return to. Asking why and how these events came to pass and charting Japanese Canadians' diverse responses, this book details the implications and legacies of injustice perpetrated under the cover of national security. In Landscapes of Injustice the diverse descendants of dispossession work together to understand what happened. They find that dispossession is not a chapter that closes or a period that neatly ends. It leaves enduring legacies of benefit and harm, shame and silence, and resilience and activism.