Author: Alison Sky Richards
Publisher: CreateSpace
ISBN: 9781500732660
Category : Fiction
Languages : en
Pages : 232
Book Description
When Zeus sends out an edict that all mortals will be killed off due to their disloyalty to the gods, Hermes decides to take matters into his own hands to stop this from happening and makes a hero of his line to fight against the gods.However, someone forgot to tell Anton about his destiny…Lost Child of Hermes is the epic story of the mortal son of Hermes; born to stop the annihilation of the mortal race and hidden from the gods out to destroy him until he is ready. Orphaned early in his life, Anton is forced to live among different groups of people and endure some of the worst fates any mortal can live through – racism, slavery, torture, and even death – all because of a destiny no one told him he was to carry. Only when he is face to face with the God of War does he learn his fate, but is given no guidance on how to fulfill his destiny and stop the end of the world as he knows it.This book is a YA fantasy taking place in ancient Greek times. The trials that Anton goes through in his life are similar to situations that the modern YA reader would be able to relate to, especially if they find themselves a victim of bullying. This book hopes to inspire the younger generations to be able to overcome the feelings of being a victim and finding faith in themselves – and others – when all they feel as if they are “cursed” to be this way.
Lost Child of Hermes
Author: Alison Sky Richards
Publisher: CreateSpace
ISBN: 9781500732660
Category : Fiction
Languages : en
Pages : 232
Book Description
When Zeus sends out an edict that all mortals will be killed off due to their disloyalty to the gods, Hermes decides to take matters into his own hands to stop this from happening and makes a hero of his line to fight against the gods.However, someone forgot to tell Anton about his destiny…Lost Child of Hermes is the epic story of the mortal son of Hermes; born to stop the annihilation of the mortal race and hidden from the gods out to destroy him until he is ready. Orphaned early in his life, Anton is forced to live among different groups of people and endure some of the worst fates any mortal can live through – racism, slavery, torture, and even death – all because of a destiny no one told him he was to carry. Only when he is face to face with the God of War does he learn his fate, but is given no guidance on how to fulfill his destiny and stop the end of the world as he knows it.This book is a YA fantasy taking place in ancient Greek times. The trials that Anton goes through in his life are similar to situations that the modern YA reader would be able to relate to, especially if they find themselves a victim of bullying. This book hopes to inspire the younger generations to be able to overcome the feelings of being a victim and finding faith in themselves – and others – when all they feel as if they are “cursed” to be this way.
Publisher: CreateSpace
ISBN: 9781500732660
Category : Fiction
Languages : en
Pages : 232
Book Description
When Zeus sends out an edict that all mortals will be killed off due to their disloyalty to the gods, Hermes decides to take matters into his own hands to stop this from happening and makes a hero of his line to fight against the gods.However, someone forgot to tell Anton about his destiny…Lost Child of Hermes is the epic story of the mortal son of Hermes; born to stop the annihilation of the mortal race and hidden from the gods out to destroy him until he is ready. Orphaned early in his life, Anton is forced to live among different groups of people and endure some of the worst fates any mortal can live through – racism, slavery, torture, and even death – all because of a destiny no one told him he was to carry. Only when he is face to face with the God of War does he learn his fate, but is given no guidance on how to fulfill his destiny and stop the end of the world as he knows it.This book is a YA fantasy taking place in ancient Greek times. The trials that Anton goes through in his life are similar to situations that the modern YA reader would be able to relate to, especially if they find themselves a victim of bullying. This book hopes to inspire the younger generations to be able to overcome the feelings of being a victim and finding faith in themselves – and others – when all they feel as if they are “cursed” to be this way.
Percy Jackson and the Olympians, Book Two: The Sea of Monsters
Author: Rick Riordan
Publisher: Disney Electronic Content
ISBN: 1423131967
Category : Juvenile Fiction
Languages : en
Pages : 285
Book Description
After a summer spent trying to prevent a catastrophic war among the Greek gods, Percy Jackson finds his seventh-grade school year unnervingly quiet. His biggest problem is dealing with his new friend, Tyson—a six-foot-three, mentally challenged homeless kid who follows Percy everywhere, making it hard for Percy to have any "normal" friends. But things don't stay quiet for long...
Publisher: Disney Electronic Content
ISBN: 1423131967
Category : Juvenile Fiction
Languages : en
Pages : 285
Book Description
After a summer spent trying to prevent a catastrophic war among the Greek gods, Percy Jackson finds his seventh-grade school year unnervingly quiet. His biggest problem is dealing with his new friend, Tyson—a six-foot-three, mentally challenged homeless kid who follows Percy everywhere, making it hard for Percy to have any "normal" friends. But things don't stay quiet for long...
Atlantic Educational Journal
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 444
Book Description
Freud's Lost Chord
Author: Daniel Sapen
Publisher: Phoenix Publishing House
ISBN: 1781811636
Category : Psychology
Languages : en
Pages : 261
Book Description
In Freud's Lost Chord, Dan Sapen explores what it means for the development of depth psychology that Freud was perplexed by music, and unlike nearly every other aspect of human life, had little to say about it - a problem shared by most others in the early generations of psychoanalytic thought. Psychoanalyst Charles Rycroft wrote One cannot help regretting that none of the pioneers of the unconscious thought naturally in auditory terms; more than this, over 100 years later, not only is music per se rarely looked it in psychodynamic terms, jazz music is almost completely absent from the literature. Dr. Sapen looks in depth at the intricate details of psychodynamic theory and practice, as well as an overview of its development, to address the possibility that a theoretical model that has little to say about such a basic and omni-present aspect of human life must be seriously flawed in its effort to explain what it is to be human, and how the mind functions and what it creates. However, Sapen illustrates how numerous other thinkers (Jung, Winnicott, Bion, Loewald, Rycroft), some seemingly at odds with and others serving as essential developments and re-workings of psychoanalytic principles, have managed to illuminate and integrate those missing principles so basic to music and creativity - to development, dreaming, thinking, and relating among other human beings intimately and in a society. Nearly uniquely in the psychodynamic literature, Sapen looks in depth at the music of Miles Davis and John Coltrane as examples of the living, breathing psychological processes so essential to understanding the meaning and dynamics of being human that Freud could not, for a variety of reasons, conceptualize.
Publisher: Phoenix Publishing House
ISBN: 1781811636
Category : Psychology
Languages : en
Pages : 261
Book Description
In Freud's Lost Chord, Dan Sapen explores what it means for the development of depth psychology that Freud was perplexed by music, and unlike nearly every other aspect of human life, had little to say about it - a problem shared by most others in the early generations of psychoanalytic thought. Psychoanalyst Charles Rycroft wrote One cannot help regretting that none of the pioneers of the unconscious thought naturally in auditory terms; more than this, over 100 years later, not only is music per se rarely looked it in psychodynamic terms, jazz music is almost completely absent from the literature. Dr. Sapen looks in depth at the intricate details of psychodynamic theory and practice, as well as an overview of its development, to address the possibility that a theoretical model that has little to say about such a basic and omni-present aspect of human life must be seriously flawed in its effort to explain what it is to be human, and how the mind functions and what it creates. However, Sapen illustrates how numerous other thinkers (Jung, Winnicott, Bion, Loewald, Rycroft), some seemingly at odds with and others serving as essential developments and re-workings of psychoanalytic principles, have managed to illuminate and integrate those missing principles so basic to music and creativity - to development, dreaming, thinking, and relating among other human beings intimately and in a society. Nearly uniquely in the psychodynamic literature, Sapen looks in depth at the music of Miles Davis and John Coltrane as examples of the living, breathing psychological processes so essential to understanding the meaning and dynamics of being human that Freud could not, for a variety of reasons, conceptualize.
Classical Greek Theatre
Author: Clifford Ashby
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Woman's Home Companion
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
The Iliad of Homer
Author: Homer
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Catalogue of the Bronzes, Greek, Roman, and Etruscan, in the Department of Greek and Roman Antiquities, British Museum
Author: British Museum. Department of Greek and Roman Antiquities
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 540
Book Description
A new Study of Shakespeare: an Inquiry into the Connection of the Playsand Poems, with the Origins of the classical Drama, and with the Platonic Philosophy, trough the Mysteries
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
Book Description
Race and Citizen Identity in the Classical Athenian Democracy
Author: Susan Lape
Publisher: Cambridge University Press
ISBN: 1139484125
Category : History
Languages : en
Pages : 357
Book Description
In Race and Citizen Identity in the Classical Athenian Democracy, Susan Lape demonstrates how a race ideology grounded citizen identity. Although this ideology did not manifest itself in a fully developed race myth, its study offers insight into the causes and conditions that can give rise to race and racisms in both modern and pre-modern cultures. In the Athenian context, racial citizenship emerged because it both defined and justified those who were entitled to share in the political, symbolic, and socioeconomic goods of Athenian citizenship. By investigating Athenian law, drama, and citizenship practices, this study shows how citizen identity worked in practice to consolidate national unity and to account for past Athenian achievements. It also considers how Athenian identity narratives fuelled Herodotus' and Thucydides' understanding of history and causation.
Publisher: Cambridge University Press
ISBN: 1139484125
Category : History
Languages : en
Pages : 357
Book Description
In Race and Citizen Identity in the Classical Athenian Democracy, Susan Lape demonstrates how a race ideology grounded citizen identity. Although this ideology did not manifest itself in a fully developed race myth, its study offers insight into the causes and conditions that can give rise to race and racisms in both modern and pre-modern cultures. In the Athenian context, racial citizenship emerged because it both defined and justified those who were entitled to share in the political, symbolic, and socioeconomic goods of Athenian citizenship. By investigating Athenian law, drama, and citizenship practices, this study shows how citizen identity worked in practice to consolidate national unity and to account for past Athenian achievements. It also considers how Athenian identity narratives fuelled Herodotus' and Thucydides' understanding of history and causation.