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Author: Patrick Frank
Publisher: UNM Press
ISBN: 9780826338716
Category : Art
Languages : en
Pages : 340
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Book Description
In this study of four Argentine artists who helped make up Los Artistas del Pueblo (The People's Artists), Patrick Frank examines social realism in that country's art and the first movement of social realism in Latin American art.
Author: Patrick Frank
Publisher: UNM Press
ISBN: 9780826338716
Category : Art
Languages : en
Pages : 340
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Book Description
In this study of four Argentine artists who helped make up Los Artistas del Pueblo (The People's Artists), Patrick Frank examines social realism in that country's art and the first movement of social realism in Latin American art.
Author: Marilyn G. Miller
Publisher: Duke University Press
ISBN: 0822377233
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
Author: Matthew Benjamin Karush
Publisher: Duke University Press
ISBN: 0822352648
Category : History
Languages : en
Pages : 290
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Book Description
Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power.
Author: Harper Montgomery
Publisher: University of Texas Press
ISBN: 1477312560
Category : Art
Languages : en
Pages : 342
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Book Description
Arvey Foundation Book Award, Association for Latin American Art, 2018 Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.
Author: Oscar Chamosa
Publisher: University of Arizona Press
ISBN: 0816549311
Category : History
Languages : en
Pages : 288
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Book Description
Oscar Chamosa brings forth the compelling story of an important but often overlooked component of the formation of popular nationalism in Latin America: the development of the Argentine folklore movement in the first part of the twentieth century. This movement involved academicians studying the culture of small farmers and herders of mixed indigenous and Spanish descent in the distant valleys of the Argentine northwest, as well as artists and musicians who took on the role of reinterpreting these local cultures for urban audiences of mostly European descent. Oscar Chamosa combines intellectual history with ethnographic and sociocultural analysis to reconstruct the process by which mestizo culture—in Argentina called criollo culture—came to occupy the center of national folklore in a country that portrayed itself as the only white nation in South America. The author finds that the conservative plantation owners—the “sugar elites”—who exploited the criollo peasants sponsored the folklore movement that romanticized them as the archetypes of nationhood. Ironically, many of the composers and folk singers who participated in the landowner-sponsored movement adhered to revolutionary and reformist ideologies and denounced the exploitation to which those criollo peasants were subjected. Chamosa argues that, rather than debilitating the movement, these opposing and contradictory ideologies permitted its triumph and explain, in part, the enduring romanticizing of rural life and criollo culture, essential components of Argentine nationalism. The book not only reveals the political motivations of culture in Argentina and Latin America but also has implications for understanding the articulation of local culture with national politics and entertainment markets that characterizes contemporary cultural processes worldwide today.
Author: Museum of Modern Art (Oxford, England)
Publisher: Modern Art Oxford
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Author: Al Tirado
Publisher: Lulu.com
ISBN: 0615256996
Category : Art, Mexican
Languages : en
Pages : 138
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Book Description
The book is alTirado's personal homage to his beehive of art. Born and raised in Mexico Tirado lived for 20 years in New York. In 2007 he returned to San Miguel and was captivated by the artistic core of the beautiful city where he now lives. This book is a catalogue of selected artwork along portraits of 33 prominent local painters, sculptors and ceramists captured while working in their studios. Includes art and concepts of artists: José Luis Arias, Mary Breneman, Tim Hazell, Mario Oliva, William Martin, Yasuaki Yamashita, Mai Onno, and many more who have been enchanted by this magical town.
Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 124
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Book Description
Author: Maria Amélia Bulhões
Publisher: Editora da UFRGS
ISBN: 8570253133
Category : Art, Latin American
Languages : es
Pages : 172
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Book Description
Author: José Antonio Torres Martinó
Publisher: La Editorial, UPR
ISBN: 9780847701629
Category : Art, Puerto Rican
Languages : en
Pages : 312
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Book Description
An art book, a memoir and a critical appraisal, of its subject, artist Torres Martino (b. Puerto Rico). Includes selected bibliographies of works by and about the author and indexes of names and illustrations. "Ponce native humanist, Jos Antonio Torres Martino is a personage of many hats, a wizard that has handled many herbs with intelligence, talent and social commitment. He is presented to us as a contemporary renaissance man: painter, serigraphist, engraver, columnist, union leader, talk-radio host, television anchorman, professor of the university, journalist and art intellectual"- Mario E. Roche Morales.
