Lorenzo Il Magnifico. [With Plates.]. PDF Download
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![Lorenzo Il Magnifico. [With Plates.]. PDF](https://books.google.com/books/content/images/frontcover/_Fj0MgEACAAJ?fife=w150-h200)
Author: Luigi Ugolini
Publisher:
ISBN:
Category :
Languages : en
Pages :
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![Lorenzo Il Magnifico. [With Plates.]. PDF](https://books.google.com/books/content/images/frontcover/_Fj0MgEACAAJ?fife=w80-h100)
Author: Luigi Ugolini
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Wilhelm von Bode
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Book Description
Author:
Publisher:
ISBN:
Category : Early English newspapers
Languages : en
Pages : 866
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Book Description
Author: Leopold David Ettlinger
Publisher: Salem House Publishers
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Author: Michelangelo Buonarroti
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
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Book Description
Author: Ludwig Heinrich Heydenreich
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Maria DePrano
Publisher:
ISBN: 1108416055
Category : Art
Languages : en
Pages : 453
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Book Description
This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.
Author: Günter Passavant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Book Description
Author: Jean Michel Massing
Publisher: Yale University Press
ISBN: 0300051670
Category : History
Languages : en
Pages : 684
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Book Description
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Author: David Mayernik
Publisher: Routledge
ISBN: 1317039246
Category : Architecture
Languages : en
Pages : 301
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Book Description
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
