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Author: Michael Leja
Publisher: Univ of California Press
ISBN: 9780520249967
Category : Art
Languages : en
Pages : 350
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Book Description
"Beautifully written in an engaging style, this book provides a new perspective on turn-of-the-century American culture that nuances and complicates our vision of that historical moment. I have no doubt that it will become a classic text in American studies, the history of American art, and the study of visual culture."—Kathleen Pyne, author of Art and the Higher Life: Painting and Evolutionary Thought in Late Nineteenth-Century America "Michael Leja, one of our most original and acute historians of American art, has written an indispensable and lively study of what we might call the modern anxiety of seeing. He traces our inherently skeptical view of the world back to the turn of the last century, a golden age of hucksters, swindlers, quacks, humbugs, rascals, cheats, and confidence men, and shows how artists as diverse as Eakins and Duchamp fit into this new culture of suspicion. Leja's book breathes fresh life into the period."—Michael Kimmelman "Bringing together the strangest of bedfellows-paintings by Thomas Eakins, spirit photographs, William Harnett's still lifes, occult philosophies, Duchamp readymades-Leja uncovers a deep culture of suspicion and skepticism in America around 1900. As Americans grappled with the complexities of modern life, 'seeing was not believing,' he argues in this deeply researched and brilliantly provocative study."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-1935
Author: Michael Leja
Publisher: Univ of California Press
ISBN: 9780520249967
Category : Art
Languages : en
Pages : 350
Get Book Here
Book Description
"Beautifully written in an engaging style, this book provides a new perspective on turn-of-the-century American culture that nuances and complicates our vision of that historical moment. I have no doubt that it will become a classic text in American studies, the history of American art, and the study of visual culture."—Kathleen Pyne, author of Art and the Higher Life: Painting and Evolutionary Thought in Late Nineteenth-Century America "Michael Leja, one of our most original and acute historians of American art, has written an indispensable and lively study of what we might call the modern anxiety of seeing. He traces our inherently skeptical view of the world back to the turn of the last century, a golden age of hucksters, swindlers, quacks, humbugs, rascals, cheats, and confidence men, and shows how artists as diverse as Eakins and Duchamp fit into this new culture of suspicion. Leja's book breathes fresh life into the period."—Michael Kimmelman "Bringing together the strangest of bedfellows-paintings by Thomas Eakins, spirit photographs, William Harnett's still lifes, occult philosophies, Duchamp readymades-Leja uncovers a deep culture of suspicion and skepticism in America around 1900. As Americans grappled with the complexities of modern life, 'seeing was not believing,' he argues in this deeply researched and brilliantly provocative study."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-1935
Author: Michael Leja
Publisher: Univ of California Press
ISBN: 0520238079
Category : Art
Languages : en
Pages : 324
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Book Description
Michael Leja offers a new, specifically visual, model for understanding American art in the decades before and after 1900.
Author: Eugenio Espinosa
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author: Francesca Segal
Publisher: Harper Collins
ISBN: 1443408913
Category : Fiction
Languages : en
Pages : 287
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Book Description
Winner of the Costa First Novel Award, the National Jewish Book Award for Fiction, the Sami Rohr Prize and the Betty Trask Award; longlisted for the Women’s Prize for Fiction At the age of twenty-eight, Adam is newly engaged to Rachel, his girlfriend of twelve years, and can see a brilliant future unfolding before him: partnership in his father-in-law’s legal firm, holidays with their extended families on the Red Sea, evenings out with the friends they’ve known since childhood in the well-heeled London neighbourhood they’ve shared since birth. It’s a perfect match: sanctioned by both their families, it’s the fulfillment of the desires and expectations of everyone Adam knows and loves. But then Rachel’s reckless, beautiful cousin returns from New York to the family fold. Ellie represents everything that Adam has tried to avoid—and everything that is missing from his world. Adam is torn between duty and temptation, security and exhilaration, and must make a choice that will break either one heart or many. In her dazzling recasting of Edith Wharton’s classic novel The Age of Innocence, Francesca Segal brilliantly explores the age-old conflicts between responsibility and passion, loyalty and freedom, tradition and independence. The Innocents portrays modern-day Jewish life with wit, warmth and empathy, guiding us effortlessly through a contemporary cultural milieu whose social rules are just as claustrophobic as those of nineteenth-century New York.
Author: Alexander Melville Bell
Publisher:
ISBN:
Category : Elocution
Languages : en
Pages : 270
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Book Description
Author: Jon Smith
Publisher: Duke University Press
ISBN: 9780822333166
Category : History
Languages : en
Pages : 540
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Book Description
DIVExamines what happens to our paradigms of the American south if we understand the "south" hemispherically, to include Latin America and the Caribbean./div
Author: Guido Cusinato
Publisher: BRILL
ISBN: 9004520201
Category : Philosophy
Languages : en
Pages : 381
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Book Description
This book returns to the question at the center of our existence, a question that the narcissistic culture in which we are immersed systematically tends to remove: “Why?” The underlying thesis is that the answer must not be sought in success or social recognition, but in a “fragment of truth”, hidden somewhere inside each of us, which reveals itself only if we detach ourselves from our ego and its certainties. It is not, therefore, a matter of finding yet another philosophical theory of the meaning of existence, but rather of shedding light on the conditions under which such meaning can emerge. The author shows us that the ultimate source of our existential orientation lies in the affective sphere, and that the current crisis of orientation is derived from the atrophy of the process of affective maturation on a large scale, and from a lack of knowledge and experience about which techniques are best to reactivate it. We are like glowworms that had once unlearned how to illuminate and have since begun to hover around the magic lantern of the ascetic ideal, already criticized by Nietzsche, and then around neon advertising signs. We are glowworms that have forgotten that we have within our own affective structure a precious source of orientation. The basic thesis is that this source of orientation can be reactivated through the care of desire and practices of emotional sharing.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
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Book Description
Author: Sara Blair
Publisher: Princeton University Press
ISBN: 0691172226
Category : History
Languages : en
Pages : 298
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Book Description
How New York’s Lower East Side inspired new ways of seeing America New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the "other half," was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures. Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America—and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change. How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking—and looking back—that have shaped literary and popular expression as well as American modernity.
Author: Carl Friedrich Keil
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 526
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Book Description
