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Author: Bethany Carlson
Publisher:
ISBN: 9780977033409
Category : London (England)
Languages : en
Pages : 132
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Book Description
Be an insider. London Moxie is a concise, savvy, resource-packed guide that turns London into your home away from home whether you're there for a day or a year. Don't get stuck in the tourist rut - take London Moxie and be an insider.
Author: Bethany Carlson
Publisher:
ISBN: 9780977033409
Category : London (England)
Languages : en
Pages : 132
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Book Description
Be an insider. London Moxie is a concise, savvy, resource-packed guide that turns London into your home away from home whether you're there for a day or a year. Don't get stuck in the tourist rut - take London Moxie and be an insider.
Author: Colette Moody
Publisher: Bold Strokes Books Inc
ISBN: 1602824088
Category : Fiction
Languages : en
Pages : 277
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Book Description
When Hollywood-bound actress Violet London meets speakeasy singer Moxie Valette, her trip takes an unexpected turn toward love. New York City, 1931: When wry Broadway actress Violet London and her hard-drinking cohorts venture into a speakeasy the night before she is to board a train for Hollywood, she is floored by sassy blond singer Moxie Valette. As Violet introduces Moxie to an assortment of bootleg liquor, cross-dressers, and sex shows, she vows to find a way to see her again. Moxie is fascinated by Violet in a thrilling and unfamiliar way, and the ensuing evening of bon mots, shameless flirtation, and illicit revelry is unlike anything she has ever experienced. From Manhattan to Los Angeles, both women's lives are turned upside-down by separation, unscrupulous motion picture studio executives, self-serving agents, eccentric celebrities, and the collection of hedonistic reprobates that are their closest friends.
Author: Sarah McCarroll
Publisher: Theatre Symposium
ISBN: 0817370145
Category : Art
Languages : en
Pages : 123
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Book Description
A substantive exploration of bodies and embodiment in theatre Theatre is inescapably about bodies. By definition, theatre requires the live bodies of performers in the same space and at the same time as the live bodies of an audience. And, yet, it's hard to talk about bodies. We talk about characters; we talk about actors; we talk about costume and movement. But we often approach these as identities or processes layered onto bodies, rather than as inescapably entwined with them. Bodies on the theatrical stage hold the power of transformation. Theatre practitioners, scholars, and educators must think about what bodies go where onstage and what stories which bodies to tell. The essays in Theatre Symposium, Volume 27 explore a broad range of issues related to embodiment. The volume begins with Rhonda Blair's keynote essay, in which she provides an overview of the current cognitive science underpinning our understanding of what it means to be "embodied" and to talk about "embodiment." She also provides a set of goals and cautions for theatre artists engaging with the available science on embodiment, while issuing a call for the absolute necessity for that engagement, given the primacy of the body to the theatrical act. The following three essays provide examinations of historical bodies in performance. Timothy Pyles works to shift the common textual focus of Racinian scholarship to a more embodied understanding through his examination of the performances of the young female students of the Saint-Cyr academy in two of Racine's Biblical plays. Shifting forward in time by three centuries, Travis Stern's exploration of the auratic celebrity of baseball player Mike Kelly uncovers the ways in which bodies may retain the ghosts of their former selves long after physical ability and wealth are gone. Laurence D. Smith's investigation of actress Manda Björling's performances in Miss Julie provides a model for how cognitive science, in this case theories of cognitive blending, can be integrated with archival theatrical research and scholarship. From scholarship grounded in analysis of historical bodies and embodiment, the volume shifts to pedagogical concerns. Kaja Amado Dunn's essay on the ways in which careless selection of working texts can inflict embodied harm on students of color issues an imperative call for careful and intentional classroom practice in theatre training programs. Cohen Ambrose's theorization of pedagogical cognitive ecologies, in which subjects usually taught disparately (acting, theatre history, costume design, for example) could be approached collaboratively and through embodiment, speaks to ways in which this call might be answered. Tessa Carr's essay on "The Integration of Tuskegee High School" brings together ideas of historical bodies and embodiment in the academic theatrical context through an examination of the process of creating a documentary theatre production. The final piece in the volume, Bridget Sundin's exchange with the ghost of Marlene Dietrich, is an imaginative exploration of how it is possible to open the archive, to create new spaces for performance scholarship, via an interaction with the body.
Author: Lauren A. Moore
Publisher: College Prowler
ISBN: 1427496471
Category : Reference
Languages : en
Pages : 149
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Book Description
Author:
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1734
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Book Description
Author: Canada. Patent Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1746
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Book Description
Author: Gregory Mcdonald
Publisher: Vintage Crime/Black Lizard
ISBN: 0307524000
Category : Fiction
Languages : en
Pages : 290
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Book Description
In Fletch’s Moxie, the prolific Gregory Mcdonald tests his incomparable investigative journalist once again with a caper that is as perfectly plotted as Fletch is brilliant. It seems just about everyone in Hollywood had a reason to want Steve Peterman dead. But how someone managed to put a knife in his back on a live broadcast without being seen is anyone’s guess. Unfortunately for Fletch, his girlfriend, Moxie Mooney, a huge star at the box office, is also the number one suspect. With the police asking way too many questions, Fletch whisks Moxie and her drunken father, O.L., off to Key West for a little privacy. But before he can even check out the beach, the rest of the suspects decide to check in. Now, in a house full of Hollywood’s elite, Fletch is increasingly amazed at how ruthless the movie business can be. From the Trade Paperback edition.
Author:
Publisher:
ISBN:
Category : Corporations, American
Languages : en
Pages : 1856
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Book Description
A directory of foreign direct investments by U.S. and Canadian corporations and direct investments in the U.S. and Canada by foreign companies; and of domestic subsidiaries and associates of Canadian companies.
Author:
Publisher:
ISBN:
Category : Bottling
Languages : en
Pages : 736
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Book Description
Author: John Lahr
Publisher: A&C Black
ISBN: 1408177544
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
A reissue in hardback of critic John Lahr's famous 1982 study of Noël Coward's plays"Noël Coward," said Terence Rattigan, "is simply a phenomenon, and one that is unlikely to occur ever again in theatre history." A phenomenon he certainly was, and it is part of John Lahr's purpose in this book to show how that phenomenon called "Noël Coward" was largely Coward's own careful creation. Lahr's penetrating critical study of Coward's drama investigates all the major and minor plays of "The Master". Private Lives, Design for Living and Hay Fever make a fascinating group of "Comedies of Bad Manners". Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine". Lahr then goes on to explore the "politics of charm" oozing through The Vortex, Easy Virtue and Present Laughter. In all Coward's plays Lahr uncovers a coherent philosophy in which charm is both the subject of Coward's comedies and the trap which made his very public life a perpetual performance.
