Reel Rebels: the London Film-Makers' Co-Operative 1966 to 1996 PDF Download
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Author: Joy I. Payne
Publisher: AuthorHouse
ISBN: 150494626X
Category : History
Languages : en
Pages : 265
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Book Description
The London FilmMakers Cooperative was founded in 1966 by a group of artists who sought to explore the possibilities of the moving image whilst maintaining autonomy over the production, distribution, and exhibition of their work. Although their films were not overtly political, artists nevertheless expressed their political attitudes by creating nonnarrative films, thereby rejecting conventional narrative structures associated with mainstream, commercial cinema, which they perceived as supporting the dominant ideology in society. A return to narrative in the 1980s coincided with the introduction of British Art Cinema and the art-house films of Derek Jarman, Peter Greenaway, and Sally Potter, all of whom made experimental films in the early days of the London Co-op.
Author: Joy I. Payne
Publisher: AuthorHouse
ISBN: 150494626X
Category : History
Languages : en
Pages : 265
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Book Description
The London FilmMakers Cooperative was founded in 1966 by a group of artists who sought to explore the possibilities of the moving image whilst maintaining autonomy over the production, distribution, and exhibition of their work. Although their films were not overtly political, artists nevertheless expressed their political attitudes by creating nonnarrative films, thereby rejecting conventional narrative structures associated with mainstream, commercial cinema, which they perceived as supporting the dominant ideology in society. A return to narrative in the 1980s coincided with the introduction of British Art Cinema and the art-house films of Derek Jarman, Peter Greenaway, and Sally Potter, all of whom made experimental films in the early days of the London Co-op.
Author: Pam Hirsch
Publisher: Springer
ISBN: 3319649795
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
This book, a collection of essays by expert film researchers and lecturers, contributes to the growing body of scholarship on cinematic cities by looking at how one city—London—has been represented on film. In particular, the collection examines how films about London have responded to social, material and political change in the city, either by capturing and so influencing how we think about London, or by acting as catalysts (intentionally or otherwise) for public debate. Individual essays explore films ranging from the earliest actualities of the late nineteenth century to contemporary blockbusters. The book will appeal to film scholars and students, as well as to readers interested in the history of London and its changing image.
Author: Charlotte Brunsdon
Publisher: Bloomsbury Publishing
ISBN: 1838716920
Category : Performing Arts
Languages : en
Pages : 544
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Book Description
Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather – fog and rain – and everyday locations like the pub and the housing estate, while also examining the recurring patterns of representation associated with films set in the East and West Ends of London, from Spring in Park Lane (1948) to Mona Lisa (1986), and from Night and the City (1950) to From Hell (2001). Brunsdon provides a detailed analysis of a selection of films, exploring their contribution to the cinematic geography of London, and showing the ways in which feature films have responded to, and created, changing views of the city. She traces London's transformation from imperial capital to global city through the different ways in which the local is imagined in films ranging from Ealing comedies to Pressure (1974), as well as through the shifting imagery of the River Thames and the Docks. She addresses the role of cinematic genres such as horror and film noir in the constitution of the cinematic city, as well as the recurrence of figures such as the cockney, the gangster and the housewife. Challenging the view that London is not a particularly cinematic city, Brunsdon demonstrates that many London-set films offer their own meditation on the complex relationships between the cinema and the city.
Author: Tim Bergfelder
Publisher: Berghahn Books
ISBN: 9781845455323
Category : History
Languages : en
Pages : 284
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Book Description
The legacy of emigrés in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigré directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s.
Author: Iain Sinclair
Publisher: Simon and Schuster
ISBN: 1786071754
Category : Social Science
Languages : en
Pages : 262
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Book Description
A New Statesman Book of the Year London. A city apart. Inimitable. Or so it once seemed. Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.
Author: Karol Kulik
Publisher: W H Allen
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 462
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Book Description
Author: Justine Ashby
Publisher: Routledge
ISBN: 1135125082
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Author: Melvyn Stokes
Publisher: Bloomsbury Publishing
ISBN: 1911239880
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.
Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1844575691
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
100 Silent Films provides an authoritative and accessible history of silent cinema through one hundred of its most interesting and significant films. As Bryony Dixon contends, silent cinema is not a genre; it is the first 35 years of film history, a complex negotiation between art and commerce and a union of creativity and technology. At its most grand – on the big screen with a full orchestral accompaniment – it is magnificent, permitting a depth of emotional engagement rarely found in other fields of cinema. Silent film was hugely popular in its day, and its success enabled the development of large-scale film production in the United States and Europe. It was the start of our fascination with the moving image as a disseminator of information and as mass entertainment with its consequent celebrity culture. The digital revolution in the last few years and the restoration and reissue of archival treasures have contributed to a huge resurgence of interest in silent cinema. Bryony Dixon's illuminating guide introduces a wide range of films of the silent period (1895–1930), including classics such as The Birth of a Nation (1915), The General (1926), Metropolis (1927), Sunrise (1927) and Pandora's Box (1928), alongside more unexpected choices, and represents major genres and directors of the period – Griffith, Keaton, Chaplin, Murnau, Sjöström, Dovzhenko and Eisenstein – together with an introductory overview and useful filmographic and bibliographic information.
Author: Editors of Time Out
Publisher: Time Out
ISBN: 1846702682
Category : Travel
Languages : en
Pages : 511
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Book Description
The 22nd edition of Time Out London will help visitors to navigate the 2000 year old city, from the many must visits through to the eccentricities and particularities that give London its flavor. Time Out keeps you abreast of the latest in terms of cultural events, entertainment, restaurants, shopping, bar and pub scene, as well as taking you to the out-of-the-way neighborhoods in the throes of gentrification. Day trips and local excursions are also recommended, as rolling hills, seaside walks and ancient cities are all within your grasp. Whether your stay is brief or lengthy, Time Out will help you make the most of your time.
