L'oeuvre de Rabelais

L'oeuvre de Rabelais PDF Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

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L'oeuvre de Rabelais

L'oeuvre de Rabelais PDF Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

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Book Description


L'Œuvre de Rabelais. (Sources, Invention Et Composition.).

L'Œuvre de Rabelais. (Sources, Invention Et Composition.). PDF Author: Jean PLATTARD
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Œuvres de Rabelais

Œuvres de Rabelais PDF Author: François Rabelais
Publisher:
ISBN:
Category : French literature
Languages : fr
Pages : 578

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Œuvres de Rabelais

Œuvres de Rabelais PDF Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : fr
Pages : 220

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The Cambridge Companion to Rabelais

The Cambridge Companion to Rabelais PDF Author: John O'Brien
Publisher: Cambridge University Press
ISBN: 052186786X
Category : Literary Criticism
Languages : en
Pages : 193

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An accessible, readable account of Rabelais, his work, his thought and his world.

Œuvres de Rabelais

Œuvres de Rabelais PDF Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : fr
Pages : 540

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Rabelais Et L'œuvre de Jules Garnier. [The Works of Rabelais, with Coloured Illustrations by J. Garnier, and a Preface by A. Silvestre.].

Rabelais Et L'œuvre de Jules Garnier. [The Works of Rabelais, with Coloured Illustrations by J. Garnier, and a Preface by A. Silvestre.]. PDF Author: François Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages :

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 PDF Author:
Publisher: Odile Jacob
ISBN: 2738187366
Category :
Languages : en
Pages : 385

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Rabelaisian Dialectic and the Platonic-Hermetic Tradition

Rabelaisian Dialectic and the Platonic-Hermetic Tradition PDF Author: George Mallary Masters
Publisher: SUNY Press
ISBN: 9780873950398
Category : Dialectic
Languages : en
Pages : 180

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Book Description
In this study, Professor Masters looks beyond the few critical attempts that heretofore have analyzed only isolated aspects of Platonism and Hermetism in Rabelaisian literature. He examines the closely related themes of Platonism, the Dionysian mysteries, and the Hermetic sciences in Rabelais's work and concludes that Rabelais shared with the Platonic-Hermetic tradition both its dialectic and perception of man's position in the universe. In the perspective of Platonic dialectic, Professor Masters analyzes Rabelaisian allegory, symbolism, and imagery as a play on appearance and reality. Through the allegorical myths of Gargantua and Pantagruel, Rabelais rejects the seemingly dichotomous extremes of materialism and ascetic spiritualism, while his philosophy of Pantagrue?lisme shows a positive acceptance of both the physical world and contemplative thought. Through the symbolism of wine, Rabelais manifests the Platonic ideal of Love-Harmony-Order on the literal level of conviviality, in the philosophical dialogue of the symposium, and in the intuitive dialectic of Socratic contemplation. In Rabelais's view, man can achieve self-knowledge only through reasonable control and by actively establishing a balance with society, nature, and God. The magus may diabolically use the "sciences" of astrology, magic, alchemy, and the Cabala in an attempt to subject the world to his own will, or he may achieve unity with himself and his total environment by restoring in himself the harmonious order he finds in the cosmos. In an appendix, Professor Masters examines the continuity of the several themes of the Platonic-Hermetic tradition as they occur in the five books of the Rabelaisian corpus. He concludes, as two corollaries of the main thesis, that their constant recurrence demonstrates the thematic unity of the five books and the authenticity of Book Five.

The Design of Rabelais's

The Design of Rabelais's PDF Author: Edwin M. Duval
Publisher: Librairie Droz
ISBN: 9782600002288
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
En analysant le “dessin” du Tiers Livre - sa composition formelle aussi bien que son intention sous-jacente - E. Duval dégage la cohérence profonde d'une œuvre qui passe le plus souvent pour ambiguë et “ménippéenne”. Cette cohérence, qui se manifeste simultanément à deux niveaux (celui du dessin de Pantagruel dans la quête, celui du dessin de Rabelais dans son livre), permet à l'auteur non seulement de résoudre plusieurs apories de la critique rabelaisienne, mais de découvrir dans le Tiers Livre des dimensions et des ironies inaperçues jusqu'à présent.