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Author: J. M. Walton
Publisher: Greenwood
ISBN:
Category : Drama
Languages : en
Pages : 456
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Book Description
While there is clearly no dearth of material on Greek theatre, until now no systematic effort has been made to integrate the Classical tradition with our modern perceptions and adaptations of it. Professor Walton's unique guide to Greek drama takes on this task, bringing together a wealth of information on Athenian tragedy and comedy as performed and appreciated in its own time and as embodied on the modern stage. The introductory section highlights some of the characteristic features of Greek tragedy and comedy and suggests how and under what conditions plays were first performed. The following section consists of analyses of the thirty-three surviving plays attributed to Aeschylus, Sophocles, and Euripides. Each essay provides information on dates, characters, size of roles, and plot, together with an assessment of staging problems and a review of dramatic and theatrical qualities. The section concludes with a discussion of the influence of Greek tragic tradition on Roman drama.
Author: J. M. Walton
Publisher: Greenwood
ISBN:
Category : Drama
Languages : en
Pages : 456
Get Book Here
Book Description
While there is clearly no dearth of material on Greek theatre, until now no systematic effort has been made to integrate the Classical tradition with our modern perceptions and adaptations of it. Professor Walton's unique guide to Greek drama takes on this task, bringing together a wealth of information on Athenian tragedy and comedy as performed and appreciated in its own time and as embodied on the modern stage. The introductory section highlights some of the characteristic features of Greek tragedy and comedy and suggests how and under what conditions plays were first performed. The following section consists of analyses of the thirty-three surviving plays attributed to Aeschylus, Sophocles, and Euripides. Each essay provides information on dates, characters, size of roles, and plot, together with an assessment of staging problems and a review of dramatic and theatrical qualities. The section concludes with a discussion of the influence of Greek tragic tradition on Roman drama.
Author: Marianne McDonald
Publisher: Indiana University Press
ISBN: 9780253215970
Category : Drama
Languages : en
Pages : 244
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Book Description
Marianne McDonald brings together her training as a scholar of classical Greek with her vast experience in theatre and drama to help students of the classics and of theatre learn about the living performance tradition of Greek tragedy. The Living Art of Greek Tragedy is indispensable for anyone interested in performing Greek drama, and McDonald's engaging descriptions offer the necessary background to all those who desire to know more about the ancient world. With a chapter on each of the three major Greek tragedians (Aeschylus, Sophocles, and Euripides), McDonald provides a balance of textual analysis, practical knowledge of the theatre, and an experienced look at the difficulties and accomplishments of theatrical performances. She shows how ancient Greek tragedy, long a part of the standard repertoire of theatre companies throughout the world, remains fresh and alive for contemporary audiences.
Author: Stewart Ross
Publisher: Peter Bedrick Books
ISBN: 9780872265974
Category : Greek drama
Languages : en
Pages : 0
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Book Description
A history of ancient Greek drama including discussion of the drama competition, Oedipus the King, actors and the chorus, playwrights, and the legacy of Greece.
Author: J. R. Green
Publisher: Routledge
ISBN: 1134968809
Category : History
Languages : en
Pages : 262
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Book Description
In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.
Author: Clifford Ashby
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
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Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Author: Ruth Scodel
Publisher: Cambridge University Press
ISBN: 1139493493
Category : History
Languages : en
Pages :
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Book Description
This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.
Author: Joe Bonamassa
Publisher: Hal Leonard Corporation
ISBN: 1540015378
Category : Music
Languages : en
Pages : 320
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Book Description
(Guitar Recorded Versions). 16 songs transcribed note for note from the live album that captured Joe's tribute to Muddy Waters and Howlin' Wolf at the iconic Colorado theater. Includes: All Aboard * The Ballad of John Henry * Evil (Is Going On) * Hey Baby (New Rising Sun) * How Many More Years * I Can't Be Satisfied * Killing Floor * My Home Is on the Delta * Sloe Gin * You Shook Me * and more.
Author: Peter D. Arnott
Publisher: Routledge
ISBN: 1134924038
Category : History
Languages : en
Pages : 214
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Book Description
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting.
Author: J. M. Walton
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Author: Bryan Doerries
Publisher: Vintage
ISBN: 0307949729
Category : Health & Fitness
Languages : en
Pages : 306
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Book Description
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
