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Author: Yngvar Kjus
Publisher: Springer
ISBN: 3319703684
Category : Music
Languages : en
Pages : 190
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Book Description
This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.
Author: Yngvar Kjus
Publisher: Springer
ISBN: 3319703684
Category : Music
Languages : en
Pages : 190
Get Book Here
Book Description
This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.
Author: William Moylan
Publisher: CRC Press
ISBN: 1000819663
Category : Music
Languages : en
Pages : 491
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Book Description
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings. Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance. Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.
Author: Beverley Diamond
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007232
Category : Music
Languages : en
Pages :
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Book Description
Musical media and the audio recording industry have an important and complex history in Newfoundland and Labrador: professional musicians, community songwriters, local institutions, and even politicians have gone on record. The result is a widespread body of work that undercuts the idea of recorded music as a cultural commodity and deepens the province's tradition of cultural activism. Drawing on contemporary testimony and over fifty years of interviews, On Record explores how recording projects have served as sonic signatures, forms of protest, homage, or parody of the foibles of those in power. Beverley Diamond examines how audio recording in Newfoundland and Labrador has been shaped not merely by creative individuals, but by such events as resettlement, residential schools, the cod moratorium, technological change, and disasters that have befallen those who live and work on the North Atlantic. A chapter by ethnomusicologist and musician Mathias Kom examines the widespread response to a unique annual "challenge" to make an audio recording. Spanning both commercial and community-oriented initiatives, this book reflects the vibrant, socially engaged, and resilient nature of communities that value simultaneously and equally the highest professional standards and the creative potential of every citizen. Encompassing music from both settler and Indigenous communities, On Record redefines the culture of a province that has most often been associated with traditional music, demonstrating that recording goes beyond the creation of a commodity: it responds to the present and to constructs of public memory.
Author: Peter M. Ball
Publisher: Brain Jar Press
ISBN:
Category : Fiction
Languages : en
Pages : 56
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Book Description
Their music could be fatal, but their legacy lives on. Mia Dermott documents the stories of surviving in the back room of a record store, seeking a connection to the father she never got a chance to know. Her latest interviewee recounts a story of the band’s first gig, and the surprisingly legacy that her father left behind: the sole bootleg of the four-piece’s gigs that actually registered their music. It’s a tape Mia needs to find if she ever wants to understand why her father chose to die. And a tape the obsessed fans would kill to hear, if only they knew where to find it. Issue 2 in The Kaleidoscope’s Children, a mosaic series of uncanny tales set in the world of Hornets Attack Your Best Friend Victor & Other Things We Called The Band.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Friedemann Sallis
Publisher: Routledge
ISBN: 1317692101
Category : Music
Languages : en
Pages : 530
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Book Description
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Author: Philip Newell
Publisher: Taylor & Francis
ISBN: 1136116451
Category : Technology & Engineering
Languages : en
Pages : 204
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Book Description
Recording Spaces deals with the acoustics of rooms intended for musical performance of many styles. It discusses these spaces in terms of isolation, internal acoustics, possible techniques of use, and the way that these spaces will interact with the musicians, their instruments, and the microphones. It deals with the concepts of sound isolation, examines some of the principal processes at work, and provides drawings and descriptions of actual rooms and techniques. The book describes how the isolation requirements have their effect on the internal acoustics of the rooms, and how the room treatments must be conceived with such interactions taken into consideration. Starting from the initial concepts, to the measurements of the finished items, Recording Spaces discusses many different types of room, from vocal `booths' to orchestral rooms. There are many stories of how actual `classical' musical performances, from rock to orchestral, have been inspired, or strongly influenced, by the acoustics of their recording spaces. Philip Newell lives in Spain and travels extensively - he is currently designing a concert hall in the Ukraine. Philip began his career working with classic groups such as The Who, whilst at the same time recording brass bands, Welsh male voice choirs, Scottish pipes, church and fairground organs, musicals, and classical recitals. After setting up Virgin Records' first studio he designed their Manor Mobile studio, produced the first recording with a 24-track mobile vehicle, and went on to design their Townhouse Studios in London. Philip has close links with the Institute of Sound and Vibration Research at Southampton University and has written articles for the major audio magazines. He is the author of Studio Monitoring Design, also published by Focal Press.
Author: Bruce Bartlett
Publisher: CRC Press
ISBN: 1317692373
Category : Music
Languages : en
Pages : 385
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Book Description
Recording Music on Location provides an exceptional collection of information regarding all aspects of recording outside of the studio. Featuring clear explanations on how to achieve professional results, this book is divided into two distinct sections: popular music and classical music. Whether you record in the local rock club, jazz café, or in an orchestra hall, Bartlett offers sage advice on each stage of the process of location recording. Packed with hints and tips, this book is a great reference for anyone planning to venture outside of the studio. Audio examples, tracking sheets, weblinks, and downloadable checklists are available on the companion website at www.focalpress.com/cw/bartlett. This edition has been thoroughly updated and includes new sections on iOS devices, USB thumb-drive recorders, and digital consoles with built-in recorders, along with updated specs on recording equipment, software, and hardware. This edition will also show you how to prepare recordings for the web and live audio streaming, and covers spectral analysis, noise reduction, and parallel compression. A new case study will go in depth on classical-music recording.
Author: Tim Canfer
Publisher: CRC Press
ISBN: 1003803903
Category : Technology & Engineering
Languages : en
Pages : 253
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Book Description
Music Technology in Live Performance explores techniques to augment live musical performance and represents a comprehensive guide to best practices in music technology for live performance. This book presents a practical and accessible introduction to the theories of liveness and an array of live performance technologies and techniques. Areas covered include analogue and digital audio, live sound, the recording studio, and electronic music, revealing best professional practices and expert tips, alongside an exploration of approaches to increasing the exchange of energy in live performance. Music Technology in Live Performance is an ideal introduction for students of music performance, music production, and music technology, and a vital resource for professional musicians, producers, and technology developers.
