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Author: Zhongxian Shang
Publisher: Chinese University Press
ISBN: 9789629960643
Category : Drama
Languages : en
Pages : 128
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Book Description
This is an adaptation of the thirteenth-century zaju play Liu Yi Chuan Shu, which was itself based on an eighth-century fairy tale about a failed examination candidate's encounter with a shepherdess in distress who turns out to be the youngest daughter of the Dragon King of Lake Dongting. The young man's help is rewarded with riches, immortality and marriage to the beautiful princess. It is a wish-fulfillment fantasy written with charm and a certain ironical edge. This adaptation consists of the freely-translated lyrics of the zaju with new, original dialogue, including an on-stage narrator. There is a long introduction with synopses of the Chinese text of the zaju and the original story it was based on. There is also an appendix explaining the use of "padding words" in zaju.
Author: Zhongxian Shang
Publisher: Chinese University Press
ISBN: 9789629960643
Category : Drama
Languages : en
Pages : 128
Get Book Here
Book Description
This is an adaptation of the thirteenth-century zaju play Liu Yi Chuan Shu, which was itself based on an eighth-century fairy tale about a failed examination candidate's encounter with a shepherdess in distress who turns out to be the youngest daughter of the Dragon King of Lake Dongting. The young man's help is rewarded with riches, immortality and marriage to the beautiful princess. It is a wish-fulfillment fantasy written with charm and a certain ironical edge. This adaptation consists of the freely-translated lyrics of the zaju with new, original dialogue, including an on-stage narrator. There is a long introduction with synopses of the Chinese text of the zaju and the original story it was based on. There is also an appendix explaining the use of "padding words" in zaju.
Author: Haiwang Yuan
Publisher: Bloomsbury Publishing USA
ISBN: 0897899962
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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Book Description
Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), this collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Painted Skin and Dragon Princess. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. To further enhance cultural understanding, the tales are supplemented with historical and cultural background, notes on storytelling, crafts and games, recipes, proverbs, color photos, a map, a glossary, and more. In the past decades, the doors between China and the West have been flung open. Explosive economic growth and massive increases in travel and immigration have engendered curiosity and interest in this burgeoning nation. Yet modernization has a dark side too, threatening traditional Chinese culture, including stories and storytelling. This new gathering of stories from a variety of sources, captures the fading storytelling traditions of a vast and diverse country. Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), the collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Dragon Princess and Painted Skin. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. Tales are organized into seven sections: Animal Tales; Tales of Magic, Love and Romance; Myths, Legends and Immortals; Moral Stories; How Things Came to Be; and Proverbial Tales. To further enhance cultural understanding, the stories are supplemented with historical and cultural background, notes on storytelling and other folk traditions, recipes, proverbs, color photos, a map, a glossary, and more. All grade levels.
Author: C. T. Hsia
Publisher: Columbia University Press
ISBN: 0231122667
Category : Drama
Languages : en
Pages : 428
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Book Description
This anthology features translations of ten seminal plays written during the Yuan dynasty (1279Ð1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of ChinaÕs culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known translators and scholars have supervised the making of this collection and add a short description to each play. A general introduction situates all selections within their cultural and historical contexts.
Author: Yuming Luo
Publisher: BRILL
ISBN: 9004203664
Category : Literary Criticism
Languages : en
Pages : 1025
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Book Description
Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.
Author: Yuming Luo
Publisher: BRILL
ISBN: 9004203672
Category : Literary Criticism
Languages : en
Pages : 1024
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Book Description
A history of Chinese literature from its early beginnings through the end of the Qing dynasty, this recent work from Professor Luo Yuming of China’s Fudan University seeks to provide, by adopting new theoretical perspectives and using updated research, a coherent, panoramic description of the development of Chinese literature and its major characteristics. As one of the very few English translations of such works by Chinese authors it seeks to inform the Western audience of the recent viewpoints and scholarship on the topic from a leading Chinese scholar. It may also provide some grounds of comparison and contrast with equivalent works in the West.
Author: Tony Allan
Publisher: The Rosen Publishing Group, Inc
ISBN: 1448860458
Category : Juvenile Nonfiction
Languages : en
Pages : 145
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Book Description
This captivating volume mixes the myths of Ancient China with the beautiful art and history of the culture. The lavish color photographs bring the earliest achievements of the Chinese people into focus through the beliefs and mythology of one of the world's oldest civilizations. The strange stories, mystic rites, angry gods, vision quests, and magic symbols at the heart of Ancient China are crucial to understanding how the Chinese people have explained birth, death, creation, love, and other mysteries of life. Written in accessible language, even the most reluctant readers will submerge themselves in the history and mythology that this rich volume provides.
Author:
Publisher: BRILL
ISBN: 9004349375
Category : Art
Languages : en
Pages : 350
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Book Description
Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.
Author: Daniel Hsieh
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882378846
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
In traditional China, upper-class literati were inevitably strongly influenced by Confucian doctrine and rarely touched upon such topics as love and women in their writings. It was not until the mid-Tang, a generation or two after the An Lushan rebellion, that literary circles began to engage in overt discussion of the issues of love and women, through the use of the newly emerging genres of zhiguai and chuanqi fiction. The debate was carried out with an unprecedented enthusiasm, since the topics were considered to be the key to understanding the crisis in Chinese civilization. This book examines the repertoire of chuanqi and zhiguai written during the Six Dynasties and Tang periods and analyzes the key themes, topics, and approaches found in these tales, which range from expressions of male fantasy, sympathy, fear, and anxiety, to philosophical debate on the place of the feminine in patriarchal Chinese society. Many of these stories reflect tensions between masculine and feminine aspects of civilization as seen, for example, in the conflict of male aspiration and female desire, as well as the ultimate longing for reconciliation of these divisions. These stories form a crucial chapter in the history of love in China and would provide much of the foundation for further explorations during the late imperial period, as seen in seminal works such as The Peony Pavilion and Dream of the Red Chamber.
Author: Fan Shengyu
Publisher: Taylor & Francis
ISBN: 1000582906
Category : Foreign Language Study
Languages : en
Pages : 268
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Book Description
The Translator’s Mirror for the Romantic: Cao Xueqin’s Dream and David Hawkes’ Stone is a book that uses precious primary sources to decipher a master translator’s art in Stone, a brilliant English translation of the most famous Chinese classic novel Dream. This book demonstrates a bilingual close reading which sheds light on both the original and its translation. By dividing the process of translation into reading, writing, and revising, and involving the various aspects of Sinological research, textual criticism, recreation, and literary allusions, this book ventures to emphasise the idea of translation as a dialogue between the original and the translated text, between the translator and his former self, and a learning process both for the translator and the reader of his translation. Any student of Chinese language and literature, or Chinese–English translation, will benefit from this book; for students and scholars who want to study David Hawkes and his Stone, this book is an indispensable aid. Readers will be interested to see how a non-theoretical analysis could be used to evaluate this translation, for it makes an extremely important and useful contribution to this subject.
Author: Patricia Sieber
Publisher: Columbia University Press
ISBN: 0231546661
Category : Drama
Languages : en
Pages : 481
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Book Description
This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature, and theater studies. How to Read Chinese Drama is straightforward, clear, and concise, written for undergraduate students and their instructors as well as a wider audience interested in world theater. For students of Chinese literature and language, the book provides questions to explore when reading, watching, and listening to plays, and it features bilingual excerpts. For teachers, an analytical table of contents, a theater-specific chronology of events, and lists of visual resources and translations provide pedagogical resources for exploring Chinese theater within broader cultural and comparative contexts. For theater practitioners, the volume offers deeply researched readings of important plays together with background on historical performance conventions, audience responses, and select modern adaptations.
