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Author:
Publisher:
ISBN:
Category : Livestock
Languages : en
Pages : 670
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Book Description
Author:
Publisher:
ISBN:
Category : Livestock
Languages : en
Pages : 670
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Book Description
Author: Joe Cramer
Publisher: Publishamerica Incorporated
ISBN: 9781424185511
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
Ready, set, go! Joeas Story is a wonderful romp through life. Relive the hijinks of youth, adolescence and adulthood; friendships, disappointments, overcoming the hurdles of everyday life; and relish the rich experience of simply being alive in a land of freedom. You will run the gauntlet of emotions from laughter to tears. Joeas sense of adventure is infectious. Heartbreak, fatherhood and discouragement bring maturity at an early age. Real friends and family values encourage change. An unplanned trip, an armed robber and encounters with the opposite sex help develop survival skills. Never quite comfortable with romance, eventually Joe fumbles his way through in a memorable and endearing way. Marriage, children and work bring more than he ever dreamed. Tragedy strikes! No one saw it coming. No one was prepared. Life as head known it was gone. Who was this stranger? Terrible, frightening and beautiful, youall be there.
Author: Mia Mask
Publisher: Routledge
ISBN: 0415523222
Category : Art
Languages : en
Pages : 286
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Book Description
Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.
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Category :
Languages : en
Pages : 448
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Book Description
Author: Michelle Alexander
Publisher: The New Press
ISBN: 1620971941
Category : Law
Languages : en
Pages : 434
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Book Description
One of the New York Times’s Best Books of the 21st Century Named one of the most important nonfiction books of the 21st century by Entertainment Weekly‚ Slate‚ Chronicle of Higher Education‚ Literary Hub, Book Riot‚ and Zora A tenth-anniversary edition of the iconic bestseller—"one of the most influential books of the past 20 years," according to the Chronicle of Higher Education—with a new preface by the author "It is in no small part thanks to Alexander's account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system." —Adam Shatz, London Review of Books Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S." Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.
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Category :
Languages : en
Pages : 70
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Book Description
Author:
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Category : Motorcycles
Languages : en
Pages : 746
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Book Description
Author: Roche, David
Publisher: Human Kinetics
ISBN: 1492567647
Category : Sports & Recreation
Languages : en
Pages : 232
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Book Description
Is your daily run starting to drag you down? Has running become a chore rather than the delight it once was? Then The Happy Runner is the answer for you. Authors David and Megan Roche believe that you can’t reach your running potential without consistency and joyful daily adventures that lead to long-term health and happiness. Guided by their personal experiences and coaching expertise, they point out the mental and emotional factors that will help you learn exactly how to become a happy runner and achieve your personal best.
Author:
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Category : Motorboats
Languages : en
Pages : 550
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Book Description
Author: Julie Hedgepeth Williams
Publisher: NewSouth Books
ISBN: 1603064133
Category : Biography & Autobiography
Languages : en
Pages : 199
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Book Description
One of the more eccentric figures in the antebellum South was Joseph Addison Turner, born to the plantation and trained to run one. All he really wanted to do, though, was to be a famous writer—and to be the founder of Southern literature. He tried and failed and tried and failed at publishing magazines, poems, books, articles, journals, all while halfheartedly running a plantation. When the Civil War broke out, he no longer had access to New York publishers, and in his frustration it dawned on him that he could throw a newspaper press into an outbuilding on his Georgia plantation. Furthermore, his newspaper would be modeled on The Spectator, the literary newspaper of the early 1700s by Joseph Addison, for whom Turner was named. The Spectator in its day, and 150 years later in Turner’s day, was considered high literature. Turner carefully copied Addison’s style and philosophy—and it worked! His newspaper, The Countryman—the only newspaper ever published on a plantation—was one of the most widely read in the Confederacy. Following Addison’s lead, Turner suggested that slaves should be treated well, lauded the contributions of women, and featured humorous copy. And, of course, his paper celebrated Southern culture and creativity. As Turner urged in The Countryman, the South could never be a great nation if all it did was fight. It needed art—it needed literature! And he, J. A. Turner himself, would lead the way. The Civil War, however, didn’t go as Turner had hoped. Sherman’s army marched through and took Turner’s world with it. His newspaper collapsed. He died a few years after the war ended, thinking he had failed to start Southern literature. However, he was wrong. The Countryman’s teenage printer’s devil was Joel Chandler Harris, who grew up to write the first wildly popular Southern literature, the Uncle Remus tales. Turner had taken in the illegitimate, ill-educated Harris and had turned him into a writer. And while Harris worked for the plantation newspaper, he joined Turner’s children at dusk in the slave cabins, listening to the fantastical animal stories the Negroes told. Young Harris recognized the tales’ subversive theme of the downtrodden outwitting the powerful. Years later as a newspaperman, he was asked to write a column in the Negro dialect, and he reached back to his days at The Countryman for the slaves’ narratives. The stories enthralled readers in the South—but also in the North, particularly Theodore Roosevelt. The Uncle Remus stories were hailed as the reconciler between North and South, and they directly influenced Mark Twain, Rudyard Kipling, and Beatrix Potter. Most importantly, Uncle Remus knocked New England off its perch as the focus of American belles-lettres and made Southern literature the primary national focus. So, ultimately, Joseph Addison Turner really did found Southern literature—with the help of two other not-so-ordinary Joes, Joseph Addison and Joel Chandler Harris. Julie Hedgepeth Williams tells their story.
