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Author: Jean Adhémar
Publisher:
ISBN: 9781555213077
Category : Lithography
Languages : en
Pages : 280
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Book Description
Author: Jean Adhémar
Publisher:
ISBN: 9781555213077
Category : Lithography
Languages : en
Pages : 280
Get Book Here
Book Description
Author: Ron Tyler
Publisher: University of Texas Press
ISBN: 1477326081
Category : Art
Languages : en
Pages : 529
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Book Description
A stunning and comprehensive collection of lithographs from 1818 to 1900 Texas.
Author: Sarah J. S. Suzuki
Publisher: The Museum of Modern Art
ISBN: 087070818X
Category : Art
Languages : en
Pages : 170
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Book Description
Illuminates a wide range of printmaking techniques, featuring short overviews and illustrations of more than 130 works from The Museum of Modern Art's print collection
Author: Ulrich Marzolph
Publisher: BRILL
ISBN: 9004445528
Category : Reference
Languages : en
Pages : 319
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Book Description
This study surveys a distinctive type of the “Islamic” book which has been largely neglected in previous scholarship: the genre of illustrated lithographed books produced in nineteenth- and early twentieth-century Iran. In addition to introducing the history of printing in Iran and surveying the investigated sources, the study supplies basic data on genres of illustrated books, artists active in lithographic illustration, and aspects germane to this particular field of art. The documentation includes bibliographical references for 116 illustrated books in a total of 351 particular editions and 150 plates with several hundred single illustrations. Lithographic illustration in Iran constitutes the legitimate successor to manuscript illustration, both in content and style. Contrasting with the latter’s refinement, lithographed illustrations were produced in large numbers and served as a powerful medium of popular iconography.
Author: Brian Maidment
Publisher: Manchester University Press
ISBN: 9780719033711
Category : Art
Languages : en
Pages : 212
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Book Description
Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
Author: Laurel Brake
Publisher: Springer
ISBN: 1349628859
Category : Science
Languages : en
Pages : 395
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Book Description
This collection of important new research in 19th-century media history represents some salient, recent developments in the field. Taking as its theme, the ways the media serves to define identities - national, ethnic, professional, gender, and textual, the volume addresses serials in the UK, the US, and Australia. High culture rubs shoulders with the popular press, text with image, feminist periodicals and masculine, gay, and domestic serials. Theory and history combine in research by scholars of international repute.
Author: Joanne Shattock
Publisher: Cambridge University Press
ISBN: 9780521391009
Category : English literature
Languages : en
Pages : 74
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Book Description
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Domenico Porzio
Publisher:
ISBN:
Category : Lithography
Languages : en
Pages :
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Book Description
Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606064827
Category : Art
Languages : en
Pages : 186
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Book Description
Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed, innovation became the rule, as artists developed their own unique—and often experimental—processes. The exploration of black media in drawing is inextricably bound up with the exploration of black in prints, and this volume presents an integrated study that rises above specialization in one over the other. Noir brings together such diverse artists as Francisco de Goya, Maxime Lalanne, Gustave Courbet, Odilon Redon, and Georges Seurat and explores their inventive works on paper. Sidelining labels like “conservative” or “avant-garde,” the essays in this book employ all the tools that art history and modern conservation have given us, inviting the reader to look more broadly at the artists’ methods and materials. This volume accompanies an eponymous exhibition on view at the J. Paul Getty Museum from February 9 to May 15, 2016.
