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Author: Kathryn L. Lynch
Publisher: Boydell & Brewer Ltd
ISBN: 9780859916004
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
New readings of Chaucer's dream visions, demonstrating his philosophical interests and learning.
Author: Kathryn L. Lynch
Publisher: Boydell & Brewer Ltd
ISBN: 9780859916004
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
New readings of Chaucer's dream visions, demonstrating his philosophical interests and learning.
Author: Paisley Livingston
Publisher: Cornell University Press
ISBN: 1501746022
Category : Philosophy
Languages : en
Pages : 291
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Book Description
Paisley Livingston here addresses contemporary controversies over the role of "theory" within the humanistic disciplines. In the process, he suggests ways in which significant modern texts in the philosophy of science relate to the study of literature.
Author: Tom Slevin
Publisher: Bloomsbury Publishing
ISBN: 1786739968
Category : History
Languages : en
Pages : 273
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Book Description
In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.
Author: Christopher Hatchell
Publisher: Oxford University Press
ISBN: 0199982929
Category : Religion
Languages : en
Pages : 497
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Book Description
Buddhism is in many ways a visual tradition, with its well-known practices of visualization, its visual arts, its epistemological writings that discuss the act of seeing, and its literature filled with images and metaphors of light. Some Buddhist traditions are also visionary, advocating practices by which meditators seek visions that arise before their eyes. Naked Seeing investigates such practices in the context of two major esoteric traditions, the Wheel of Time (Kalacakra) and the Great Perfection (Dzogchen). Both of these experimented with sensory deprivation, and developed yogas involving long periods of dwelling in dark rooms or gazing at the open sky. These produced unusual experiences of seeing, which were used to pursue some of the classic Buddhist questions about appearances, emptiness, and the nature of reality. Along the way, these practices gave rise to provocative ideas and suggested that, rather than being apprehended through internal insight, religious truths might also be seen in the exterior world-realized through the gateway of the eyes. Christopher Hatchell presents the intellectual and literary histories of these practices, and also explores the meditative techniques and physiology that underlie their distinctive visionary experiences. The book also offers for the first time complete English translations of three major Tibetan texts on visionary practice: a Kalacakra treatise by Yumo Mikyo Dorjé, The Lamp Illuminating Emptiness, a Nyingma Great Perfection work called The Tantra of the Blazing Lamps, and a Bön Great Perfection work called Advice on the Six Lamps, along with a detailed commentary on this by Drugom Gyalwa Yungdrung.
Author: Lars Ole Sauerberg
Publisher: Springer
ISBN: 1349250309
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
With the canon debate, prominent in literary criticism since the early 1970s, as the sounding board, the study aims at investigating and discussing in critical perspective the function of considerations to do with canon for literary criticism at the formation stage. It focuses on the interaction between a critic's canonical preferences ('versions of the past') and his desire for improved cultural and/or aesthetic conditions ('visions of the future') in the criticism of Eliot, Leavis, Frye and Bloom.
Author: Geoff Boucher
Publisher: Bloomsbury Publishing USA
ISBN: 1501344064
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Although Habermas has written about the cultural role of literature and about literary works, he has not systematically articulated a literary-critical method as a component of either communicative reason or post-metaphysical thinking. Habermas and Literature brings Habermasian concepts and categories into contact with aesthetic and cultural theories in and around the Frankfurt School, and beyond. Its central claim is that Habermas' contribution to literary and cultural criticism is the concept of literary rationality and the notion that literature performs a key role in the formation of the modern social imaginary. Habermas and Literature maintains that literary works have “two faces” – discursive intervention in the public sphere and personal integration of imaginative disclosures – that depend upon two modalities of literary reception: critique and identification. It develops the resulting literary theory through detailed discussion of the theories advanced by Habermas, followed in each case by synthetic and reconstructive argumentation that brings the framework of communicative reason into dialogue with literary methods, aesthetic theories and psychoanalytic categories. It does so through close engagement with debates around aesthetic rationality, world disclosure, social imaginaries, post-secular society and the utopian demand for happiness articulated by artworks. In the process, the Habermasian position is critically reconstructed when necessary, with reference to psychoanalytic and literary theories, and tested, in relation to demanding fiction and popular works.
Author: Kathryn Hume
Publisher: Routledge
ISBN: 1317638530
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Author: Dr. Balwinder Singh
Publisher: Lulu.com
ISBN: 1365050777
Category : Education
Languages : en
Pages : 154
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Book Description
Here laying more stress on modern tragic vision, it is generally democratized, but comparatively speaking this is more true of Arthur Miller than Eugene O'Neill's. O'Neill takes a much more perspicacious, psychological approach that renders the psyche bare and illustrates his view that science and its brainchild of materialism, offers no psychic balm or emotional solace to mankind. O'Neill's tragic vision thus doesn't man but, rather, lays bare the spiritual wasteland that he is in the contemporary materialist world. By contrast, Miller in Death of a Salesman attempts to affirm and reaffirm man within the confines of materialism - a concomitant of capitalism. Other canons of Aristotle, Sri Aurobindo, C.G. Jung, Joseph Campbell, George A. Kelly, Rollo May and Tony Wolfe have also been applied to make the critical study more effective and encompassing .
Author: Dr. Balwinder Singh
Publisher: Lulu.com
ISBN: 1365049965
Category : Education
Languages : en
Pages : 164
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Book Description
A critical study of the Greek tragic vision in the context of other plays taken for the purpose manifests that the conceptualization of tragedy has followed three paradigmatic shifts. The Greeks believed in Divine universe higher than the mundane which impacted upon the latter for good and bad in response to its own moral order and its canons. For example, Sophocles' Oedipus is fated to commit parricide and incest even before his birth. Euripides' Medea takes help from the sun-god. Aegeus goes to Delphi to know the reason of his remaining issueless. Medea is a sorceress and invokes the supernatural powers to kill her foes. In other tragic visions like that of Shakespeare's, Neoclassical and Modern tragic vision, it's is hardly so. The application of various perspectives of Aristotle, Aurobindo, Jung, Joseph Campbell, George A. Kelly, Tony Wolfe etc. would help us unfurl the skein tragic tangles in the life we human beings.
Author: Dr. Balwinder Singh
Publisher: Lulu.com
ISBN: 1365050793
Category : Education
Languages : en
Pages : 124
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Book Description
The tragic vision judiciously lies embedded in the clash between morality and immorality . As such, immorality is more pronounced in John Dryden's All for Love. In this tragedy, all limits of immorality are broken. The hero Antony falls flat into the grip of the heroine Cleopatra .Whatever order, she gives, he blindly bows before her. Antony an awesome warrior is rendered all pale in front of her . What a pitiable situation. Antony was an expert in winning land-battles but at the behest of Cleopatra, he had to go in for sea-battle and lost and later out of shame had to commit suicide. Antony's situation comes to such a pass that even Cleopatra has to admit: "Sunk, never more to rise."(V.85) See the evolutionary trajectory traveled by tragedy. First it was fate, then it was character and now it's immorality that dragged the hero into tragic situation.
