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Author: Akira Mizuta Lippit
Publisher: U of Minnesota Press
ISBN: 0816646104
Category : Science
Languages : en
Pages : 221
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Book Description
With a taut, poetic style, Lippit produces speculative readings of secret and shadow archives and visual structures or phenomenologies of the inside, charting the materiality of what both can and cannot be seen in the radioactive light of the twentieth century.
Author: L. Calè
Publisher: Springer
ISBN: 0230297390
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.
Author: Christina Walter
Publisher: JHU Press
ISBN: 1421413639
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
"Christina Walter brings the next offering to the Hopkins Studies in Modernism series. Her work looks at the influence of the modern science of visual perception a variety of modernist writers. Walter focuses in particular on the way in which writers like H.D., Virgina Woolf, Walter Pater, and T.S. Eliot developed an alternative conception of the self in light of the developing neuro-scientific account of our inner workings. Critics have long seen modernist writers as being concerned with an 'impersonal' form of writing that rejects the earlier Romantic notion that literature was a direct expression of an author's subjective personality. Walter argues that the charge of impersonality has been overblown and that the modernists did not want to entirely evacuate the self from writing. Rather, she argues, modernist writers embraced the kind of material and embodied notion of the self that resulted from the then-emerging physiological sciences. This work will appeal to scholars and advanced students of modernist literature, as well as scholars interested in the influence of science on literature."--Provided by publisher.
Author: Pico Iyer
Publisher: Vintage
ISBN: 0307764656
Category : Travel
Languages : en
Pages : 467
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Book Description
In Tropical Classical the author of Video Nights in Katmandu and The Lady and the Monk visits a holy city in Ethiopia, where hooded worshippers practice a Christianity that has remained unchanged since the Middle Ages. He follows the bewilderingly complex route of Bombay's dabbawallahs, who each day ferry 100,000 different lunches to 100,000 different workers. Iyer chats with the Dalai Lama and assesses the books of Salman Rushdie and Cormac McCarthy. And he brings his perceptive eye and unflappable wit to bear on the postmodern vogues for literary puffery, sexual gamesmanship, and frequent-flier miles. Glittering with aphorisms, overflowing with insight, and often hilarious, Tropical Classical represents some of Iyer's finest work.
Author: Akira Mizuta Lippit
Publisher: U of Minnesota Press
ISBN: 0816646104
Category : Science
Languages : en
Pages : 221
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Book Description
With a taut, poetic style, Lippit produces speculative readings of secret and shadow archives and visual structures or phenomenologies of the inside, charting the materiality of what both can and cannot be seen in the radioactive light of the twentieth century.
Author: Steven Tötösy de Zepetnek
Publisher: Research Institute for Comparative Literature and Cross-Cultural Studies, University of Alberta 1997.
ISBN: 9780921490081
Category : Literary Criticism
Languages : en
Pages : 605
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Book Description
Author: Patrick Dove
Publisher: SUNY Press
ISBN: 1438461550
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Examines literary responses to the impact of economic and technological globalization in Latin America. Literature and Interregnum examines the unraveling of the political forms of modernity through readings of end-of-millennium literary texts by César Aira, Marcelo Cohen, Sergio Chejfec, Diamela Eltit, and Roberto Bolaño. The opening of national spaces to the global capitalist system in the 1980s culminates in the suspension of key principles of modernity, most notably that of political sovereignty. While the neoliberal model subjugates modern forms of social organization and political decision making to an economic rationale, the market is unable to provide a new ordering principle that could fill the empty place formerly occupied by the national figure of the sovereign. The result is a situation that resembles what the Italian political philosopher Antonio Gramsci termed interregnum, an in-between time in which the old [order] is dying and the new cannot be born. The recoding of history as literary form provides occasions for reconsidering modern conceptualizations of aesthetic experience, mood, temporality, thought, politics, ethical experience, as well as of literature itself as social institution. In his analysis, Patrick Dove seeks to create dialogues between literature and theoretical perspectives, including Continental philosophy, political thought, psychoanalysis, and sociology of globalization. The author highlights the connections between mass media, technology, politics, and economics. This is a first-rate, timely, and rigorously theorized intervention that everyone in the field of Latin American literary and cultural studies will have to read, teach, discuss, and cite. Charles Hatfield, author of The Limits of Identity: Politics and Poetics in Latin America Transitioning from literary analysis of Latin American novels to political theory, philosophy, sociology, history, and back, Dove brilliantly performs one of the most difficult tasks of the critic: to think the history of the present. Rather than engaging in blind celebrations of globalization, Dove fearlessly looks straight into the eye of the storm, deploying new vocabularies to helps us grasp contemporary precariousness, new forms of violence, and increasing inequality. In so doing, he mounts a bracing critique of the almost comedic way in which our outdated critical weapons keep firing at the wrong targets. A must read for Latinamericanists and comparatists, as well as for scholars interested in putting interdisciplinarity to work. Moira Fradinger, author of Binding Violence: Literary Visions of Political Origins
Author: Meredith L. McGill
Publisher: University of Pennsylvania Press
ISBN: 0812209745
Category : Literary Criticism
Languages : en
Pages : 373
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Book Description
The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.
Author: Sarah J. Paulson
Publisher: John Benjamins Publishing Company
ISBN: 9027267545
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
How does contemporary literature respond to the digitalized media culture in which it takes part? And how do we study literature in order to shed light on these responses? Under the subsections Technology, Subjectivity, and Aesthetics, Literature in Contemporary Media Culture sets out to answer these questions. The book shows how literature over the last decade has charted the impact of new technologies on human conduct. It explores how changes in literary production, distribution, and consumption can be correlated to changes in social practices more generally. And it examines how (and if) contemporary media culture affects our understanding of literary aesthetics. Addressing Scandinavian and Anglo-American poetry and fiction produced around the beginning of the present century, Literature in Contemporary Media Culture highlights both well-known and unfamiliar literary texts. It offers cross-disciplinary methodological tools and reading strategies for studying literary phenomena such as intermedial aesthetics, the autobiographical novel, conceptual literature, and digital poetry, all of which are prevalent across national borders at the outset of the twenty-first century. This book will be of interest to students and established scholars in the fields of literature, film and media studies, and visual studies, as well as to members of the general reading public.
Author: Theodore Whitefield Hunt
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 444
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Book Description
Author: Adam Joseph Shellhorse
Publisher: University of Pittsburgh Press
ISBN: 0822982439
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Anti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Vi–as, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by "literature." By placing Brazilian and Argentine anti-literature at the crux of a new way of thinking about the field, Shellhorse challenges prevailing discussions about the historical projection and critical force of Latin American literature. Examining a diverse array of texts and media that include the visual arts, concrete poetry, film scripts, pop culture, neo-baroque narrative, and others that defy genre, Shellhorse delineates the subversive potential of anti-literary modes of writing while also engaging current debates in Latin American studies on subalternity, feminine writing, posthegemony, concretism, affect, marranismo, and the politics of aesthetics.
