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Author: BI Feiyu
Publisher: Taylor & Francis
ISBN: 1000554066
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
This book is a collection of lectures on literature given in top universities in China by Bi Feiyu, one of the country's best known writers. From the perspective of a novelist, the author revisits and interprets classic works by renowned writers, aiming to illuminate what constitutes a classic. The lectures explore works of classical and modern Chinese literature such as A Dream of Red Mansions, Water Margin and works by Lu Xun and Wang Zengqi, as well as world-famous writers such as Guy de Maupassant, V.S. Naipaul, Ernest Hemingway and Thomas Hardy. The interpretation and criticism of the works goes beyond academic textual analysis, highlighting the instincts, writing experience and insights of a creative writer. Comparison is made between the literary elements of modernism and classical Chinese works, techniques of character shaping and plot development, thematic dimensions, narrative style, literary topos, literary aesthetics and the language of literature. These essays will appeal to readers interested in literature, literary criticism, Chinese literature and world classics.
Author: BI Feiyu
Publisher: Routledge
ISBN: 1000554082
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
This book is a collection of lectures on literature given in top universities in China by Bi Feiyu, one of the country's best known writers. From the perspective of a novelist, the author revisits and interprets classic works by renowned writers, aiming to illuminate what constitutes a classic. The lectures explore works of classical and modern Chinese literature such as A Dream of Red Mansions, Water Margin and works by Lu Xun and Wang Zengqi, as well as world-famous writers such as Guy de Maupassant, V.S. Naipaul, Ernest Hemingway and Thomas Hardy. The interpretation and criticism of the works goes beyond academic textual analysis, highlighting the instincts, writing experience and insights of a creative writer. Comparison is made between the literary elements of modernism and classical Chinese works, techniques of character shaping and plot development, thematic dimensions, narrative style, literary topos, literary aesthetics and the language of literature. These essays will appeal to readers interested in literature, literary criticism, Chinese literature and world classics.
Author: Mary Cappello
Publisher: Undelivered Lectures
ISBN: 9781945492426
Category : Literary Collections
Languages : en
Pages : 120
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Book Description
An energetic and irreverent essay on the forgotten art of the lecture, part of Transit's new Undelivered Lectures series.
Author: Sarah Zimmerman
Publisher: Oxford University Press
ISBN: 0192569562
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
At the beginning of the nineteenth century, the literary lecture arrived on London's cultural scene as an influential critical medium and popular social event. It flourished for two decades in the hands of the period's most prominent lecturers: Samuel Taylor Coleridge, John Thelwall, Thomas Campbell, and William Hazlitt. Lecturers aimed to shape auditors' reading habits, burnish their own professional profiles, and establish a literary canon. Auditors wielded their own considerable influence, since their sustained approbation was necessary to a lecturer's success, and independent series could collapse midway if attendance waned. Two chapters are therefore devoted to the auditors, whose creative responses to what they heard often constituted cultural works in their own right. Auditors wrote poems and letters about lecture performances, acted as patrons to lecturers, and hosted dinners and conversation parties that followed these events. Prominent auditors included John Keats, Mary Russell Mitford, Henry Crabb Robinson, Catherine Maria Fanshawe, and Lady Charlotte Bury. The Romantic public literary lecture is a fascinating cultural phenomenon in its own right, but understanding the medium has significant implications for some of the period's most important literary criticism, such as Coleridge's readings of Shakespeare and Hazlitt's Lectures on the English Poets (1818). The book's two main aims are to chart the emergence of the literary lecture as a popular medium and to develop a critical approach to these events by drawing on an interdisciplinary discussion about how to treat historical speaking performances.
Author: Adam & Missy Andrews
Publisher:
ISBN: 9780998322919
Category :
Languages : en
Pages :
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Book Description
Author: Kate Reed Petty
Publisher: Penguin
ISBN: 1984877690
Category : Fiction
Languages : en
Pages : 336
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Book Description
“A gripping, ripped-from-headlines tale.” —People “Spellbinding.” —Megan Abbott, The New York Times Book Review Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories—and who gets to tell them 2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep." 1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world—until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire. The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember—but which has nevertheless shaped her life—will she take it? An inventive and breathtaking exploration of a woman finding her voice in the wake of trauma, True Story is part psychological thriller, part fever dream, and part timely comment on sexual assault, power, and the very nature of truth. Ingeniously constructed and full of twists and turns that will keep you guessing until the final pages, it marks the debut of a singular and daring new voice in fiction.
Author: Linda Babcock
Publisher: Simon and Schuster
ISBN: 1982152354
Category : Business & Economics
Languages : en
Pages : 320
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Book Description
In this “long overdue manifesto on gender equality in the workplace, a practical playbook with tips you can put into action immediately…simply priceless” (Angela Duckworth, bestselling author of Grit), The No Club offers a timely solution to achieving equity at work: unburden women’s careers from work that goes unrewarded. The No Club started when four women, crushed by endless to-do lists, banded together to get their work lives under control. Running faster than ever, they still trailed behind male colleagues. And so, they vowed to say no to requests that pulled them away from the work that mattered most to their careers. This book reveals how their over-a-decade-long journey and subsequent groundbreaking research showing that women everywhere are unfairly burdened with “non-promotable work,” a tremendous problem we can—and must—solve. All organizations have work that no one wants to do: planning the office party, screening interns, attending to that time-consuming client, or simply helping others with their work. A woman, most often, takes on these tasks. In study after study, professors Linda Babcock (bestselling author of Women Don’t Ask), Brenda Peyser, Lise Vesterlund, and Laurie Weingart—the original “No Club”—document that women are disproportionately asked and expected to do this work. The imbalance leaves women overcommitted and underutilized as companies forfeit revenue, productivity, and top talent. The No Club walks you through how to change your workload, empowering women to make savvy decisions about the work they take on. The authors also illuminate how organizations can reassess how they assign and reward work to level the playing field. With hard data, personal anecdotes from women of all stripes, self- and workplace-assessments for immediate use, and innovative advice from the authors’ consulting Fortune 500 companies, this book will forever change the conversation about how we advance women’s careers and achieve equity in the 21st century.
Author: Rene Wellek
Publisher: Dalkey Archive Press
ISBN: 9781628972832
Category : Criticism
Languages : en
Pages : 0
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Book Description
Theory of Literature was born from the collaboration of Ren Wellek, a Vienna-born student of Prague School linguistics, and Austin Warren, an independently minded "old New Critic." Unlike many other textbooks of its era, however, this classic kowtows to no dogma and toes no party line. Wellek and Warren looked at literature as both a social product--influenced by politics, economics, etc.--as well as a self-contained system of formal structures. Incorporating examples from Aristotle to Coleridge, written in clear, uncondescending prose, Theory of Literature is a work which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today.
Author: Henry Reed
Publisher:
ISBN:
Category : British poetry
Languages : en
Pages : 424
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Book Description
Author: Penny Fielding
Publisher: Cambridge University Press
ISBN: 1107181909
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Explores the diverse forces that shaped developments in literature in the 1880s, an often overlooked literary decade.
Author: Julio Cortázar
Publisher: New Directions Publishing
ISBN: 0811225356
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
A master class from the exhilarating writer Julio Cortázar “I want you to know that I’m not a critic or theorist, which means that in my work I look for solutions as problems arise.” So begins the first of eight classes that the great Argentine writer Julio Cortázar delivered at UC Berkeley in 1980. These “classes” are as much reflections on Cortázar’s own writing career as they are about literature and the historical moment in which he lived. Covering such topics as “the writer’s path” (“while my aesthetic world view made me admire writers like Borges, I was able to open my eyes to the language of street slang, lunfardo…”) and “the fantastic” (“unbeknownst to me, the fantastic had become as acceptable, as possible and real, as the fact of eating soup at eight o’clock in the evening”), Literature Class provides the warm and personal experience of sitting in a room with the great author. As Joaquin Marco stated in El Cultural, “exploring this course is to dive into Cortázar designing his own creations.… Essential for anyone reading or studying Cortázar, cronopio or not!”
