Author: Eleanor Johnson
Publisher: University of Chicago Press
ISBN: 022601584X
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Practicing Literary Theory in the Middle Ages
Author: Eleanor Johnson
Publisher: University of Chicago Press
ISBN: 022601584X
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Publisher: University of Chicago Press
ISBN: 022601584X
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Literary Language From Chaucer to Johnson
Author: A J Gilbert
Publisher: Springer
ISBN: 1349033162
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Book Description
Publisher: Springer
ISBN: 1349033162
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Book Description
The Literary Language of Shakespeare
Author: S.S. Hussey
Publisher: Routledge
ISBN: 1317896149
Category : Drama
Languages : en
Pages : 170
Book Description
Professor Hussey looks at the vocabulary, syntax and register of Renaissance English, following this with a more detailed analysis of particular kinds of language in the plays such as prose, verse, rhetoric and the soliloquy. For this new edition, the text has been revised throughout with, in particular, a completely new chapter providing detailed readings of selected plays, illustrating the ways particular aspects of language can be studied in practice.
Publisher: Routledge
ISBN: 1317896149
Category : Drama
Languages : en
Pages : 170
Book Description
Professor Hussey looks at the vocabulary, syntax and register of Renaissance English, following this with a more detailed analysis of particular kinds of language in the plays such as prose, verse, rhetoric and the soliloquy. For this new edition, the text has been revised throughout with, in particular, a completely new chapter providing detailed readings of selected plays, illustrating the ways particular aspects of language can be studied in practice.
Geoffrey Chaucer in Context
Author: Ian Johnson
Publisher: Cambridge University Press
ISBN: 1107035643
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
Publisher: Cambridge University Press
ISBN: 1107035643
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
Johnson's Universal Cyclopædia
Author: Charles Kendall Adams
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Johnson's Universal Cyclopaedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Staging Contemplation
Author: Eleanor Johnson
Publisher: University of Chicago Press
ISBN: 022657217X
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.
Publisher: University of Chicago Press
ISBN: 022657217X
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.
Johnson's Universal Cyclopædia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 978
Book Description
Chaucer A to Z
Author: Rosalyn Rossignol
Publisher: Facts on File
ISBN: 9780816032969
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
An encyclopedic guide to the fourteenth-century poet's life and works examines Chaucer's language, historical events, and literary influences in his work.
Publisher: Facts on File
ISBN: 9780816032969
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
An encyclopedic guide to the fourteenth-century poet's life and works examines Chaucer's language, historical events, and literary influences in his work.
Defining the World
Author: Henry Hitchings
Publisher: Macmillan + ORM
ISBN: 1429928948
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
“[A] marvelous account” of Johnson’s towering achievement, nearly a decade of labor and linguistic fact-finding, presented by “a buoyant, zestful writer” (The Boston Globe). By the early eighteenth century, France and Italy had impressive lexicons, but there was no authoritative dictionary of English. Impelled by a mixture of national pride and commercial expedience, the prodigious polymath Samuel Johnson embraced the task, turning over the garret of his London home to the creation of his own giant dictionary. Johnson imagined that he could complete the job in three years. But the complexity of English meant that his estimate was wildly inadequate. Only after he had expended nearly a decade of his prime on the task did the dictionary finally appear—magisterial yet quirky, dogmatic but generous of spirit, and steeped in the richness of English literature. It would come to be seen as the most important British cultural monument of the eighteenth century, and its influence fanned out across Europe and throughout Britain’s colonies—including, crucially, America. Brilliantly entertaining and enlightening, Defining the World is the story of Johnson’s heroic endeavor. In alphabetically sequenced chapters, Henry Hitchings describes Johnson’s adventure—his ambition and vision, his moments of despair, the mistakes he made along the way, and his ultimate triumph.
Publisher: Macmillan + ORM
ISBN: 1429928948
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
“[A] marvelous account” of Johnson’s towering achievement, nearly a decade of labor and linguistic fact-finding, presented by “a buoyant, zestful writer” (The Boston Globe). By the early eighteenth century, France and Italy had impressive lexicons, but there was no authoritative dictionary of English. Impelled by a mixture of national pride and commercial expedience, the prodigious polymath Samuel Johnson embraced the task, turning over the garret of his London home to the creation of his own giant dictionary. Johnson imagined that he could complete the job in three years. But the complexity of English meant that his estimate was wildly inadequate. Only after he had expended nearly a decade of his prime on the task did the dictionary finally appear—magisterial yet quirky, dogmatic but generous of spirit, and steeped in the richness of English literature. It would come to be seen as the most important British cultural monument of the eighteenth century, and its influence fanned out across Europe and throughout Britain’s colonies—including, crucially, America. Brilliantly entertaining and enlightening, Defining the World is the story of Johnson’s heroic endeavor. In alphabetically sequenced chapters, Henry Hitchings describes Johnson’s adventure—his ambition and vision, his moments of despair, the mistakes he made along the way, and his ultimate triumph.