Literary Impressionism in Stephen Crane, Joseph Conrad, and Henry James PDF Download
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Author: John Rocco Maitino
Publisher:
ISBN:
Category : Impressionism
Languages : en
Pages : 518
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Book Description
Author: John Rocco Maitino
Publisher:
ISBN:
Category : Impressionism
Languages : en
Pages : 518
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Book Description
Author: James Nagel
Publisher: Penn State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Explores the influence of impressionism on Crane's narrative methods, themes, structures, characterizations, and patterns of imagery.
Author: John G. Peters
Publisher: Cambridge University Press
ISBN: 9780521791731
Category : Art
Languages : en
Pages : 228
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Book Description
John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.
Author: James J. Kirschke
Publisher: Whitston Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Author: Benjamin David Giorgio
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: Anastasia Carlos Hoffmann
Publisher:
ISBN:
Category : Impressionism
Languages : en
Pages : 598
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Book Description
Author: Marlies Kronegger
Publisher: Rowman & Littlefield
ISBN: 9780808403654
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
A scholarly introduction to Impressionism in literature, with attention to Impressionism in painting.
Author: Michael Fried
Publisher: Harvard University Press
ISBN: 0674984951
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
“My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—and no more, and it is every-thing.” So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers’ minds. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends. What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work of insight and erudition that transforms our understanding of some of the most challenging fiction in the English language.
Author: Todd K. Bender
Publisher: Taylor & Francis
ISBN: 9780815319436
Category : Art and literature
Languages : en
Pages : 192
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Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Author: Rebecca Bowler
Publisher: Bloomsbury Publishing
ISBN: 1474269060
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.
