Literary Continuity in the New Chinese Short Story PDF Download
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Author: Diana Seglin Granat
Publisher:
ISBN:
Category : Chinese fiction
Languages : en
Pages : 226
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Book Description
Author: Diana Seglin Granat
Publisher:
ISBN:
Category : Chinese fiction
Languages : en
Pages : 226
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Book Description
Author: Alexander Des Forges
Publisher: University of Hawaii Press
ISBN: 0824830814
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
For many in the west, "Shanghai" is the quintessence of East Asian modernity, whether imagined as glamorous and exciting, corrupt and impoverishing, or a complex synthesis of the good, the bad, and the ugly. How did "Shanghai" acquire this power? How did people across China and around the world decide that Shanghai was the place to be? Mediasphere Shanghai shows that partial answers to these questions can be found in the products of Shanghai’s media industry, particularly the Shanghai novel, a distinctive genre of installment fiction that flourished from the 1890s to the 1930s. Shanghai fiction supplies not only the imagery that we now consider typical of the city, but, more significantly, the very forms—simultaneity, interruption, mediation, and excess—through which the city could be experienced as a business and entertainment center and envisioned as the focal point of a mediasphere with a national and transnational reach. Existing paradigms of Shanghai culture tend to explain the city’s distinctive literary and visual aesthetics as merely the predictable result of economic conditions and social processes, but Alexander Des Forges maintains that literary texts and other cultural products themselves constitute a conceptual foundation for the city and construct the frame through which it is perceived. Working from a wide range of sources, including installment fiction, photographs, lithographic illustrations, maps, guidebooks, newspapers, and film, Des Forges demonstrates the significant social effects of aesthetic forms and practices. Mediasphere Shanghai offers a new perspective on the cultural history of the city and on the literature and culture of modern China in general.
Author: Annabella Weisl
Publisher: GRIN Verlag
ISBN: 3640500164
Category : Language Arts & Disciplines
Languages : en
Pages : 117
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Book Description
Thesis (M.A.) from the year 1998 in the subject Orientalism / Sinology - Chinese / China, grade: 1, University of Hamburg, language: English, abstract: Cheng Xiaoqing, the author of the Huo Sang cases, was one of the most prolific and successful Chinese detective fiction authors of the so-called Mandarin Duck and Butterfly School." In China, Western detective fiction was introduced at the turn of the 19th century. Cheng Xiaoqing was among the first Chinese authors to not only translate, but also create original works in the genre. The author adopted the main framework of Conan Doyle's Sherlock Holmes case - the very standard of the classical Western detective story - and created the "Eastern Sherlock Holmes," Huo Sang, and his secretary Bao Lang, the "Dr. Watson of the East." The figure of Huo Sang shows several superficial similarities derivative of the classical Western detective a la Sherlock Holmes. In addition, the character also incorporates fundamental elements of Chinese literature draw from traditional figures such as the famous Judge Bao in classical court-case fiction and from the traditional chivalric heroes within the knight-errant tradition. Thus, Cheng did not merely create another British detective implanted into Shanghai. Instead, he fabricated a Chinese detective who is a synthesis of Western and Eastern influences and who reflects the contradictions and tensions of the environment he operates in. The story of China's meeting with modern detective fiction can, thus, be seen as a microcosm of China's encounter with the West. Cheng's import of the detective novel into a different cultural and political context required the employment of figures, settings and situations that offered relevant and compelling meanings for the contemporary reader. By merging different genres and thereby creating detective stories that were not just imitating the Western model, but also interweaving it with traditional elements of Chinese literary tradition. Cheng's inn
Author: Theodore Huters
Publisher: Routledge
ISBN: 1315491516
Category : Social Science
Languages : en
Pages : 319
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Book Description
Translations of six stories accompany seven papers from a workshop on critical approaches to modern Chinese short stories held at the U. of Hawaii in December 1982. With one exception, the essays analyze the stories presented, looking at such factors as the psychological structure, the narrator, ide
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 470
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Book Description
Author:
Publisher:
ISBN:
Category : Chinese literature
Languages : en
Pages : 318
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Book Description
Author: Gabriel F. Y. Tsang
Publisher: Taylor & Francis
ISBN: 1040154646
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
This book explores the literary history of the zhiqing, Chinese educated youth, during the liberal 1980s era of the PRC. By incorporating personal experiences, literary representation, shared history, and theory, it argues that attention to bodies’ physical/physiological condition, as represented in their fictional works, can reveal their attitudes toward the shifting and anomalous socio-political environments, both at the time of their rustication in Mao Zedong’s era and at the time of writing about their experiences in Deng Xiaoping’s cities. It highlights the ideological transformation of educated youth writers’ malleable fictional bodies, which preserved and encoded their private ambivalence and dynamic compromises with political and literary dilemmas. By studying these "fictional bodies," this book deciphers the specific significance of labor, hunger, disability, and sexuality, negating the simplification of the fabricated embodiment as only containing and delivering iconoclastic spirit, sincere patriotism, personal struggle, socialist ideological control, and feminine self-consciousness. Exploring the community of Chinese educated youth, of which Xi Jinping was one, this will be a valuable resource to students and scholars of Comparative literature, Modern Chinese literature, and Modern Chinese history.
Author: Carlos Rojas
Publisher: Oxford University Press
ISBN: 0190628146
Category : Literary Criticism
Languages : en
Pages : 1063
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Book Description
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
Author: Patricia Polansky
Publisher: Greenwood
ISBN:
Category : Education
Languages : en
Pages : 1096
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Book Description
A guide to the thesis literature on China and Inner Asia written between 1976 and 1990. Includes more than 10,000 entries for dissertations in the arts and sciences, law, medicine, theology, engineering and other disciplines. Entries are grouped in topical chapters and each entry includes bibliographic information and an abstract.
Author: Peijie Mao
Publisher: Rowman & Littlefield
ISBN: 1498544797
Category : History
Languages : en
Pages : 413
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Book Description
This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.
