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Author: Richard V. Francaviglia
Publisher: Texas A&M University Press
ISBN: 160344503X
Category : Historical films
Languages : en
Pages : 150
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Book Description
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
Author: Richard V. Francaviglia
Publisher: Texas A&M University Press
ISBN: 160344503X
Category : Historical films
Languages : en
Pages : 150
Get Book Here
Book Description
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
Author: Mara Rockliff
Publisher: Chronicle Books
ISBN: 1452146098
Category : Juvenile Nonfiction
Languages : en
Pages : 61
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Book Description
Meet Alice Guy-Blaché. She made movies—some of the very first movies, and some of the most exciting! Blow up a pirate ship? Why not? Crawl into a tiger's cage? Of course! Leap off a bridge onto a real speeding train? It will be easy! Driven by her passion for storytelling, Alice saw a potential for film that others had not seen before, allowing her to develop new narratives, new camera angles, new techniques, and to surprise her audiences again and again. With daring and vision, Alice Guy-Blaché introduced the world to a thrilling frontier of imagination and adventure, and became one of filmmaking's first and greatest innovators. Mara Rockliff tells the story of a girl who grew up loving stories and became an acclaimed storyteller and an inspiration in her own right.
Author: Heather Greene
Publisher: Llewellyn Worldwide
ISBN: 0738768804
Category : Body, Mind & Spirit
Languages : en
Pages : 335
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Book Description
Follow the Witch Through Decades of American Entertainment Deviant mistress of the dark arts. Goddess worshipper dancing in the moonlight. Crystal-wielding bookworm with a black hat and broom. We recognize the witch because no industry has been quite so influential in shaping our vision of her as Hollywood. This comprehensive book delves into the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these movies and TV shows helped influence the public image of the witch and profoundly affected how women negotiate their power in a patriarchal society. Greene presents more than two hundred examples spanning silent reels to present-day blockbusters. As you travel through each decade, you'll discover compelling insights into the intersection of entertainment, critical theory, gender studies, and spirituality.
Author: Johanna Neuman
Publisher: Johanna Neuman
ISBN: 0312140045
Category : Language Arts & Disciplines
Languages : en
Pages : 169
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Book Description
Assesses the influence of worldwide media coverage on political decisions, and discusses how the political process adapts to new technologies
Author: John Wade
Publisher:
ISBN: 9780764345937
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
The first amateur movie--or cine--camera was patented in 1898, but it wasn't until 1923 that mainstream manufacturers began making cameras specifically for the amateur market. During their history, thoughtfully and thoroughly detailed in this authoritative text, a huge range of amateur cine cameras was made. The four major amateur movie film gauges are covered at length: 16mm, 9.5mm, Standard-8, and Super-8, along with some of their less successful rivals. Unique in a book on this subject is a major chapter on movie camera accessories, many of which found strange and complicated ways of bringing professional specifications to amateur equipment. The book is illustrated throughout with landmark cameras--those that epitomized certain eras, plus many other unusual and rarely illustrated models. A glossary of technical terms and an index complete the book.
Author: Richard V. Francaviglia
Publisher:
ISBN: 9781603445047
Category : Historical films
Languages : en
Pages : 138
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Book Description
Author: Heather Greene
Publisher: McFarland
ISBN: 1476632065
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.
Author: Erin Dionne
Publisher: Scholastic Inc.
ISBN: 1338134108
Category : Juvenile Fiction
Languages : en
Pages : 201
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Book Description
A budding filmmaker with executive function disorder figures out how to become the director of her own life in this funny, relatable middle-grade novel from Erin Dionne. Hester Greene loves making movies. With her camera in hand, she can focus, make decisions, and have the control she lacks in life, where her executive function disorder (think extreme ADHD plus anxiety) sabotages her every move.But middle school is not a movie, and if her last-ditch attempt to save her language-arts grade--and her chance to pass eighth grade, period--doesn't work, Hess could lose her friends, her year, even her camera. It will take more than a cool training montage to get her life together, but by thinking outside the frame, she just might craft a whole new ending.Written partially in script form, with STOP/PAUSE/PLAY/REWIND moments throughout, this laugh-out-loud story will speak to any budding filmmaker, or unintentional troublemaker, in every act of their lives.
Author: Jacqueline Dembar Greene
Publisher: Simon and Schuster
ISBN: 1683371453
Category : Juvenile Fiction
Languages : en
Pages : 128
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Book Description
For her tenth birthday, Rebecca is invited to visit her cousin Max's movie studio! When the cameras begin to roll, she finds herself unexpectedly presented with a part to play. Rebecca doesn't have the courage to tell her family, but is it wrong to keep such a big secret? Later that summer, on a visit to the factory where her uncle and cousin work, Rebecca is horrified. Is this the life that's in store for cousin Ana? There must be a way to improve conditions at the factory, and Rebecca is determined to do her part - even if it means marching straight into danger.
Author: Nadia Bozak
Publisher: Rutgers University Press
ISBN: 081355196X
Category : Social Science
Languages : en
Pages : 257
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Book Description
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
