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Author: Joseph Mansky
Publisher: Cambridge University Press
ISBN: 100936278X
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.
Author: Joseph Mansky
Publisher: Cambridge University Press
ISBN: 100936278X
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.
Author: Joseph Mansky
Publisher:
ISBN: 9781009362771
Category : English drama
Languages : en
Pages : 0
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Book Description
In the first comprehensive history of libels in Elizabethan England, Joseph Mansky traces the crime across law, literature, and culture, outlining a viral and often virulent media ecosystem. During the 1590s, a series of crises - simmering xenophobia, years of dearth and hunger, surges of religious persecution - sparked an extraordinary explosion of libeling. The same years also saw the first appearances of libels on London stages. Defamatory, seditious texts were launched into the sky, cast in windows, recited in court, read from pulpits, and seized by informers. Avatars of sedition, libels nonetheless empowered ordinary people to pass judgment on the most controversial issues and persons of the day. They were marked by mobility, swirling across the early modern media and across class, confessional, and geographical lines. Ranging from Shakespearean drama to provincial pageantry, this book charts a public sphere poised between debate and defamation, between free speech and fake news.
Author: Heather James
Publisher: Cambridge University Press
ISBN: 1108487629
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book explores how Ovid, as the poet-philosopher of the liberty of speech, galvanized poetic innovation in English Renaissance poetry.
Author: Curtis Perry
Publisher: McFarland
ISBN: 0786431652
Category : Literary Criticism
Languages : en
Pages : 557
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Book Description
This book features five plays from the English Renaissance that explore political questions and developments by telling stories about the erotic impulses of a ruler. The volume contains fully annotated and modernized versions of Marlowe's Edward II, Shakespeare's Measure for Measure, Massinger's The Duke of Milan, Davenant's The Cruel Brother, and Ford's Love's Sacrifice. The editor provides an introduction, initial discussion, and selected illustration(s) for each play, along with an introduction to erotic politics and the Renaissance-era political mentality. A bibliography includes suggestions for further reading and a list of useful websites for students.
Author: Jeffrey S. Doty
Publisher: Cambridge University Press
ISBN: 1316738000
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture.
Author: David Loewenstein
Publisher: Cambridge University Press
ISBN: 110702661X
Category : Drama
Languages : en
Pages : 331
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Book Description
This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in Shakespeare's plays.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
Author: Suzanne Gossett
Publisher: Cambridge University Press
ISBN: 0521190541
Category : Drama
Languages : en
Pages : 417
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Book Description
An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.
Author: Laura Kolb
Publisher: Oxford University Press
ISBN: 0192603515
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
In Shakespeare's England, credit was synonymous with reputation, and reputation developed in the interplay of language, conduct, and social interpretation. As a consequence, artful language and social hermeneutics became practical, profitable skills. Since most people both used credit and extended it, the dual strategies of implication and inference--of producing and reading evidence--were everywhere. Like poetry or drama, credit was constructed: fashioned out of the interplay of artifice and interpretation. The rhetorical dimension of economic relations produced social fictions on a range of scales: from transitory performances facilitating local transactions to the long-term project of maintaining creditworthiness to the generalized social indeterminacy that arose from the interplay of performance and interpretation. Fictions of Credit in the Age of Shakespeare examines how Shakespeare and his contemporaries represented credit-driven artifice and interpretation on the early modern stage. It also analyses a range of practical texts--including commercial arithmetics, letter-writing manuals, legal formularies, and tables of interest--which offered strategies for generating credit and managing debt. Looking at plays and practical texts together, Fictions of Credit argues that both types of writing constitute “equipment for living”: practical texts by offering concrete strategies for navigating England's culture of credit, and plays by exploring the limits of credit's dangers and possibilities. In their representations of a world re-written by debt relations, dramatic texts in particular articulate a phenomenology of economic life, telling us what it feels like to live in credit culture: to live, that is, inside a fiction.
Author: Michelle O'Callaghan
Publisher: Edinburgh University Press
ISBN: 0748631690
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times.Key Features*Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling*Uses the most recent edition available, the Oxford Middleton (2007)*Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture*Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays
