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Author: Joseph Mansky
Publisher:
ISBN: 9781009362795
Category : English drama
Languages : en
Pages : 0
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Book Description
"The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it"--
Author: Joseph Mansky
Publisher:
ISBN: 9781009362795
Category : English drama
Languages : en
Pages : 0
Get Book Here
Book Description
"The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it"--
Author: Joseph Mansky
Publisher: Cambridge University Press
ISBN: 100936278X
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.
Author: Anthony B. Dawson
Publisher: Cambridge University Press
ISBN: 9780521800167
Category : Drama
Languages : en
Pages : 240
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Book Description
A debate about the relationship between playgoing and the cultural life of Shakespeare's England.
Author: Peter Holland
Publisher: Palgrave Macmillan
ISBN: 9781403992284
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Early modern theater was a diverse and richly textured world of performances, both scripted and improvised. Our evidence about it, however, depends almost entirely on texts: a small number of descriptions, a very few manuscripts, and a substantial number of published plays. In this collection, a group of innovative and original theater historians considers both the process and the implications of the transformation of staged drama into reading texts--a complex process, not at all direct or unmediated, with broad implications for the developing concept of drama, the changing cultural and commercial status of theater, and the history of the book.
Author: Indira Ghose
Publisher: Manchester University Press
ISBN: 1847797040
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
This book examines laughter in the Shakespearean theatre, in the context of a cultural history of early modern laughter. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, not comedy. It looks at various strands of the early modern discourse on laughter, ranging from medical treatises and courtesy manuals to Puritan tracts and jestbook literature. It argues that few cultural phenomena have undergone as radical a change in meaning as laughter. Laughter became bound up with questions of taste and class identity. At the same time, humanist thinkers revalorised the status of recreation and pleasure. These developments left their trace on the early modern theatre, where laughter was retailed as a commodity in an emerging entertainment industry. Shakespeare ́s plays both reflect and shape these changes, particularly in his adaptation of the Erasmian wise fool as a stage figure, and in the sceptical strain of thought that is encapsulated in the laughter evoked in the plays.
Author: Tiffany Stern
Publisher: Cambridge University Press
ISBN: 1139482971
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.
Author: Alex MacConochie
Publisher: Oxford University Press
ISBN: 0192671782
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
When Shakespearean characters kiss, embrace, or shake hands, what does it mean? Are dramatic characters following established rules of conduct, or breaking them? Are there rules to break? Staging Touch in Shakespeare's England addresses these and related questions and, in the process, uncovers the social semiotics of contact in the early modern theatre. Its central argument is twofold. First, dramatic characters use touch to define and contest the nature of their relationships: taking hands means something different than embracing or, indeed, holding hands a different way. Second, the definitions, the social roles of actions like these, are up for debate in venues ranging from sermons to the era's burgeoning literature on conduct. The drama not only portrays but participates in these debates. Where characters touch, so do different ideas about contact's role in a variety of contexts, from love and friendship to politics and business deals. Attending to the social roles of touch—what it signifies as much as how it feels—the book develops an outside-in approach to our understanding of early modern sensation: a sociology, rather than a phenomenology, of theatrical contact. It will be of use to editors, performers, and anyone interested in Shakespearean approaches to embodiment. Locating interpersonal touch at the centre of dialogues on consent, subjection, agency, and sexuality, this study offers new perspectives on an essential element of Renaissance drama.
Author: Janet Clare
Publisher: Cambridge University Press
ISBN: 1107040035
Category : Drama
Languages : en
Pages : 318
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Book Description
Contesting the notion of Shakespeare as originator, Clare demonstrates how Shakespeare adapted, imitated and borrowed from the work of others.
Author: Brian Jay Corrigan
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640227
Category : Drama
Languages : en
Pages : 290
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Book Description
There is a human face to Shakespeare's theatrical world. It has been captured and preserved in the amber of litigious activity. Contracts for playhouses represent human aspiration: an avaricious hope for profit or an altruistic desire to provide for a family. Lawsuits have preserved the declarations of rights and the righteous indignations as well as the fictions and half-truths under which the Renaissance theater flourished. Leases and agreements preserve the intentions, honest or dishonest, of the men who wrote, performed, and bankrolled the drama of Shakespeare and his contemporaries. The period 1590-1623, the limits of the original Shakespearean enterprise, resemble nothing so much as a third of a century of the sort of squabbling, shoving, and place-seeking familiar to every modern theatrical professional.
Author: David Robson
Publisher: Referencepoint Press
ISBN: 9781601525420
Category :
Languages : en
Pages : 0
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Book Description
The original Globe Theater, which once stood along the banks of the Thames river in London, was the most popular playhouse in Elizabethan England. The Globe staged plays by the greatest playwright of his day, William Shakespeare, had its life cut short by fire, and, in the twentieth century rose again to entertain thousands of visitors.
