Author: John Barbour
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Li Fuerre de Gadres
Author: John Barbour
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Codex and Context: Reading Old French Verse Narrative in Manuscript, Volume II
Author: Keith Busby
Publisher: BRILL
ISBN: 9004485988
Category : Social Science
Languages : en
Pages : 954
Book Description
Publisher: BRILL
ISBN: 9004485988
Category : Social Science
Languages : en
Pages : 954
Book Description
Scot. Text S.
Author:
Publisher:
ISBN:
Category : Dialect literature, Scottish
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : Dialect literature, Scottish
Languages : en
Pages : 462
Book Description
Psalms XXXVI - L.
Author: Stewart Gregory
Publisher: MHRA
ISBN: 9780947623326
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Volume 1: Psalms I-XXXV ; volume 2: Psalms XXXVI-L.
Publisher: MHRA
ISBN: 9780947623326
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Volume 1: Psalms I-XXXV ; volume 2: Psalms XXXVI-L.
Codex and Context
Author: Keith Busby
Publisher: Rodopi
ISBN: 9789042013797
Category : Books
Languages : en
Pages : 502
Book Description
Publisher: Rodopi
ISBN: 9789042013797
Category : Books
Languages : en
Pages : 502
Book Description
Scottish Notes and Queries
Author: John Bulloch
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 236
Book Description
The Conte Du Graal Cycle
Author: Thomas Hinton
Publisher: DS Brewer
ISBN: 1843842858
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
A new study of the continuations to Chrétien's Conte du Graal shows their crucial influence on the development of Arthurian literature. Chrétien de Troyes's late twelfth-century Conte du Graal has inspired writers and scholars from the moment of its composition to the present day. The challenge represented by its unfinished state was quickly taken up, and over the next fifty years the romance was supplemented by a number of continuations and prologues, which eventually came to dwarf Chrétien's text. In one of the first studies to treat the Conte du Graal and its continuations as a unified work, Thomas Hinton considers the whole corpus as a narrative cycle. Through a combination of close textual readings and manuscript analysis, the author argues that the unity of the narrative depends on a balanced tension between centripetal and centrifugal dynamics. He traces how the authors, scribes and illuminators of the cycle worked to produce coherence, even as they contended with potentially disruptive forces: multiple authorship, differences of intention, and changes in the relation between text, audience and book. Finally, he tackles the long-held orthodoxy that places the Perceval Continuations on the margins of literary history. Widening the scope of enquiry to consider the corpus's influence on thirteenth-century verse romances, this study re-situates the Conte du Graal cycle as a vital element in the evolution of Arthurian literature. Thomas Hinton isJunior Research Fellow in Modern Languages at Jesus College, Oxford.
Publisher: DS Brewer
ISBN: 1843842858
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
A new study of the continuations to Chrétien's Conte du Graal shows their crucial influence on the development of Arthurian literature. Chrétien de Troyes's late twelfth-century Conte du Graal has inspired writers and scholars from the moment of its composition to the present day. The challenge represented by its unfinished state was quickly taken up, and over the next fifty years the romance was supplemented by a number of continuations and prologues, which eventually came to dwarf Chrétien's text. In one of the first studies to treat the Conte du Graal and its continuations as a unified work, Thomas Hinton considers the whole corpus as a narrative cycle. Through a combination of close textual readings and manuscript analysis, the author argues that the unity of the narrative depends on a balanced tension between centripetal and centrifugal dynamics. He traces how the authors, scribes and illuminators of the cycle worked to produce coherence, even as they contended with potentially disruptive forces: multiple authorship, differences of intention, and changes in the relation between text, audience and book. Finally, he tackles the long-held orthodoxy that places the Perceval Continuations on the margins of literary history. Widening the scope of enquiry to consider the corpus's influence on thirteenth-century verse romances, this study re-situates the Conte du Graal cycle as a vital element in the evolution of Arthurian literature. Thomas Hinton isJunior Research Fellow in Modern Languages at Jesus College, Oxford.
Record of Fellows and Scholars and Catalogues of Publications by Fellows, Scholars, and Recipients of Grants Under the Research Scheme of the Carnegie Trust for the Universities of Scotland During the Period 1903 to 1923
Author: Carnegie Trust for the Universities of Scotland
Publisher:
ISBN:
Category : Research
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Research
Languages : en
Pages : 224
Book Description
The Complete Story of the Grail
Author: Chrétien (de Troyes)
Publisher: Boydell & Brewer Ltd
ISBN: 1843844001
Category : Literary Criticism
Languages : en
Pages : 637
Book Description
The mysterious and haunting Grail makes its first appearance in literature in Chrétien de Troyes' Perceval at the end of the twelfth century. But Chrétien never finished his poem, leaving an unresolved story and an incomplete picture of the Grail. It was, however, far too attractive an idea to leave. Not only did it inspire quite separate works; his own unfinished poem was continued and finally completed by no fewer than four other writers. The Complete Story of the Grail is the first ever translation of the whole of the rich and compelling body of tales contained in Chrétien's poem and its four Continuations, which are finally attracting the scholarly attention they deserve. Besides Chrétien's original text, there are the anonymous First Continuation (translated here in its fullest version), the Second Continuation attributed to Wauchier de Denain, and the intriguing Third and Fourth Continuations - probably written simultaneously, with no knowledge of each other's work - by Manessier and Gerbert de Montreuil. Two other poets were drawn to create preludes explaining the background to Chrétien's story, and translated here also are their works: The Elucidation Prologue and Bliocadran. Only in this, The Story of the Grail's complete form, can the reader appreciate the narrative skill and invention of the medieval poets and their surprising responses to Chrétien's theme - not least their crucial focus on the knight as a crusader. Equally, Chrétien's original poem was almost always copied in conjunction withone or more of the Continuations, so this translation represents how most medieval readers would have encountered it. Nigel Bryant's previous translations from Medieval French include Perlesvaus - the High Bookof the Grail, Robert de Boron's trilogy Merlin and the Grail, the Medieval Romance of Alexander, The True Chronicles of Jean le Bel and Perceforest.
Publisher: Boydell & Brewer Ltd
ISBN: 1843844001
Category : Literary Criticism
Languages : en
Pages : 637
Book Description
The mysterious and haunting Grail makes its first appearance in literature in Chrétien de Troyes' Perceval at the end of the twelfth century. But Chrétien never finished his poem, leaving an unresolved story and an incomplete picture of the Grail. It was, however, far too attractive an idea to leave. Not only did it inspire quite separate works; his own unfinished poem was continued and finally completed by no fewer than four other writers. The Complete Story of the Grail is the first ever translation of the whole of the rich and compelling body of tales contained in Chrétien's poem and its four Continuations, which are finally attracting the scholarly attention they deserve. Besides Chrétien's original text, there are the anonymous First Continuation (translated here in its fullest version), the Second Continuation attributed to Wauchier de Denain, and the intriguing Third and Fourth Continuations - probably written simultaneously, with no knowledge of each other's work - by Manessier and Gerbert de Montreuil. Two other poets were drawn to create preludes explaining the background to Chrétien's story, and translated here also are their works: The Elucidation Prologue and Bliocadran. Only in this, The Story of the Grail's complete form, can the reader appreciate the narrative skill and invention of the medieval poets and their surprising responses to Chrétien's theme - not least their crucial focus on the knight as a crusader. Equally, Chrétien's original poem was almost always copied in conjunction withone or more of the Continuations, so this translation represents how most medieval readers would have encountered it. Nigel Bryant's previous translations from Medieval French include Perlesvaus - the High Bookof the Grail, Robert de Boron's trilogy Merlin and the Grail, the Medieval Romance of Alexander, The True Chronicles of Jean le Bel and Perceforest.
Kingship and Love in Scottish Poetry, 1424–1540
Author: Joanna Martin
Publisher: Routledge
ISBN: 1317109031
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Looking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.
Publisher: Routledge
ISBN: 1317109031
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Looking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.