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Author: Harlow Robinson
Publisher: University Press of Kentucky
ISBN: 0813178355
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
This comprehensive biography is the first to present Lewis Milestone's remarkable life—a classic rags-to-riches American narrative—in full and explores his many acclaimed films from the silent to the sound era. Creator of All Quiet on the Western Front, Of Mice and Men, the original Ocean's Eleven and Mutiny on the Bounty, Lewis Milestone (1895-1980) was one of the most significant, prolific, and influential directors of our time. A serious artist who believed in film's power not only to entertain, but also to convey messages of social importance, Milestone was known as a man of principle in an industry not always known for an abundance of virtue. Born in Ukraine, Milestone came to America as a tough, resourceful Russian-speaking teenager and learned about film by editing footage from the front as a member of the Signal Corps of the US Army during World War I. During the course of his film career, which spanned more than 40 years, Milestone developed intense personal and professional relationships with such major Hollywood figures as Howard Hughes, Kirk Douglas, Marlene Dietrich, and Marlon Brando. Addressed are Milestone's successes—he garnered 28 Academy Award nominations—as well as his challenges. Using newly available archival material, this work also examines Milestone's experience during the Hollywood Blacklist period, when he was one of the first prominent Hollywood figures to fall under suspicion for his alleged Communist sympathies.
Author: Harlow Robinson
Publisher: University Press of Kentucky
ISBN: 0813178355
Category : Performing Arts
Languages : en
Pages : 345
Get Book Here
Book Description
This comprehensive biography is the first to present Lewis Milestone's remarkable life—a classic rags-to-riches American narrative—in full and explores his many acclaimed films from the silent to the sound era. Creator of All Quiet on the Western Front, Of Mice and Men, the original Ocean's Eleven and Mutiny on the Bounty, Lewis Milestone (1895-1980) was one of the most significant, prolific, and influential directors of our time. A serious artist who believed in film's power not only to entertain, but also to convey messages of social importance, Milestone was known as a man of principle in an industry not always known for an abundance of virtue. Born in Ukraine, Milestone came to America as a tough, resourceful Russian-speaking teenager and learned about film by editing footage from the front as a member of the Signal Corps of the US Army during World War I. During the course of his film career, which spanned more than 40 years, Milestone developed intense personal and professional relationships with such major Hollywood figures as Howard Hughes, Kirk Douglas, Marlene Dietrich, and Marlon Brando. Addressed are Milestone's successes—he garnered 28 Academy Award nominations—as well as his challenges. Using newly available archival material, this work also examines Milestone's experience during the Hollywood Blacklist period, when he was one of the first prominent Hollywood figures to fall under suspicion for his alleged Communist sympathies.
Author: Joseph R. Millichap
Publisher: Boston : Twayne Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Author: Kingsley Canham
Publisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : en
Pages : 202
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Book Description
Author: John Whiteclay Chambers II
Publisher: Oxford University Press
ISBN: 0199728739
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 160413402X
Category :
Languages : en
Pages : 233
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Book Description
Contains nine critical essays that analyze various aspects of Erich Maria Remarque's "All Quiet on the Western Front," and includes a chronology of Remarque's life and works.
Author: Louis Black
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Author: Hans Schoots
Publisher: Amsterdam University Press
ISBN: 9789053564332
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
Highly prized biography of one of the Netherlands' most famous and controversial filmmakers.
Author: Judith Keene
Publisher: BRILL
ISBN: 9004361677
Category : History
Languages : en
Pages : 301
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Book Description
The challenge for historians, as for individuals and nations, has been to make sense of the Cold War past without recourse to the obsolete frameworks of a dichotomous world. The editors of Seeking Meaning, Seeking Justice in the Post-Cold War World, Judith Keene and Elizabeth Rechniewski, have brought together contributions that address the diverse modes by which the Cold War is being assessed, with a major focus on countries on the periphery of the Cold War confrontation. These approaches include developments in historiography as new intellectual and cultural frame are applied to old debates. Authors also consider the ‘universal’ principles and moral discourses, including that of human rights, on which judgements have been based and judicial processes instigated; and the forms of memorialisation that have sought to come to terms, and perhaps achieve reconciliation, with a Cold War past. Contributors are: Ann Curthoys, Philip Deery, Katherine Hite, Michael Humphrey, Su-kyong Hwang, Perry Johansson, Judith Keene, Betty O'Neill, Peter Read, Elizabeth Rechniewski, Estela Valverde, Adrian Vickers and Marivic Wyndham
Author: Harlow Robinson
Publisher: University Press of Kentucky+ORM
ISBN: 0813178355
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
A biography of the Oscar-winning director and a study of his acclaimed films, like All Quiet on the Western Front, The Front Page, and Of Mice and Men. This comprehensive biography is the first to present Lewis Milestone’s remarkable life—a classic rags-to-riches American narrative—in full and explores his many acclaimed films from the silent to the sound era. Creator of All Quiet on the Western Front, Of Mice and Men, the original Ocean’s Eleven and Mutiny on the Bounty, Lewis Milestone (1895-1980) was one of the most significant, prolific, and influential directors of our time. A serious artist who believed in film’s power not only to entertain, but also to convey messages of social importance, Milestone was known as a man of principle in an industry not always known for an abundance of virtue. Born in Ukraine, Milestone came to America as a tough, resourceful Russian-speaking teenager and learned about film by editing footage from the front as a member of the Signal Corps of the US Army during World War I. During the course of his film career, which spanned more than 40 years, Milestone developed intense personal and professional relationships with such major Hollywood figures as Howard Hughes, Kirk Douglas, Marlene Dietrich, and Marlon Brando. Addressed are Milestone’s successes?he garnered 28 Academy Award nominations?as well as his challenges. Using newly available archival material, this work also examines Milestone’s experience during the Hollywood Blacklist period, when he was one of the first prominent Hollywood figures to fall under suspicion for his alleged Communist sympathies. Praise for Lewis Milestone “This highly readable biography of Lewis Milestone delivers the definitive study of a leading Jewish émigré director in Hollywood from the 1920s to the 1960s who worked successfully across multiple genres. Robinson seamlessly layers the scholarly expertise of a noted film historian of Russia and the Soviet Union with a novelist’s gift for narrative power and dramatic flair, bringing long overdue attention to Milestone’s fascinating life and enduring artistic achievements.” —Catherine Portuges, University of Massachusetts Amherst “A welcome biography of a man whose films remain better known than his name . . . . Robinson concentrates on the key aspects of Milestone’s life and career, never getting bogged down in plot synopses or other minor issues. Rather than shoveling up endless rubble, he offers us the milestones of Milestone. Robinson’s story is as tight as most classic Hollywood films, and that deserves to be heralded. This is a book equally as valuable to film buffs as to academic scholars, speaking to readers inside and outside the academy.” —LA Review of Books
Author: Lincoln Geraghty
Publisher: Intellect Books
ISBN: 1783204915
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Hollywood continues to reign supreme; from award-winning dramas to multimillion-dollar, special-effects-laden blockbusters, Tinseltown produces the films that audiences around the world go to the cinema to see. While the film industry has dramatically changed over the years – stars have come and gone, studios have risen and fallen, new technologies have emerged to challenge directors and entice audiences – Hollywood remains the centre of global media entertainment. The second volume of Directory of World Cinema: American Hollywood builds on its predecessor by exploring how the industry has evolved and expanded throughout its history. With new essays that discuss the importance of genre, adaptation, locations and technology in the production of film, this collection explores how Hollywood has looked to create, innovate, borrow and adapt new methods of filmmaking to capture the audience’s imaginations. Touching on classic films such as North by Northwest and Dirty Harry alongside CGI blockbusters like The Lord of the Rings and The Dark Knight as well as comedies such as When Harry Met Sally and Jerry Maguire, this landmark book charts the changing tastes of cinema-goers and the diverse range of offerings from Hollywood. User-friendly and concise, yet dense and wide-ranging, Directory of World Cinema: American Hollywood 2 demonstrates that Hollywood, despite its challenges from independent filmmakers and foreign directors, remains the undisputed king of moviemaking in the twenty-first century.
