Author: Vincent d' Indy
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Languages : fr
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Lettre de Vincent d'Indy à Théodore Dubois, Paris, 17 février 1909
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Lettre de Vincent d'Indy à Théodore Dubois, 6 mai 1909
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Lettre de Vincent d'Indy à Théodore Dubois, Paris, 1er juin 1901
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Lettre de Vincent d'Indy à Théodore Dubois, Paris, 14 mai 1898
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Lettre de Vincent d'Indy à Théodore Dubois
Author: Vincent d' Indy
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Lettre de Vincent d'Indy à Théodore Dubois, Beauvais, 19 décembre 1903
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Lettre de Vincent d'Indy à Théodore Dubois, Les Faugs, 26 août 1894
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Languages : fr
Pages : 8
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Pages : 8
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Lettre de Vincent d'Indy à Théodore Dubois, Les Faugs, 20 juillet 1894
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Lettre de Vincent d'Indy à Théodore Dubois, Les Faugs, 27 novembre 1895
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The Business of Music
Author: Michael Talbot
Publisher: Liverpool University Press
ISBN: 1781386250
Category : Music
Languages : en
Pages : 336
Book Description
Is business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when it harnesses business rather than denying it.
Publisher: Liverpool University Press
ISBN: 1781386250
Category : Music
Languages : en
Pages : 336
Book Description
Is business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when it harnesses business rather than denying it.