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Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Jeanice Brooks
Publisher: Cambridge University Press
ISBN: 1107328314
Category : Music
Languages : en
Pages : 307
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Book Description
Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and shows how her ideas relate to broader currents in French aesthetics and culture.
Author: Julian Rushton
Publisher:
ISBN: 9781107506954
Category :
Languages : en
Pages : 398
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Book Description
Author: John Storm
Publisher: Blurb
ISBN: 9781388181154
Category : Art
Languages : en
Pages : 280
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Book Description
Suzanne Valadon, born in 1865 of an erratic mother and an anonymous father, was by the very circumstances of birth destined to live an unconventional life. Her volatile nature, her sensuality found fallow ground in the surging, twisted streets of Montmartre, where her mother, lost in an alcoholic fog, sought oblivion. Her early antics as an outrageous gamine did little to indicate the creative and emotional richness that were to distinguish the later life of this tiny and vivid person. By the time Suzanne was in her teens, she not only was a favorite model of the Montmartre artists, but had found a means of expression in her won passionate and spontaneous painting. As a close friend of Lautrec and Degas, as the mistress of Renoir, Satie and countless other artists, and as the wife of the much younger Utter, the fabric of her life consisted of two dominant threads -- the love of painting and the love of love. Alternating between extreme affluence and poverty, it was not until her son, Maurice Utrillo, was in his teens that she became obsessed by her role as mother. Convinced that her son was the greatest living painter, tormented by his maniacal urge toward self destruction, she attacked the problems of motherhood with the same intensity with which she pursued admiration. Her battle for Maurice's sanity and love, however, was waged too late, and she met her ultimate defeat in a lonely, wistful withdrawal into herself and the past. A full and dramatic biography of a woman, her son, and the rich if confused climate which nurtured them. Of particular interest to enthusiasts of the impressionist and post impressionist school, John Storm's careful factual recapitulation is easily as dramatic and entertaining as the available fictional treatments of artists' lives. (Kirkus Review)
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Author: Lynn Garafola
Publisher: Wesleyan University Press
ISBN: 9780819566744
Category : Performing Arts
Languages : en
Pages : 498
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Book Description
Selected writings illuminate a century of international dance.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417
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Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
Author: Daniel Albright
Publisher: University of Chicago Press
ISBN: 9780226012537
Category : Art
Languages : en
Pages : 422
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Book Description
Modernist art often seems to give more frustration than pleasure to its audience. Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, rather than collaboration.
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
