Author: Oscar Comettant
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Lettre de Oscar Comettant à Wekerlin, Versailles, 25 mai 1868
Author: Oscar Comettant
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Lettre de Oscar Comettant à Monsieur Weckerlin, 5 octobre 1895
Author: Oscar Comettant
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Lettre de Oscar Comettant à Monsieur Wekerlin, (sans date)
Author: Oscar Comettant
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Bizet and His World
Author: Mina Kirstein Curtiss
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 8
Book Description
Letters of Composers
Author: Gertrude Norman
Publisher:
ISBN: 9781494111403
Category :
Languages : en
Pages : 464
Book Description
This is a new release of the original 1946 edition.
Publisher:
ISBN: 9781494111403
Category :
Languages : en
Pages : 464
Book Description
This is a new release of the original 1946 edition.
King Candaules
Author: ThŽophile Gautier
Publisher: Library of Alexandria
ISBN: 1465548254
Category : Fiction
Languages : en
Pages : 93
Book Description
Publisher: Library of Alexandria
ISBN: 1465548254
Category : Fiction
Languages : en
Pages : 93
Book Description
French Opera at the Fin de Siècle
Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552
Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552
Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Music Drama at the Paris Odéon, 1824–1828
Author: Mark Everist
Publisher: Univ of California Press
ISBN: 0520928903
Category : Music
Languages : en
Pages : 350
Book Description
Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
Publisher: Univ of California Press
ISBN: 0520928903
Category : Music
Languages : en
Pages : 350
Book Description
Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
The Prima Donna and Opera, 1815-1930
Author: Susan Rutherford
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.
Opera Acts
Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281
Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281
Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.