Author: Maurice Ravel
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Languages : en
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Lettre de Maurice Ravel à Florent Schmitt, Mardi soir (1911
Author: Maurice Ravel
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Languages : en
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Lettre de Maurice Ravel à Florent Schmitt, 25 mai 1911
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, lundi soir (1905
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, 30 juillet 1916
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, 8 avril 1901
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, St Jean de Luz, 3 octobre 1914
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, Vendredi 9 (mois?) (1900)
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, 8 juillet 1916
Author: Maurice Ravel
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Lettre de Maurice Ravel à Florent Schmitt, Montfort l'Amaury, 29 octobre 1921
Author: Maurice Ravel
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Languages : fr
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Satie the Bohemian
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.