Lettre de Marthe Chenal à Eugène Wagner, 16 janvier 1911

Lettre de Marthe Chenal à Eugène Wagner, 16 janvier 1911 PDF Author: Marthe Chenal
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Languages : en
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Lettre de Marthe Chenal à Eugène Wagner, 16 janvier 1911

Lettre de Marthe Chenal à Eugène Wagner, 16 janvier 1911 PDF Author: Marthe Chenal
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Category :
Languages : en
Pages :

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Lettre de Marthe Chenal à Eugène Wagner, 26 mars 1906

Lettre de Marthe Chenal à Eugène Wagner, 26 mars 1906 PDF Author: Marthe Chenal
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Languages : en
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Lettre de Abel Estyle à Eugène Wagner, Paris, 15 janvier 1911

Lettre de Abel Estyle à Eugène Wagner, Paris, 15 janvier 1911 PDF Author: Abel Estyle
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Languages : en
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Lettre de Ninon Vallin à Eugène Wagner, 11 janvier 1911

Lettre de Ninon Vallin à Eugène Wagner, 11 janvier 1911 PDF Author: Ninon Vallin
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Languages : en
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Lettre de Gabriel Grovlez à Eugène Wagner, 4 janvier 1911

Lettre de Gabriel Grovlez à Eugène Wagner, 4 janvier 1911 PDF Author: Gabriel Grovlez
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Languages : en
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Anthology of Black Humor

Anthology of Black Humor PDF Author: André Breton
Publisher: City Lights Books
ISBN: 0872868494
Category : Literary Collections
Languages : en
Pages : 384

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Book Description
This is the first publication in English of the anthology that contains Breton’s definitive statement on l’humour noir, one of the seminal concepts of Surrealism, and his provocative assessments of the writers he most admired. While some of the authors featured in The Anthology of Black Humor are already well known to American readers—Swift, Kafka, Rimbaud, Poe, Lewis Carroll, and Baudelaire among them (and even then, Breton’s selections are often surprising)—many others are sure to come as a revelation. The entries range from the acerbic aphorisms of Swift, Lichtenberg, and Duchamp to the theatrical slapstick of Christian Dietrich Grabbe, from the wry missives of Rimbaud and Jacques Vache to the manic paranoia of Dali, from the ferocious iconoclasm of Alfred Jarry and Arthur Craven to the offhand hilarity of Apollinaire at his most spontaneous. For each of the forty-five authors included, Breton has provided an enlightening biographical and critical preface, situating both the writer and the work in the context of black humor—a partly macabre, partly ironic, and often absurd turn of spirit that Breton defined as "a superior revolt of the mind." "Anthologies can aim to be groundbreaking or thought-provoking; few can be said to have introduced a new phrase—or a new concept—into the language. No one had ever used the term "black humour" before this one came along, unless, perhaps, it was from a racial angle."—The Guardian Andre Breton (1896-1966), the founder and principal theorist of the Surrealist movement, is one of the major literary figures of the past century. His best-known works in English translation include Nadja, Mad Love, The Manifestoes of Surrealism, The Magnetic Fields (with Philippe Soupault), and Earthlight. Mark Polizzotti is the author of Revolution of the Mind: The Life of Andre Breton.

Confessions of a Literary Archaeologist

Confessions of a Literary Archaeologist PDF Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236

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Book Description
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.

Musical Encounters at the 1889 Paris World's Fair

Musical Encounters at the 1889 Paris World's Fair PDF Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417

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Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.

Composing the Citizen

Composing the Citizen PDF Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 0520257405
Category : History
Languages : en
Pages : 812

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Book Description
"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967

French Music, Culture, and National Identity, 1870-1939

French Music, Culture, and National Identity, 1870-1939 PDF Author: Barbara L. Kelly
Publisher: University Rochester Press
ISBN: 9781580462723
Category : History
Languages : en
Pages : 300

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Book Description
Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.