Lettre de Louise Mazzoli à Eugene Wagner, Paris, 6 octobre 1912

Lettre de Louise Mazzoli à Eugene Wagner, Paris, 6 octobre 1912 PDF Author: Louise Mazzoli
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Languages : en
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Lettre de Louise Mazzoli à Eugene Wagner, Paris, 6 octobre 1912

Lettre de Louise Mazzoli à Eugene Wagner, Paris, 6 octobre 1912 PDF Author: Louise Mazzoli
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ISBN:
Category :
Languages : en
Pages :

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Lettre de Louise Mazzoli à Eugene Wagner, Paris, 24 octobre 1913

Lettre de Louise Mazzoli à Eugene Wagner, Paris, 24 octobre 1913 PDF Author: Louise Mazzoli
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Languages : en
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Lettre de Louise Mazzoli à Eugene Wagner, Paris, 10 mai 1927

Lettre de Louise Mazzoli à Eugene Wagner, Paris, 10 mai 1927 PDF Author: Louise Mazzoli
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Languages : en
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Lettre de Louise Mazzoli à Eugene Wagner, 29? mars 1913

Lettre de Louise Mazzoli à Eugene Wagner, 29? mars 1913 PDF Author: Louise Mazzoli
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Languages : en
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Lettre de Louise Mazzoli à Eugene Wagner, Marseille, 9 décembre 1920

Lettre de Louise Mazzoli à Eugene Wagner, Marseille, 9 décembre 1920 PDF Author: Louise Mazzoli
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Languages : en
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Lettre de Louise Mazzoli à Eugene Wagner, Marseille, 4 mars 1920

Lettre de Louise Mazzoli à Eugene Wagner, Marseille, 4 mars 1920 PDF Author: Louise Mazzoli
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Languages : en
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I Am Diva!

I Am Diva! PDF Author: Elena Bates
Publisher: Grand Central Pub
ISBN: 9780446679558
Category : Self-Help
Languages : en
Pages : 278

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Book Description
Highly interactive, this text is structured as a year-long journey with weekly lessons, each beginning with an inspirational quote, and leads the reader along the diva trail with playful, motivational and education essays.

Modernity, Complex Societies, and the Alphorn

Modernity, Complex Societies, and the Alphorn PDF Author: Charlotte Vignau
Publisher: Lexington Books
ISBN: 0739167987
Category : Music
Languages : en
Pages : 331

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Book Description
Modernity, Complex Societies, and the Alphorn provides a fascinating examination of the musical instrument the alphorn, alphorn music and its performance. Indeed, it is the first book about this extraordinary instrument to appear in English. It analyses the alphorn phenomenon as a symbol of the Swiss nation, going back to the Swiss nation building process in the nineteenth century and the “invention of tradition” which began in the second half of the nineteenth century, before arriving at important issues of contemporary alphorn practice such as: what is tradition? How is it being negotiated? The insightful and valuable comments from key Swiss alphorn players add to the extensive ethnographic and archival material. Departing from this analysis, the case studies of Bavaria, the Netherlands, and Japan shed a light on the issues of worldwide migration of alphorn practice in the modern world, as well as on the diverse concepts of a Swiss imagery. Intellectually sophisticated yet easily accessible, the book ends with an exploration of how to use video and film for musical ethnography, considering the practical issues of filmmaking as well as the theoretical implications of shooting and editing for an ethnomusicological film. Drawing from the alphorn film as a sample, this book covers the entire filmmaking process, from the conception of the film to the feedback-sessions with the protagonists, providing fundamental insights into this technique for ethnomusicologists. Based on solid, careful, and complete research, this work will especially appeal to scholars of musicology, Swiss history, and filmography.

A Complete Dictionary of Music

A Complete Dictionary of Music PDF Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496

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Singers of Italian Opera

Singers of Italian Opera PDF Author: John Rosselli
Publisher: Cambridge University Press
ISBN: 9780521426978
Category : Biography & Autobiography
Languages : en
Pages : 296

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Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.