Lettre de Jeanne Campredon

Lettre de Jeanne Campredon PDF Author: Jeanne Campredon
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Lettre de Jeanne Campredon

Lettre de Jeanne Campredon PDF Author: Jeanne Campredon
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Lettre de Jeanne Campredon à Eugène Wagner

Lettre de Jeanne Campredon à Eugène Wagner PDF Author: Jeanne Campredon
Publisher:
ISBN:
Category :
Languages : en
Pages :

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6 lettres de Jeanne Campredon à Jacques Rouché

6 lettres de Jeanne Campredon à Jacques Rouché PDF Author: Jeanne Campredon
Publisher:
ISBN:
Category :
Languages : en
Pages :

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12 lettres, 2 cartes et 1 note de Jeanne Campredon à Jacques Rouché

12 lettres, 2 cartes et 1 note de Jeanne Campredon à Jacques Rouché PDF Author: Jeanne Campredon
Publisher:
ISBN:
Category :
Languages : en
Pages : 34

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Dossier Jeanne Campredon

Dossier Jeanne Campredon PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20

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Protestant Exiles from France in the Reign of Louis XIV.

Protestant Exiles from France in the Reign of Louis XIV. PDF Author: David C. Agnew
Publisher:
ISBN:
Category :
Languages : en
Pages : 256

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Pierre Key's Music Year Book

Pierre Key's Music Year Book PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392

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A Popular History of France

A Popular History of France PDF Author: François Guizot
Publisher:
ISBN:
Category : France
Languages : en
Pages : 536

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Romantic Anatomies of Performance

Romantic Anatomies of Performance PDF Author: J. Q. Davies
Publisher: Univ of California Press
ISBN: 0520279395
Category : Music
Languages : en
Pages : 280

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Book Description
" ... Is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians."--book jacket.

Opera Acts

Opera Acts PDF Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281

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Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.