Lettre de Ernest Reyer à un ami [à Marseille], (Paris ?), Mardi 19 avril 1864 PDF Download
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![Lettre de Ernest Reyer à un ami [à Marseille], (Paris ?), Mardi 19 avril 1864 PDF](https://books.google.com/books/content/images/frontcover/Re3iSAAACAAJ?fife=w150-h200)
Author: Ernest Reyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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![Lettre de Ernest Reyer à un ami [à Marseille], (Paris ?), Mardi 19 avril 1864 PDF](https://books.google.com/books/content/images/frontcover/Re3iSAAACAAJ?fife=w80-h100)
Author: Ernest Reyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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Author: Charles Ammi Cutter
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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Author: William Butcher
Publisher: Da Capo Press
ISBN: 9781560259046
Category : Biography & Autobiography
Languages : en
Pages : 0
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Highly readable narrative of a writing phenomenon. The world's most translated best-selling writer.
Author: Albert Vanloo
Publisher: Forgotten Books
ISBN: 9780332915722
Category : Drama
Languages : en
Pages : 54
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Excerpt from Girofle-Girofla: Opera-Bouffe in Three Acts Anagram. You can never say it often enough for even you Don Bolero d'aleamas, Duke of Malaga, Count of Sandoval and Gonzales and Nigo, grandee of Spain of the lowest class, ro governor province, I ask you what, in would you out me Without energy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Mark Everist
Publisher: Univ of California Press
ISBN: 0520928903
Category : Music
Languages : en
Pages : 350
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Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
![New Letters of [Hector] Berlioz PDF](https://books.google.com/books/content/images/frontcover/ANB-0AEACAAJ?fife=w80-h100)
Author: Hector Berlioz
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Author: Hervé Lacombe
Publisher: Univ of California Press
ISBN: 9780520217195
Category : Music
Languages : en
Pages : 440
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A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Author: Beate Perrey
Publisher: Cambridge University Press
ISBN: 1139826379
Category : Music
Languages : en
Pages :
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This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.
Author: Mary Ann Smart
Publisher: Univ of California Press
ISBN: 9780520939875
Category : Music
Languages : en
Pages : 262
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When Nietzsche dubbed Richard Wagner "the most enthusiastic mimomaniac" ever to exist, he was objecting to a hollowness he felt in the music, a crowding out of any true dramatic impulse by extravagant poses and constant nervous movements. Mary Ann Smart suspects that Nietzsche may have seen and heard more than he realized. In Mimomania she takes his accusation as an invitation to listen to Wagner's music—and that of several of his near-contemporaries—for the way it serves to intensify the visible and the enacted. As Smart demonstrates, this productive fusion of music and movement often arises when music forsakes the autonomy so prized by the Romantics to function mimetically, underlining the sighs of a Bellini heroine, for instance, or the authoritarian footsteps of a Verdi baritone. Mimomania tracks such effects through readings of operas by Auber, Bellini, Meyerbeer, Verdi, and Wagner. Listening for gestural music, we find resemblance in unexpected places: between the overwrought scenes of supplication in French melodrama of the 1820s and a cluster of late Verdi arias that end with the soprano falling to her knees, or between the mute heroine of Auber’s La Muette de Portici and the solemn, almost theological pantomimic tableaux Wagner builds around characters such as Sieglinde or Kundry. Mimomania shows how attention to gesture suggests a new approach to the representation of gender in this repertoire, replacing aural analogies for voyeurism and objectification with a more specifically musical sense of how music can surround, propel, and animate the body on stage.
Author: Lester George Barth
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 166
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