Lettre de Ernest Reyer à Monsieur Méry Joseph, 27 Mai PDF Download
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Author: Ernest Reyer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ernest Reyer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Author: A.P. Coudert
Publisher: Springer Science & Business Media
ISBN: 9401146330
Category : Social Science
Languages : en
Pages : 270
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Book Description
MURIEL MCCARTHY This volume originated from a seminar organised by Richard H. Popkin in Marsh's Library on July 7-8, 1994. It was one of the most stimulating events held in the Library in recent years. Although we have hosted many special seminars on such subjects as rare books, the Huguenots, and Irish church history, this was the first time that a seminar was held which was specifically related to the books in our own collection. It seems surprising that this type of seminar has never been held before although the reason is obvious. Since there is no printed catalogue of the Library scholars are not aware of its contents. In fact the collection of books by late seventeenth and early eighteenth century European authors on, for example, such subjects as biblical criticism, political and religious controversy, is one of the richest parts of the Library's collections. Some years ago we were informed that of the 25,000 books in Marsh's at least 5,000 English books or books printed in England were printed between 1640 and 1700.
Author: Julian Rushton
Publisher:
ISBN: 9781107506954
Category :
Languages : en
Pages : 398
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Author: Hector Berlioz
Publisher: W. W. Norton
ISBN: 9780393040623
Category : Biography & Autobiography
Languages : en
Pages : 479
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Gathers letters the French composer wrote to friends, relatives, writers, and fellow composers and music critics about his life and music
Author: Lissa Roberts
Publisher: Edita-The Publishing House of the Royal
ISBN: 9789069844831
Category : Industrial arts
Languages : en
Pages : 0
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Although manual labour and theoretical invention might now seem separate ventures, history teaches us that they are closely linked processes. The Mindful Hand explores innovative areas of European society between the late Renaissance and the period of early industrialisation where the enterprise of knowledge and production relied on the most intimate connexions of thought and toil. This volume explains how philosophers and labourers collaborated in an environment where artisans and instrument-makers, administrators and entrepreneurs simultaneously pioneered technical change alongside knowledge formation. The essays gathered here help show how these projects were pursued together, yet why, in retrospect, the very categories of science and technology emerged as seemingly distinct endeavors.
Author: Frederick Niecks
Publisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 562
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This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...
Author: Dan H. Marek
Publisher: Rowman & Littlefield
ISBN: 1442235896
Category : Music
Languages : en
Pages : 259
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Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Author: Richard F. Burton
Publisher:
ISBN: 9781258056827
Category :
Languages : en
Pages : 106
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Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
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