Author: Charles-Édouard Lefebvre
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Languages : en
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Lettre de Charles-Edouard Lefèbvre à Monsieur Weckerlin, 9 Février 1903
Author: Charles-Édouard Lefebvre
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Languages : en
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Publisher:
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Languages : en
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Lettre de Charles-Edouard Lefebvre à Mackar, de Paris, Lundi 28 mai 1894
Author: Charles-Édouard Lefebvre
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Languages : en
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Publisher:
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Languages : en
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Lettre de Charles Edouard Lefebvre à Marthe Bouvaist, Paris, 2 mai 1915
Author: Charles-Édouard Lefebvre
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Languages : en
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Languages : en
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Lettre de Charles-Edouard Lefèbvre à la Société des concerts, 11 mai 1913
Author: Charles-Édouard Lefebvre
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Languages : en
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Publisher:
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Lettre de Charles Edouard Lefebvre à Marthe Bouvaist, Paris, 23 avril 1915
Author: Charles-Édouard Lefebvre
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Category :
Languages : en
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Publisher:
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1 lettre de Charles Lefebvre à Charles Nuitter, 4 janvier 1890
Author: Charles-Édouard Lefebvre
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Languages : fr
Pages : 2
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Category :
Languages : fr
Pages : 2
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Lettre de Lefebvre à Monsieur Weckerlin, 12 Mars 1887
Author: Lefebvre (Madame Faure.)
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Languages : en
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Dix lettres de Charles Lefebvre à Julien Hamelle, 1883-1915
Author: Charles-Édouard Lefebvre
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Category :
Languages : en
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Publisher:
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The New Laokoon
Author: Irving Babbitt
Publisher:
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Category : Philosophy
Languages : en
Pages : 280
Book Description
Publisher:
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Category : Philosophy
Languages : en
Pages : 280
Book Description
Seeing Sarah Bernhardt
Author: Victoria Duckett
Publisher: University of Illinois Press
ISBN: 9780252039669
Category : Performing Arts
Languages : en
Pages : 248
Book Description
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
Publisher: University of Illinois Press
ISBN: 9780252039669
Category : Performing Arts
Languages : en
Pages : 248
Book Description
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.