Lettre de André Caplet à Guy Ropartz, Paris, (sans date) PDF Download
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Author: André Caplet
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: André Caplet
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: André Caplet
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Guy Ropartz
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
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Book Description
Author: Guy Ropartz
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
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Book Description
Author: André Caplet
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Guy Ropartz
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: André Caplet
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Category :
Languages : en
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Book Description
Author: James E. Frazier
Publisher: University Rochester Press
ISBN: 9781580462273
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
Drawing on the accounts of those who knew Duruflé personally as well as on Frazier's own detailed research, this new biography offers a broad sketch of this modest and elusive man, widely recognized today for having created some of the greatest works in the organ repertory - and the masterful Requiem. Frazier also examines the career and contributions of Duruflé's wife, the formidable organist Marie-Madeleine Duruflé-Chevalier.
Author: C̩sar Franck
Publisher: Alfred Music
ISBN: 9781457479298
Category : Music
Languages : en
Pages : 124
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Book Description
The collection of 59 short works known as "L'Organiste" was written by Cesar Franck in 1889 and 1890 for the harmonium and is most often played on organ. This score is an exact reprint of the original edition published by Enoch (Paris) in 1892.
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
