Lettre autographe signée d'Etienne de Jouy au directeur de l'Opéra, 26 juin 1812

Lettre autographe signée d'Etienne de Jouy au directeur de l'Opéra, 26 juin 1812 PDF Author: Étienne de Jouy
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Category :
Languages : fr
Pages : 2

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Lettre autographe signée d'Etienne de Jouy au directeur de l'Opéra, 26 juin 1812

Lettre autographe signée d'Etienne de Jouy au directeur de l'Opéra, 26 juin 1812 PDF Author: Étienne de Jouy
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Lettre autographe signée d'Etienne de Jouy (sans lieu ni date)

Lettre autographe signée d'Etienne de Jouy (sans lieu ni date) PDF Author: Étienne de Jouy
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Lettre autographe signée d'Etienne Nicolas Méhul à Picard, directeur de l'Opéra, (1er août 1812)

Lettre autographe signée d'Etienne Nicolas Méhul à Picard, directeur de l'Opéra, (1er août 1812) PDF Author: Étienne-Nicolas Méhul
Publisher:
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Category :
Languages : fr
Pages : 1

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Lettre autographe signée d'Adolphe Sax au directeur de l'Opéra, Paris, 13 juin 1860

Lettre autographe signée d'Adolphe Sax au directeur de l'Opéra, Paris, 13 juin 1860 PDF Author: Adolphe Sax
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Category :
Languages : fr
Pages : 2

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Lettre autographe signée d'E. Daran adressée au Directeur de l'Opéra, 21 juillet 1879

Lettre autographe signée d'E. Daran adressée au Directeur de l'Opéra, 21 juillet 1879 PDF Author: E. Daran
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Category :
Languages : fr
Pages : 2

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Memoirs of an Egotist

Memoirs of an Egotist PDF Author: Stendhal
Publisher: Read Books Ltd
ISBN: 1528765311
Category : Biography & Autobiography
Languages : en
Pages : 128

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This book contains the memoirs of Stendahl or in his own words the 'chatter about his private life' between 1821 and 1830. It was between these dates that he moved to Paris and here looks back on his life as an eccentric bachelor. 'As well as Beyle the clairvoyant self-investigator, the sardonic analyst of Parisian salon society and deliberate cultivator of wit, here emerges Beyle the despairing lover, the shakespearean enthusiast, whose romantic sentiment run always parallel with his eighteenth-century logic'. Marie-Henri Beyle - better-known by his pen name, Stendhal - was born in Grenoble, France in 1783. He turned to writing after the final defeat of Napoleon in 1815, notable works include A Life of Rossini (1824), A Life of Napoleon (1929) and The Red and the Black published in 1830. A number of works were published posthumously, including Lamiel (1889), Memoirs of an Egotist (1892) and Lucien Leuwen (1894). Stendhal is now regarded as one of the earliest and foremost practitioners of literary realism.

Confessions of a Literary Archaeologist

Confessions of a Literary Archaeologist PDF Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236

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The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.

Composition as Explanation

Composition as Explanation PDF Author: Gertrude Stein
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 18

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Book Description
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.

International Review of Missions

International Review of Missions PDF Author:
Publisher:
ISBN:
Category : Mission of the church
Languages : en
Pages : 696

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Salons, Singers and Songs

Salons, Singers and Songs PDF Author: David Tunley
Publisher: Routledge
ISBN: 1351550209
Category : Music
Languages : en
Pages : 245

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Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive research into the musical press of the period, David Tunley paints a vivid portrait of the nineteenth-century Parisien salons and the performers who sang in them. Against this colourful backdrop, he discusses the development of French romantic song, with its hallmarks of simplicity and clarity of diction. Combined with Italian influences and the impression made by Schubert's songs, the French romance developed into a form with greater complexity - the m die. Salons, Singers and Songs describes this transformation and the seeds it sowed for music by later composers such as Faur Duparc and Debussy.